Georg W Bertram
Biographic Data
| ID | 4523474 |
|---|---|
| NAME | Georg W Bertram |
| GIVEN NAMES | Georg W |
| FAMILY NAME | Bertram |
| SIGNATURE | BERTRAM G W |
| AFFILIATIONS | Freie Universität Berlin , Berlin , Germany |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1927 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
The Heterogeneity of the Arts: Rethinking Hegel’s System of the Arts
Cet article propose une réinterprétation du système des arts de Hegel. Il montre que ce système contient deux affirmations apparemment contradictoires. D’une part, Hegel soutient que les différents arts ont leurs propres potentialités et accomplissements, irréductibles les uns aux autres. D’autre part, il affirme que ces potentialités et accomplissements ne peuvent être compris que dans le cadre d’une conception d’ensemble de l’art pris en totali…
Dos concepciones de la segunda naturaleza
El concepto de segunda naturaleza promete proporcionar una explicación de cómo la naturaleza y la razón se pueden reconciliar. Pero dicho concepto está cargado de ambigüedad: se entiende como aquello que une todas las actividades cognitivas y se concibe como un tipo de naturaleza que puede ser modificada por actividades cognitivas. Se intenta investigar esta ambigüedad distinguiendo una concepción kantiana de otra hegeliana. Se sostiene que la id…
Inwiefern ist Musik als subjektiver Ausdruck zu begreifen?
Georg Bertram widmet sich in diesem Beitrag der Bestimmung von Musik als subjektivem Ausdruck. Dabei geht er von der Frage aus, was subjektiven Ausdruck überhaupt ausmacht, und macht von ihr her einen Vorschlag dazu, wie die Eigenständigkeit von Musik damit in Einklang gebracht werden kann, ihr einen Beitrag zum subjektiven Ausdruck zuzuschreiben. Daraus werden zuletzt einige programmatische Konsequenzen gezogen, die sowohl musik- als auch subjek…
Two Conceptions of Second Nature
The concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of…
We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices
The article presents the conceptual groundwork for an understanding of the essentially improvisational dimension of human rationality. It aims to clarify how we should think about important concepts pertinent to central aspects of human practices, namely, the concepts of improvisation, normativity, habit, and freedom. In order to understand the sense in which human practices are essentially improvisational, it is first necessary to criticize misc…
Towards a Conflict Theory of Recognition: On the Constitution of Relations of Recognition in Conflict
In this paper, we develop an understanding of recognition in terms of individuals’ capacity for conflict. Our goal is to overcome various shortcomings that can be found in both the positive and negative conceptions of recognition. We start by analyzing paradigmatic instances of such conceptions—namely, those put forward by Axel Honneth and Judith Butler. We do so in order to show how both positions are inadequate in their elaborations of recognit…
Le chemin sur les eaux considéré comme motif de salut dans la piété chrétienne primitive. Étude méthodologique et exemple d'application de la «Formgeschichtliche Methode
Bertram Georg. Le chemin sur les eaux considéré comme motif de salut dans la piété chrétienne primitive. Étude méthodologique et exemple d'application de la «Formgeschichtliche Methode». In: Revue d'histoire et de philosophie religieuses, 7e année n°6, Novembre-décembre 1927. pp. 516-540
We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices
The article presents the conceptual groundwork for an understanding of the essentially improvisational dimension of human rationality. It aims to clarify how we should think about important concepts pertinent to central aspects of human practices, namely, the concepts of improvisation, normativity, habit, and freedom. In order to understand the sense in which human practices are essentially improvisational, it is first necessary to criticize misc…
Two Conceptions of Second Nature
The concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of…
Le chemin sur les eaux considéré comme motif de salut dans la piété chrétienne primitive. Étude méthodologique et exemple d'application de la «Formgeschichtliche Methode
Bertram Georg. Le chemin sur les eaux considéré comme motif de salut dans la piété chrétienne primitive. Étude méthodologique et exemple d'application de la «Formgeschichtliche Methode». In: Revue d'histoire et de philosophie religieuses, 7e année n°6, Novembre-décembre 1927. pp. 516-540
Towards a Conflict Theory of Recognition: On the Constitution of Relations of Recognition in Conflict
In this paper, we develop an understanding of recognition in terms of individuals’ capacity for conflict. Our goal is to overcome various shortcomings that can be found in both the positive and negative conceptions of recognition. We start by analyzing paradigmatic instances of such conceptions—namely, those put forward by Axel Honneth and Judith Butler. We do so in order to show how both positions are inadequate in their elaborations of recognit…
Two Conceptions of Second Nature
The concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of…
We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices
The article presents the conceptual groundwork for an understanding of the essentially improvisational dimension of human rationality. It aims to clarify how we should think about important concepts pertinent to central aspects of human practices, namely, the concepts of improvisation, normativity, habit, and freedom. In order to understand the sense in which human practices are essentially improvisational, it is first necessary to criticize misc…
Inwiefern ist Musik als subjektiver Ausdruck zu begreifen?
Georg Bertram widmet sich in diesem Beitrag der Bestimmung von Musik als subjektivem Ausdruck. Dabei geht er von der Frage aus, was subjektiven Ausdruck überhaupt ausmacht, und macht von ihr her einen Vorschlag dazu, wie die Eigenständigkeit von Musik damit in Einklang gebracht werden kann, ihr einen Beitrag zum subjektiven Ausdruck zuzuschreiben. Daraus werden zuletzt einige programmatische Konsequenzen gezogen, die sowohl musik- als auch subjek…
Dos concepciones de la segunda naturaleza
El concepto de segunda naturaleza promete proporcionar una explicación de cómo la naturaleza y la razón se pueden reconciliar. Pero dicho concepto está cargado de ambigüedad: se entiende como aquello que une todas las actividades cognitivas y se concibe como un tipo de naturaleza que puede ser modificada por actividades cognitivas. Se intenta investigar esta ambigüedad distinguiendo una concepción kantiana de otra hegeliana. Se sostiene que la id…
The Heterogeneity of the Arts: Rethinking Hegel’s System of the Arts
Cet article propose une réinterprétation du système des arts de Hegel. Il montre que ce système contient deux affirmations apparemment contradictoires. D’une part, Hegel soutient que les différents arts ont leurs propres potentialités et accomplissements, irréductibles les uns aux autres. D’autre part, il affirme que ces potentialités et accomplissements ne peuvent être compris que dans le cadre d’une conception d’ensemble de l’art pris en totali…
Epistemology (4 works) · Humanities (4 works) · Philosophical Ethics and Theory (4 works) · Art (3 works) · Hegelianism (3 works) · Philosophy (3 works) · Sociology (3 works) · Philosophy (2 works) · Philosophy and Historical Thought (2 works) · Psychology (2 works)