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The Films of Carlos Saura. The Practice of Seeing

Bibliographic Data

ID9872957
AuthorsMalcom Alan Compitello, Marvin D’lugo, Marvin D'Lugo
Year1992
Volume75
Issue3
Pages566
Publication date1992-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHispania (JOURNAL)
Journal identifiersISSN: 0018-2133 • E-ISSN: 2153-6414
PublisherJSTOR (PUBLISHER)
DOI10.2307/344114
OpenAlexW1977215833
LanguageEN
Citations received14

Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden Age--that tend to isolate Spaniards from the rest of Europe, from each other, and from their own individuality. In this first English-language book on Saura, Marvin D'Lugo looks at the social and artistic forces behind this film auteur's highly personal cinema. Tracing Saura's career over three decades, D'Lugo discusses each work from Hooligans (1959), a realist film about a Madrid street-gang member trying to become a bullfighter, to The Dark Night (1989), a film dealing with the persecution of the religious reformer St. John of the Cross in the late sixteenth century. Throughout he argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. D'Lugo shows how in order to explore the complex cultural politics of Spanishness as it was institutionalized under Franco, Saura frames his narrations through the eyes of characters who question the forces that shape personal and collective identity. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society

Art · Humanities · Spanish Culture and Identity

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    Alice Macdonald•Journal of Iberian & Latin…•1998

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    Fernando Canet•Hispanic Research Journal•2014

  • Queering Post-War Childhood

    Erin Hogan, Erin K Hogan•Hispanic Research Journal•2016

  • Actitudes ante el recuerdo en el cine de ficción de Carlos Saura durante el tardofranquismo y la Transición Española

    Open Access•José Antonio Planes Pedreño•Historia y Comunicación Social•2020

  • The filming of colonial Spanish America

    Cynthia Stone, Cynthia Leigh Stone•Colonial Latin American Review•1996

  • Nation and Anti-Nation

    Philip Rosen•Diaspora A Journal of Transnational…•1996

  • Flamenco Trilogy. 1981; 1983; 1986. Directed by Carlos Saura, 4 hours 15 minutes. Spain

    Open Access•ESTELA IBÁÑEZ-GARCÍA, Ibáñez-García Estela•Yearbook for Traditional Music•2020

  • Memory and Modernity in Democratic Spain

    Jo Labanyi•Poetics Today•2007

  • Los abismos del cainismo

    Stephen D Gingerich•Modern Language Notes•2014

  • Ageing and Coming of Age in Carlos Saura's La caza ( The Hunt, 1965)

    Sally Faulkner•Modern Language Notes•2005

  • Buñuel's Mexico, Saura's Tango

    Open Access•Marina Perez De Mendiola•Chasqui•2006

Unique citing works14
Citations per year0,47
Citation span1996 - 2020 (25)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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