Marvin D'Lugo
Biographic Data
| ID | 4546315 |
|---|---|
| NAME | Marvin D'Lugo |
| GIVEN NAMES | Marvin |
| FAMILY NAME | D'Lugo |
| SIGNATURE | LUGO M D |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Films of Carlos Saura
Los amantes pasajeros
Los amantes pasajeros (2013) comes at a difficult moment in Almodóvar's career, when his cinema appears disengaged from his local Spanish audience and when critics and viewers abroad have responded tepidly to his more recent films. In an effort to repair these audience links, the film mobilizes a dense textual layering and allusions that incorporate into a contemporary comedy Spanish nostalgic tropes from Almodóvar's past, almost as if the author…
El extraño viaje alrededor del cine de Almodóvar
(2004). El extrano viaje alrededor del cine de Almodovar. Journal of Spanish Cultural Studies: Vol. 5, No. 3, pp. 287-300
The Films of Carlos Saura
The time of the nation
Homi K. Bhabha, ed., Nation and Narration. London and New York: Routledge, 1990. 333 pages
The Films of Carlos Saura. The Practice of Seeing
Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden …
Carlos Saura
(1983). Carlos Saura: Constructive imagination in post‐Franco cinema. Quarterly Review of Film Studies: Vol. 8, The New Spanish Cinema, pp. 35-47
The time of the nation
Homi K. Bhabha, ed., Nation and Narration. London and New York: Routledge, 1990. 333 pages
Carlos Saura
(1983). Carlos Saura: Constructive imagination in post‐Franco cinema. Quarterly Review of Film Studies: Vol. 8, The New Spanish Cinema, pp. 35-47
The Films of Carlos Saura. The Practice of Seeing
Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden …
The Films of Carlos Saura
The time of the nation
Homi K. Bhabha, ed., Nation and Narration. London and New York: Routledge, 1990. 333 pages
El extraño viaje alrededor del cine de Almodóvar
(2004). El extrano viaje alrededor del cine de Almodovar. Journal of Spanish Cultural Studies: Vol. 5, No. 3, pp. 287-300
Los amantes pasajeros
Los amantes pasajeros (2013) comes at a difficult moment in Almodóvar's career, when his cinema appears disengaged from his local Spanish audience and when critics and viewers abroad have responded tepidly to his more recent films. In an effort to repair these audience links, the film mobilizes a dense textual layering and allusions that incorporate into a contemporary comedy Spanish nostalgic tropes from Almodóvar's past, almost as if the author…
Films of Carlos Saura
Art (6 works) · Spanish Culture and Identity (4 works) · Aesthetics (2 works) · Humanities (2 works) · Literature (2 works) · Movie theater (2 works) · Spanish History and Politics (2 works) · Art history (1 works) · Carlos Saura (1932-) (1 works) · Cinema and Media Studies (1 works)