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Carma Gorman

Biographic Data

ID479467
NAMECarma Gorman
GIVEN NAMESCarma
FAMILY NAMEGorman
SIGNATUREGORMAN C
AFFILIATIONSSouthern Illinois University Carbondale
ORCID0000-0002-9712-1006
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS5
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978

    Carma Gorman•ARTICLE•Design and Culture•2017

    Moderno is an ambitious, eye-opening exhibition featuring more than 130 objects of modern design produced in Brazil, Mexico, and Venezuela between 1940 and 1978. The Blanton Museum of Art’s website

  • Law as a Lens for Understanding Design

    Carma Gorman•ARTICLE•Design and Culture•2014•Cited by: 1

    In this article, which serves as an introduction to a special section of Design and Culture dedicated to design and the law, I propose four reasons why scholars of design would do well to make greater use of the law as a lens for understanding design. First, national laws and international agreements, especially those related to intellectual property (IP), tend to make greater demands of designers and manufacturers than they do of artists. Second…

  • C Virus Monobloc: The Infamous Chair , edited by Arnd Friedrichs and Kerstin Finger

    Carma Gorman•ARTICLE•Design and Culture•2012

    220°C Virus Monobloc: The Infamous Chair, edited by Arnd Friedrichs and Kerstin Finger." Design and Culture, 4(2), pp. 252–253

  • Prime Movers of Globalization: The History and Impact of Diesel Engines and Gas Turbines , by Vaclav Smil

    Carma Gorman•ARTICLE•Design and Culture•2011

    (2011). Prime Movers of Globalization: The History and Impact of Diesel Engines and Gas Turbines, by Vaclav Smil. Design and Culture: Vol. 3, No. 3, pp. 415-417

  • Injury: The Politics of Product Design and Safety Law in the United States by Sarah S. Lochlann Jain

    Carma Gorman•ARTICLE•Design and Culture•2010

  • Faux Real: Genuine Leather and 200 Years of Inspired Fakes by Robert Kanigel

    Carma Gorman•ARTICLE•Design and Culture•2010

    Faux Real: Genuine Leather and 200 Years of Inspired Fakes by Robert Kanigel." Design and Culture, 2(1), pp. 99–100

  • Religion on Demand: Faith-based Design

    Carma Gorman•ARTICLE•Design and Culture•2009•Cited by: 2•References: 1

    This article argues that observant Jews, Christians and Muslims are making use of recent innovations in consumer electronics to strengthen their traditional religious practices, and in turn, that “faith-based designs” such as software- and GPS-enhanced cell phones, clocks, MP3 players, and kitchen appliances are creating a culture of “religion on demand.” The article proposes a typology of recent faith-based designs, arguing that there are five m…

  • Educating the Eye: Body Mechanics and Streamlining in the United States, 1925-1950

    Open Access•Carma Gorman•ARTICLE•American Quarterly•2006•Cited by: 2•References: 5

    Educating the Eye:Body Mechanics and Streamlining in the United States, 1925-1950 Carma R. Gorman (bio) During the second quarter of the twentieth century, many writers on industrial design noted that, prior to about 1925, attractive appearance was not designers' or consumers' priority, at least not in the product categories that a Fortune magazine writer defined in 1934 as the "formerly artless industries": aluminum manufactures, baby carriages,…

  • Fitting Rooms: The Dress Designs of Frank Lloyd Wright

    Carma Gorman, Carma R Gorman•ARTICLE•Winterthur Portfolio•1995

  • Religion on Demand: Faith-based Design

    Carma Gorman•ARTICLE•Design and Culture•2009•Cited by: 2•References: 1

    This article argues that observant Jews, Christians and Muslims are making use of recent innovations in consumer electronics to strengthen their traditional religious practices, and in turn, that “faith-based designs” such as software- and GPS-enhanced cell phones, clocks, MP3 players, and kitchen appliances are creating a culture of “religion on demand.” The article proposes a typology of recent faith-based designs, arguing that there are five m…

  • Educating the Eye: Body Mechanics and Streamlining in the United States, 1925-1950

    Open Access•Carma Gorman•ARTICLE•American Quarterly•2006•Cited by: 2•References: 5

