Film exhibition for indigenous people in Soviet Siberia
‘Cinema-Coming’ and Political Enlightenment in the Red Yurt
Bibliographic Data
| ID | 11816612 |
|---|---|
| Authors | Caroline Damiens (Université Paris Nanterre, corresponding author) |
| Year | 2023 |
| Volume | 21 |
| Issue | 2 |
| Pages | 189-207 |
| Publication date | 2023-04-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460654.2023.2209939 |
| OpenAlex | W4376616319 |
| Language | EN |
| References cited | 23 |
International audience
Archaeology · Art · Art history · Colonialism · Context (archaeology · Enlightenment · Exhibition · Ideology · Indigenous · Media studies · Movie theater · Political science · Politics · Sociology · Visual arts · Decolonial Thought and Epistemologies · History · Hong Kong and Taiwan Politics · Law · Memory, Trauma, and Commemoration
Veiled Empire
Signal and Noise
Notes sur les structures et les modalités de diffusion du documentaire colonial en Algérie
Gender Epistemologies and Eurasian Borderlands
The Birth of the Propaganda State
Discordant Trajectories of the (Post-)Soviet (Post)Colonial Aesthetics
Watching the astonishment of the native
Du cinéma muet au cinéma parlant
Nomadic Hearths of Soviet Culture
Struggling for a New Way of Life
Empire of Illusions
The Panicking Audience
| Citation velocity | historical |
|---|---|
| Highly cited | No |