Niall O'Loughlin
Biographic Data
| ID | 4540696 |
|---|---|
| NAME | Niall O'Loughlin |
| GIVEN NAMES | Niall |
| FAMILY NAME | O'Loughlin |
| SIGNATURE | LOUGHLIN N O |
| VERIFIED | No |
| TOTAL WORKS | 216 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 216 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Slovenian Music in its Central European Context
Slovenia has had a rich and varied musical histoiy, despite the fact that it was part of the Habsburg Empire and then a constituent part of Yugoslavia. Its recent smooth transition to independence and its realignment with Central Europe have been noteworthy. In the past, Slovene or part-Slovene composers such as Gallus, Tartini and Wolf worked abroad, while in the 20th century composers normally returned to Slovenia after studying abroad. For exa…
Risto Savin in slovenska identiteta
Po poklicu profesionalni avstro-ogrski vojak Risto Savin je v svojem skadateljskem delu postopno razvil slovensko glasbeno identiteto. Sprva je pisal za glas, klavir in komorne zasedbe v nemškem slogu, potem je pa začel skladati na slovensko poezijo Antona Aškerca (1895) in napisal svojo prvo kratko opero, Poslednja straža (1904). Slog, ki ga je razvil pri tem, je predstavljal osnovo za njegovo prvo veliko opero Lepa Vida (1907)
Vrnitev k starim tehnikam v nedavnih koncertih Iva Petrića
Potem ko se je v osemdesetih letih vrnil k običajni menzuralni notaciji, je Ivo Petrić napisal številne nove koncerte. V štirih takih delih za solo instrument in orkester so navkljub spremembi stila tako instrumentalne tehnike kot oblikovne zasnove ostale podobne
Slovenska glasba v poznem 20. in zgodnjem 21. stoletju
V poznem 20. in zgodnjem 21. stoletju glasba na Slovenskem teži k modernizmu ali postmodernizmu. Glede na nenehno medsebojno izmenjevanje kompozicijskih tehnik postaja razločevanje med skladatelji vse manj pomembno
Intellectual Magic
Throughout the history of music there has often been a conflict between the old and the new. This applies very much to the music of the English composer, Hugh Wood (b.1932). Studying history, and later composition with Anthony Milner, Iain Hamilton and Mátyás Seiber, he respectively gained from them beauty of music, especially melody, and a mastery of counterpoint; the technique of twelve-note serialism; and a varied and undogmatic approach to co…
What is English music? The Twentieth Century Experience
Many countries in the 19th century wanted to assert their national character, with music being one way of doing so. We can distinguish four ways in which in music national identity can be established: composers may use the folk music, they can base their music on folk music, they can set the words of a nation to music and the last possibility can be found in the idea of an association of certain music with specific events and festivities in a tra…
Interconnecting Musicologies
This paper aims to establish a possible model for a multi-dimensional approach to understanding a complex musical work, using a number of interconnecting musicologies. In the 19th century the symphony was often considered an abstract musical creation, but in other cases a programmatic work. The first four symphonies of Gustav Mahler are programmatic in that three set words to music, while extra-musical interpretations can easily be inferred for a…
Expressive Emotion and Symphonic Economy
The music of Uroš Krek combines symphonic economy with expressive emotion. Even in the earlier neo-classical and folk music influenced works, this character was evident. Many of these works are written for string instruments for which Krek has a particular interest and affinity. The music of the 1970s contains an extensive use of a highly developed motivic activity which shows his flexible approach. His motives change by rhythm, inversion, reorde…
Concertante techniques in Trois images by Ivo Petrić
The large-scale romantic concerto has been reevaluated by many composers of the 20th century. These have included Stravinsky, Honegger and Frank Martin, who have all tended to compose on a much smaller scale. One such work is Ivo Petrić's Trois images, a violin concerto dating from 1972-73. It displays an ambiguous approach to form, the relationships between the soloist and orchestra, the use of musical motives and the idea of the concerto. On th…
The Hidden Programme of Mahler's Seventh Symphony
The overall meaning of the Seventh Symphony of Gustav Mahler has consistently puzzled analysts and musicologists. While some parts have been understood and praised and others heavily criticised, much continues to hide its significance, a fact that hinders any real grasp of the whole work. The aim of the paper is to employ different critical and analytical methods and philosophies (structural analysis, investigation of imagery, narrative in music,…
The Rondo in Mahler's Middle Period Symphonies
The Rondo in Mahler's Middle Period Symphonies: Valid Model or Useful Abstraction
Process as Musical Form in the Music of Milan Stibilj
Process as Musical Form in the Music of Milan Stibilj
Melodični postopki v glasbi Iva Petrića
Glasba Iva Petrića (r. 1931) je bila vedno melodično usmerjena. Obenem pa je skladatelj vedno kazal in še vedno kaže zanimanje za instrumentalne tehnike in barve ter za prepričljivo formo. Njegova glasba petdesetih let, še posebej Sonate za pihalne instrumente, odseva tradicionalen pristop melodičnega pisanja, medtem ko v Sonatah za klarinet in rog postanejo Hindemithovi vplivi očitni. Precejšnjo melodično fleksibilnost kaže Klarinetni koncert, t…
Music in Slovenia. In the First of Two Articles, Niall O'Loughlin Introduces the Rich Musical Heritage of One of Europe's Most Newly Independent Countries
Niall O'Loughlin, Music in Slovenia. In the First of Two Articles, Niall O'Loughlin Introduces the Rich Musical Heritage of One of Europe's Most Newly Independent Countries, The Musical Times, Vol. 134, No. 1800 (Feb., 1993), pp. 74-77
Versuch Einer Anweisung die Flote Traversiere Zu Spielen
Music in Slovenia
The Diligent Flautist
Alojz Srebotnjak's Use of Twelve-Note Techniques
Alojz Srebotnjak's Use of Twelve-Note Techniques
Clarinet Concertos
Flute Miscellany
Majestic Mozart
Modern Flute
Wind Quintets
Wind Chamber
Modern Brass
No prominent works on this page.
Reeders' Guide
Trumpet
Wind
Woodwind
Johann Melchior Molter
Portrait of Debussy. 7
Wind Playing
Brass
Flute and Oboe
Wind Ensemble
Easy Wind
Th-Century Wind
Modern Flute
Modern Brass
Th-Century Wind
Bernstein
American Brass
Baroque Music for Wind
Clarinet Sonatas
Wind Ensemble
Woodwind
Konzertstuck; Divertimento; Rondo Arlecchinesco; Concertino
Wind Quintets
Clarinet Concertos nos 1 and 2
Flute Concertos
Art (163 works) · Musicology and Musical Analysis (71 works) · Art history (51 works) · Physics (42 works) · Diverse Musicological Studies (39 works) · Environmental Science (38 works) · Computer Science (27 works) · Flute (23 works) · Music Technology and Sound Studies (23 works) · Concerto (21 works)