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The Cambridge Companion to British Theatre, 1730–1830

Bibliographic Data

ID19923255
AuthorsDaniel O’quinn (University of Guelph, corresponding author), Daniel O'Quinn
EditorsJane Moody
Year2007
Pages285
Publication date2007-10-25
Open AccessYes
TypeBOOK
VenueThe Cambridge companion to British theatre, 1730-1830 (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/ccol9780521852371
OpenAlexW568086339
Open LibraryOL34482887M
ISBN9780521852371
LanguageEN
Citations received8

This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its most influential playwrights and the professional lives of celebrated performers such as James Quin, George Anne Bellamy, John Philip Kemble, Dora Jordan, Fanny Abington and Sarah Siddons. The volume includes essential chapters about eighteenth-century acting, production and audiences, important surveys of key theatrical forms such as tragedy, comedy, melodrama and pantomime as well as a range of exciting thematic essays on subjects such as private theatricals, 'black' theatre and the representation of empire

Ancient history · Art · Art history · Comedy · Empire · George (robot) · Humanities · Literature · Performance art · Political science · Romance · Scholarship · Tragedy (event) · History · Law · Literature: history, themes, analysis · Philippine History and Culture · Theater, Performance, and Music History · 18th century · 19th century · Great britain · Theater

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Unique citing works8
Citations per year0,53
Citation span2011 - 2020 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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