    Educating the Eye:Body Mechanics and Streamlining in the United States, 1925-1950 Carma R. Gorman (bio) During the second quarter of the twentieth century, many writers on industrial design noted that, prior to about 1925, attractive appearance was not designers' or consumers' priority, at least not in the product categories that a Fortune magazine writer defined in 1934 as the "formerly artless industries": aluminum manufactures, baby carriages,…

  • Law as a Lens for Understanding Design

    Carma Gorman•ARTICLE•Design and Culture•2014•Cited by: 1

    In this article, which serves as an introduction to a special section of Design and Culture dedicated to design and the law, I propose four reasons why scholars of design would do well to make greater use of the law as a lens for understanding design. First, national laws and international agreements, especially those related to intellectual property (IP), tend to make greater demands of designers and manufacturers than they do of artists. Second…

  • Fitting Rooms: The Dress Designs of Frank Lloyd Wright

    Carma Gorman, Carma R Gorman•ARTICLE•Winterthur Portfolio•1995

  • Educating the Eye: Body Mechanics and Streamlining in the United States, 1925-1950

    Open Access•Carma Gorman•ARTICLE•American Quarterly•2006•Cited by: 2•References: 5

    Educating the Eye:Body Mechanics and Streamlining in the United States, 1925-1950 Carma R. Gorman (bio) During the second quarter of the twentieth century, many writers on industrial design noted that, prior to about 1925, attractive appearance was not designers' or consumers' priority, at least not in the product categories that a Fortune magazine writer defined in 1934 as the "formerly artless industries": aluminum manufactures, baby carriages,…

  • Religion on Demand: Faith-based Design

    Carma Gorman•ARTICLE•Design and Culture•2009•Cited by: 2•References: 1

    This article argues that observant Jews, Christians and Muslims are making use of recent innovations in consumer electronics to strengthen their traditional religious practices, and in turn, that “faith-based designs” such as software- and GPS-enhanced cell phones, clocks, MP3 players, and kitchen appliances are creating a culture of “religion on demand.” The article proposes a typology of recent faith-based designs, arguing that there are five m…

  • Injury: The Politics of Product Design and Safety Law in the United States by Sarah S. Lochlann Jain

    Carma Gorman•ARTICLE•Design and Culture•2010

  • Faux Real: Genuine Leather and 200 Years of Inspired Fakes by Robert Kanigel

    Carma Gorman•ARTICLE•Design and Culture•2010

    Faux Real: Genuine Leather and 200 Years of Inspired Fakes by Robert Kanigel." Design and Culture, 2(1), pp. 99–100

  • Prime Movers of Globalization: The History and Impact of Diesel Engines and Gas Turbines , by Vaclav Smil

    Carma Gorman•ARTICLE•Design and Culture•2011

    (2011). Prime Movers of Globalization: The History and Impact of Diesel Engines and Gas Turbines, by Vaclav Smil. Design and Culture: Vol. 3, No. 3, pp. 415-417

  • C Virus Monobloc: The Infamous Chair , edited by Arnd Friedrichs and Kerstin Finger

    Carma Gorman•ARTICLE•Design and Culture•2012

    220°C Virus Monobloc: The Infamous Chair, edited by Arnd Friedrichs and Kerstin Finger." Design and Culture, 4(2), pp. 252–253

  • Law as a Lens for Understanding Design

    Carma Gorman•ARTICLE•Design and Culture•2014•Cited by: 1

    In this article, which serves as an introduction to a special section of Design and Culture dedicated to design and the law, I propose four reasons why scholars of design would do well to make greater use of the law as a lens for understanding design. First, national laws and international agreements, especially those related to intellectual property (IP), tend to make greater demands of designers and manufacturers than they do of artists. Second…

  • Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978

    Carma Gorman•ARTICLE•Design and Culture•2017

    Moderno is an ambitious, eye-opening exhibition featuring more than 130 objects of modern design produced in Brazil, Mexico, and Venezuela between 1940 and 1978. The Blanton Museum of Art’s website

Political science (5 works) · Crafts, Textile, and Design (4 works) · Law (4 works) · Law (4 works) · Art (3 works) · Art history (3 works) · Engineering (3 works) · Fashion and Cultural Textiles (3 works) · Mathematics (3 works) · Aesthetics (2 works)

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