Daniel O'Quinn
Biographic Data
| ID | 4560245 |
|---|---|
| NAME | Daniel O'Quinn |
| GIVEN NAMES | Daniel |
| FAMILY NAME | O'Quinn |
| SIGNATURE | QUINN D O |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 3 |
Sporting Cultures, 1650–1850
In the eighteenth century sport as we know it emerged as a definable social activity. Hunting and other country sports became the source of significant innovations in visual art; racing and boxing generated important subcultures; and sport's impact on good health permeated medical, historical, and philosophical writings. Sporting Cultures, 1650-1850 is a collection of essays that charts important developments in the study of sport in the eighteen…
Sporting Cultures, 1650-1850
Entertaining Crisis in the Atlantic Imperium, 1770–1790
Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness AwardsLess than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of…
The Cambridge Companion to British Theatre, 1730–1830
This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its mos…
Staging Governance: Theatrical Imperialism in London, 1770-1800
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death
(1997). The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death. Nineteenth-Century Contexts: Vol. 20, No. 3, pp. 261-286
Entertaining Crisis in the Atlantic Imperium, 1770–1790
Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness AwardsLess than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of…
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death
(1997). The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death. Nineteenth-Century Contexts: Vol. 20, No. 3, pp. 261-286
The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death
(1997). The gog and the magog of Hunnish desolation: De Quincey, kant and the practice of death. Nineteenth-Century Contexts: Vol. 20, No. 3, pp. 261-286
Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange
Scissors and Needles: Inchbald’s Wives as They Were, Maids as They Are and the Governance of Sexual Exchange Daniel O’Quinn* (bio) Elizabeth Inchbald’s Wives as They Were, Maids as They Are opened on March 4, 1797 at Covent Garden to strong reviews and even stronger receipts, but I want to open this reading of Inchbald’s play in the other patent theatre. 1 Drury Lane audiences had a steady diet of suffering women whose ideological function had ch…
Gardening, History, and the Escape from Time: "Derek Jarman's "Modern Nature
I would like to thank Jim Ellis, Deborah Esch, Jody Greene, Dana Luciano, and Charles Reeve for their encouragement and their insightful commentary on earlier drafts of this essay. 1. Sackville-West's poem resonates with much of Jarman's discussion of his own garden and with his filmic practice in the late 1980s. Her attempts to counter great tragedies with pleasures may well be on Jarman's mind when he argues for a cinema of small gestures in re…
Mercantile Deformities: George Colman's Inkle and Yarico and the Racialization of Class Relations
Of all the late eighteenth-century comedies set in colonial spaces none is as important as George Colman's highly successful comic opera Inkle and Yarico (1787) for understanding the relationship between shifts in British imperial policy and the racialization of class on the London stage. 1 Of crucial importance is the apparent contradiction between the play's supposed abolitionist gestures and its explicitly racist representations of Africans an…
Staging Governance: Theatrical Imperialism in London, 1770-1800
The Cambridge Companion to British Theatre, 1730–1830
This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its mos…
Entertaining Crisis in the Atlantic Imperium, 1770–1790
Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness AwardsLess than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of…
Sporting Cultures, 1650–1850
In the eighteenth century sport as we know it emerged as a definable social activity. Hunting and other country sports became the source of significant innovations in visual art; racing and boxing generated important subcultures; and sport's impact on good health permeated medical, historical, and philosophical writings. Sporting Cultures, 1650-1850 is a collection of essays that charts important developments in the study of sport in the eighteen…
Sporting Cultures, 1650-1850
Art (4 works) · History (4 works) · Political science (4 works) · Art history (3 works) · Historical Influence and Diplomacy (3 works) · History (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Literature: history, themes, analysis (3 works)