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A New Materialism

A Reading of the New Art from China

Bibliographic Data

ID22003703
AuthorsMary Bittner Wiseman (The Graduate Center, CUNY, corresponding author), Mary WISEMAN (None)
Year2020
Volume11
Issue1
Publication date2020-01-31
Open AccessYes
TypeARTICLE
VenueComparative Philosophy An International Journal of Constructive Engagement of Distinct Approaches toward World Philosophy (JOURNAL)
Journal identifiersISSN: 2151-6014 • E-ISSN: 2151-6014
PublisherSan Jose State University Library - DIGITAL COMMONS JOURNALS (PUBLISHER)
DOI10.31979/2151-6014(2020).110106
OpenAlexW3129552522
LanguageEN
Citations received1
References cited1

This essay has three parts. The first moves from what artists confronted when China was first opened to the west in 1978 to what two classical Chinese critics and artists said art was and how it was to be made. The second looks at artists’ works made between two exhibitions in the United States, one in 1998, the other in 2017, to find an uncanny reprise of the classical principles. The third looks at the ideas of the global, contemporary, and art through the works of Peter Osborne and Arthur Danto that apply to the new art from China

Aesthetics · Archaeology · Art · China · Epistemology · Linguistics · Materialism · Art, Politics, and Modernism · History · Philosophy

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  • The Transfiguration of the Commonplace

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Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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