Staged Bodies
Passing, Performance, and Masquerade in Charles W. Chesnutt's The House Behind the Cedars
Bibliographic Data
| ID | 5310475 |
|---|---|
| Authors | Margaret Toth, Margaret A Toth (Manhattan College, corresponding author) |
| Year | 2012 |
| Volume | 37 |
| Issue | 4 |
| Pages | 69-91 |
| Publication date | 2012-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | MELUS Multi-Ethnic Literature of the United States (JOURNAL) |
| Journal identifiers | ISSN: 0163-755X • E-ISSN: 1946-3170 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1353/mel.2012.0062 |
| OpenAlex | W2166247570 |
| Language | EN |
| Citations received | 2 |
| References cited | 7 |
Journal Article Staged Bodies: Passing, Performance, and Masquerade in Charles W. Chesnutt's The House Behind the Cedars Get access Margaret Toth Margaret Toth Manhattan College Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 4, December 2012, Pages 69–91, https://doi.org/10.1353/mel.2012.0062 Published: 01 December 2012
Art · Art history · Media studies · Sociology · Art, Politics, and Modernism · Cinema and Media Studies · Photography and Visual Culture
| Citations per year | 0.33 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |