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What is English music? The Twentieth Century Experience

Bibliographic Data

ID14780739
AuthorsNiall O'Loughlin, Niall O’Loughlin (Loughborough University, corresponding author)
Year2007
Volume43
Issue1
Pages147-166
Publication date2007-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusicological Annual (JOURNAL)
Journal identifiersISSN: 0580-373X • E-ISSN: 2350-4242
PublisherUniversity of Ljubljana (PUBLISHER • SI)
DOI10.4312/mz.43.1.147-166
OpenAlexW2472301301
LanguageEN

Many countries in the 19th century wanted to assert their national character, with music being one way of doing so. We can distinguish four ways in which in music national identity can be established: composers may use the folk music, they can base their music on folk music, they can set the words of a nation to music and the last possibility can be found in the idea of an association of certain music with specific events and festivities in a tradition. The author discusses in detail these four possibilities of the establishment of Englishness in music in 20th century

Aesthetics · Art · Folk music · Literature · Music education · Music history · Musical · Musicology · National identity · Philosophy of music · Political science · Politics · Popular music · Traditional music · Visual arts · Law · Music · Musicology and Musical Analysis · Theater, Performance, and Music History

Citation velocityhistorical
Highly citedNo

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