D Han
Biographic Data
| ID | 46558 |
|---|---|
| NAME | D Han |
| GIVEN NAMES | D |
| FAMILY NAME | Han |
| SIGNATURE | HAN D |
| AFFILIATIONS | Southern Illinois University Carbondale |
| ORCID | 0000-0003-3193-997X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Proprietary control in cyberspace
Drawing on critical research on the political economy of the media and intellectual property rights (IPR), this research examines copyright growth in China’s digital media. It sees copyright development as the creation of private cultural property, an ongoing process and part of China’s media marketization and the globalization of IPR. It focuses on three critical moments in the creation of digital copyright: the invention of ground rules by stat…
Paid Posting in Chinese Cyberspace
This research examines paid online posting and its regulation in China. Profit-driven manipulation of online conversations, including paid posting and the so-called “dark public relations,” is a widespread problem on the Chinese Internet. Governmental regulation on paid posting, however, is ambiguous and inadequate. This research proposes a new approach to conceptualize paid posting. It argues that paid posting is a controversial form of content …
From vagueness to clarity? Articulating legal criteria of digital content regulation in China
This research examines China’s laws and regulations on digital media content, which have developed and transformed along with the market-oriented media reform and Internet growth. It argues that there has been a continuous effort to articulate legal criteria of content regulation since the early 1980s. The body of laws regulating digital content today does not show across-the-board vagueness, but an ‘unbalanced’ development with elaborated rules …
Use’ is an anagram of ‘sue’
The role of copyright in cultural control and resistance in Chinese cyberspace is an under-researched topic. This article studies the copyright controversy of an online video in 2006, as well as the dynamics and features of a social mobilization triggered by the video. It argues that Chinese copyright law has very stringent limitations on ‘fair use’, the use of copyrighted works for public or non-market interest and purposes. Under specific techn…
Copyrighting Media Labor and Production
This article examines the role of copyright in production and labor relations within media institutions. Specifically, it examines China Central Television’s (CCTV’s) copyright reform and argues that developmental strategies and market conditions may diminish or promote copyright’s role in commercial media. In CCTV’s case, two factors contributed to the insignificance of copyright in the 1990s, namely, the reliance on advertising as the major rev…
The Middle Classes, Ideological Intention and Resurrection of a Progressive Newspaper
Economic success as a large national daily newspaper and a progressive editorial policy are normally incompatible in the highly commercialized media sector of contemporary capitalist societies. Despite this, a South Korean newspaper, Hankyoreh Shinmun, pursued these two goals simultaneously, relying on public support and employment of the same financial resources as those of the commercial papers (i.e. advertising revenue and subscription fees). …
Use’ is an anagram of ‘sue’
The role of copyright in cultural control and resistance in Chinese cyberspace is an under-researched topic. This article studies the copyright controversy of an online video in 2006, as well as the dynamics and features of a social mobilization triggered by the video. It argues that Chinese copyright law has very stringent limitations on ‘fair use’, the use of copyrighted works for public or non-market interest and purposes. Under specific techn…
Copyrighting Media Labor and Production
This article examines the role of copyright in production and labor relations within media institutions. Specifically, it examines China Central Television’s (CCTV’s) copyright reform and argues that developmental strategies and market conditions may diminish or promote copyright’s role in commercial media. In CCTV’s case, two factors contributed to the insignificance of copyright in the 1990s, namely, the reliance on advertising as the major rev…
The Middle Classes, Ideological Intention and Resurrection of a Progressive Newspaper
Economic success as a large national daily newspaper and a progressive editorial policy are normally incompatible in the highly commercialized media sector of contemporary capitalist societies. Despite this, a South Korean newspaper, Hankyoreh Shinmun, pursued these two goals simultaneously, relying on public support and employment of the same financial resources as those of the commercial papers (i.e. advertising revenue and subscription fees). …
Use’ is an anagram of ‘sue’
The role of copyright in cultural control and resistance in Chinese cyberspace is an under-researched topic. This article studies the copyright controversy of an online video in 2006, as well as the dynamics and features of a social mobilization triggered by the video. It argues that Chinese copyright law has very stringent limitations on ‘fair use’, the use of copyrighted works for public or non-market interest and purposes. Under specific techn…
Copyrighting Media Labor and Production
This article examines the role of copyright in production and labor relations within media institutions. Specifically, it examines China Central Television’s (CCTV’s) copyright reform and argues that developmental strategies and market conditions may diminish or promote copyright’s role in commercial media. In CCTV’s case, two factors contributed to the insignificance of copyright in the 1990s, namely, the reliance on advertising as the major rev…
From vagueness to clarity? Articulating legal criteria of digital content regulation in China
This research examines China’s laws and regulations on digital media content, which have developed and transformed along with the market-oriented media reform and Internet growth. It argues that there has been a continuous effort to articulate legal criteria of content regulation since the early 1980s. The body of laws regulating digital content today does not show across-the-board vagueness, but an ‘unbalanced’ development with elaborated rules …
Paid Posting in Chinese Cyberspace
This research examines paid online posting and its regulation in China. Profit-driven manipulation of online conversations, including paid posting and the so-called “dark public relations,” is a widespread problem on the Chinese Internet. Governmental regulation on paid posting, however, is ambiguous and inadequate. This research proposes a new approach to conceptualize paid posting. It argues that paid posting is a controversial form of content …
Proprietary control in cyberspace
Drawing on critical research on the political economy of the media and intellectual property rights (IPR), this research examines copyright growth in China’s digital media. It sees copyright development as the creation of private cultural property, an ongoing process and part of China’s media marketization and the globalization of IPR. It focuses on three critical moments in the creation of digital copyright: the invention of ground rules by stat…
Law (6 works) · Law (6 works) · Political science (6 works) · Business (5 works) · China (5 works) · Asian Culture and Media Studies (4 works) · China's Socioeconomic Reforms and Governance (4 works) · Economics (4 works) · Advertising (3 works) · Computer Science (3 works)