Caroline Damiens
Biographic Data
| ID | 453064 |
|---|---|
| NAME | Caroline Damiens |
| GIVEN NAMES | Caroline |
| FAMILY NAME | Damiens |
| SIGNATURE | DAMIENS C |
| AFFILIATIONS | Université Paris Nanterre |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
A Siberian History of Soviet Film
This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's evolving perception of modernity. Caroline Damiens combines a detailed analysis of key works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking t…
Film exhibition for indigenous people in Soviet Siberia
International audience
"Filming Back" in siberian indigenous cinema
This paper examines the Siberian films by Anastasia Lapsui and Markku Lehmuskallio. It focuses on filmic means em-ployed in order to "film back" to outsider cinema. Applying film analysis as a method, it demonstrates how film form can be as political as content when used to give voice to Siberia indige-nous peoples and re-view earlier Soviet discourse of equality, integration and progress. It highlights two aesthetic strategies used by the filmma…
Un siècle d'images filmiques de la Tchoukotka
Cet article examine la représentation filmique de la Tchoukotka et de ses habitants depuis les premiers temps de l’image animée jusqu’aux films diffusés sur Internet. Ce siècle d’images filmiques de la Tchoukotka peut être divisé en trois grands moments. Le premier est celui du début du cinéma muet, où la Tchoukotka attire des opérateurs de divers horizons à la recherche d’images spectaculaires d’un bout du monde et de ses habitants « exotiques »…
No prominent works on this page.
Un siècle d'images filmiques de la Tchoukotka
Cet article examine la représentation filmique de la Tchoukotka et de ses habitants depuis les premiers temps de l’image animée jusqu’aux films diffusés sur Internet. Ce siècle d’images filmiques de la Tchoukotka peut être divisé en trois grands moments. Le premier est celui du début du cinéma muet, où la Tchoukotka attire des opérateurs de divers horizons à la recherche d’images spectaculaires d’un bout du monde et de ses habitants « exotiques »…
"Filming Back" in siberian indigenous cinema
This paper examines the Siberian films by Anastasia Lapsui and Markku Lehmuskallio. It focuses on filmic means em-ployed in order to "film back" to outsider cinema. Applying film analysis as a method, it demonstrates how film form can be as political as content when used to give voice to Siberia indige-nous peoples and re-view earlier Soviet discourse of equality, integration and progress. It highlights two aesthetic strategies used by the filmma…
Film exhibition for indigenous people in Soviet Siberia
International audience
A Siberian History of Soviet Film
This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's evolving perception of modernity. Caroline Damiens combines a detailed analysis of key works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking t…
Art (3 works) · History (3 works) · Memory, Trauma, and Commemoration (3 works) · Political science (3 works) · Soviet and Russian History (3 works) · Art history (2 works) · History (2 works) · Indigenous (2 works) · Law (2 works) · Law (2 works)