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Mary Bittner Wiseman

Biographic Data

ID484775
NAMEMary Bittner Wiseman
GIVEN NAMESMary Bittner
FAMILY NAMEWiseman
SIGNATUREWISEMAN M B
AFFILIATIONSThe Graduate Center, CUNY
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS30
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2020
H-INDEX1
  • A New Materialism

    Open Access•Mary Bittner Wiseman, Mary WISEMAN•ARTICLE•Comparative Philosophy An…•2020

    This essay has three parts. The first moves from what artists confronted when China was first opened to the west in 1978 to what two classical Chinese critics and artists said art was and how it was to be made. The second looks at artists’ works made between two exhibitions in the United States, one in 1998, the other in 2017, to find an uncanny reprise of the classical principles. The third looks at the ideas of the global, contemporary, and art…

  • Jizi and his art in contemporary China

    Mary Bittner Wiseman•ARTICLE•Journal for Cultural Research•2017

    This is a book about the journey of a man, Jizi, whose goal was to make contemporary what is authentically Chinese and to do it in a way that speaks to an increasingly global audience. The first ha

  • Subversive Strategies in Contemporary Chinese Art

    Mary Bittner Wiseman, Mary WISEMAN et al.•BOOK•Subversive strategies in…•2011

    What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians…

  • Renaissance Madonnas and the Fantasies of Freud

    Open Access•Mary Bittner Wiseman•ARTICLE•Hypatia•1993•Cited by: 1•References: 1

    Through the work of Julia Kristeva, this paper challenges Freud's laws that everyone is always already gendered, that the mother is feminine and every infant masculine, and that one cannot love the same (gender). The figure of the Madonna, seen through the paintings of Giovanni Bellini, is used to theorize the time in the life of a child before Oedipus and to undo the conceptual knot with which Freud has bound the feminine to the maternal

  • Two Women by Giovanni Bellini

    Mary Bittner Wiseman•ARTICLE•The British Journal of Aesthetics•1993•Cited by: 1

    Journal Article TWO WOMEN BY GIOVANNI BELLINI Get access Mary Bittner Wiseman Mary Bittner Wiseman Department of Philosophy, Brooklyn CollegeBrooklyn, New York, New York 11210, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 3, July 1993, Pages 228–238, https://doi.org/10.1093/bjaesthetics/33.3.228 Published: 01 July 1993

  • The Ecstasies of Roland Barthes

    Craig Saper, Mary Bittner Wiseman•ARTICLE•SubStance•1992

    This analysis provides a readerly writing of many of Barthes' texts, and the author aims to make Barthes accessible even to those with little experience of structuralism and semiology

  • The Originality of the Avant-Garde and Other Modernist Myths

    Mary Bittner Wiseman, Rosalind Krau et al.•ARTICLE•Journal of Aesthetic Education•1986•Cited by: 28

  • The Originality of the Avant-Garde and Other Modernist Myths

    Mary Bittner Wiseman, Rosalind Krau et al.•ARTICLE•Journal of Aesthetic Education•1986•Cited by: 28

  • Renaissance Madonnas and the Fantasies of Freud

    Open Access•Mary Bittner Wiseman•ARTICLE•Hypatia•1993•Cited by: 1•References: 1

    Through the work of Julia Kristeva, this paper challenges Freud's laws that everyone is always already gendered, that the mother is feminine and every infant masculine, and that one cannot love the same (gender). The figure of the Madonna, seen through the paintings of Giovanni Bellini, is used to theorize the time in the life of a child before Oedipus and to undo the conceptual knot with which Freud has bound the feminine to the maternal

  • Two Women by Giovanni Bellini

    Mary Bittner Wiseman•ARTICLE•The British Journal of Aesthetics•1993•Cited by: 1

    Journal Article TWO WOMEN BY GIOVANNI BELLINI Get access Mary Bittner Wiseman Mary Bittner Wiseman Department of Philosophy, Brooklyn CollegeBrooklyn, New York, New York 11210, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 3, July 1993, Pages 228–238, https://doi.org/10.1093/bjaesthetics/33.3.228 Published: 01 July 1993

  • The Originality of the Avant-Garde and Other Modernist Myths

    Mary Bittner Wiseman, Rosalind Krau et al.•ARTICLE•Journal of Aesthetic Education•1986•Cited by: 28

  • The Ecstasies of Roland Barthes

    Craig Saper, Mary Bittner Wiseman•ARTICLE•SubStance•1992

    This analysis provides a readerly writing of many of Barthes' texts, and the author aims to make Barthes accessible even to those with little experience of structuralism and semiology

  • Renaissance Madonnas and the Fantasies of Freud

    Open Access•Mary Bittner Wiseman•ARTICLE•Hypatia•1993•Cited by: 1•References: 1

    Through the work of Julia Kristeva, this paper challenges Freud's laws that everyone is always already gendered, that the mother is feminine and every infant masculine, and that one cannot love the same (gender). The figure of the Madonna, seen through the paintings of Giovanni Bellini, is used to theorize the time in the life of a child before Oedipus and to undo the conceptual knot with which Freud has bound the feminine to the maternal

  • Two Women by Giovanni Bellini

    Mary Bittner Wiseman•ARTICLE•The British Journal of Aesthetics•1993•Cited by: 1

    Journal Article TWO WOMEN BY GIOVANNI BELLINI Get access Mary Bittner Wiseman Mary Bittner Wiseman Department of Philosophy, Brooklyn CollegeBrooklyn, New York, New York 11210, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 3, July 1993, Pages 228–238, https://doi.org/10.1093/bjaesthetics/33.3.228 Published: 01 July 1993

  • Subversive Strategies in Contemporary Chinese Art

    Mary Bittner Wiseman, Mary WISEMAN et al.•BOOK•Subversive strategies in…•2011

    What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians…

  • Jizi and his art in contemporary China

    Mary Bittner Wiseman•ARTICLE•Journal for Cultural Research•2017

    This is a book about the journey of a man, Jizi, whose goal was to make contemporary what is authentically Chinese and to do it in a way that speaks to an increasingly global audience. The first ha

  • A New Materialism

    Open Access•Mary Bittner Wiseman, Mary WISEMAN•ARTICLE•Comparative Philosophy An…•2020

    This essay has three parts. The first moves from what artists confronted when China was first opened to the west in 1978 to what two classical Chinese critics and artists said art was and how it was to be made. The second looks at artists’ works made between two exhibitions in the United States, one in 1998, the other in 2017, to find an uncanny reprise of the classical principles. The third looks at the ideas of the global, contemporary, and art…

Art (6 works) · Aesthetics (4 works) · Art history (4 works) · Philosophy (4 works) · Sociology (4 works) · China (3 works) · Epistemology (3 works) · Archaeology (2 works) · Art, Politics, and Modernism (2 works) · Chinese history and philosophy (2 works)

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