Edyta Lorek‐jezińska
Biographic Data
| ID | 4860510 |
|---|---|
| NAME | Edyta Lorek‐jezińska |
| GIVEN NAMES | Edyta |
| FAMILY NAME | Lorek‐jezińska |
| SIGNATURE | JEZIŃSKA E L |
| AFFILIATIONS | Nicolaus Copernicus University |
| ORCID | 0000-0002-5492-4255 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
On the Benefits of Plague
The aim of this essay is to demonstrate the significant function played by theatres during the first months of the COVID-19 pandemic in Poland. It examines three pandemic projects created by fringe theatre companies and individual performers in Poland that address political and social questions, such as women's reproductive rights, excessive government control over private lives, and the social exclusion of disabled and immigrant communities: Art…
The Haunted Crossroads
THE HAUNTED CROSSROADS: LIBERIAN WARS AND TRANS-ATLANTIC TRAFFIC IN BLACK DIAMOND: THE YEARS THE LOCUSTS HAVE EATEN BY J. NICOLE BROOKS The article examines conflicted discourses and representations of the Liberian civil war and Liberian identities in the 2007 play Black Diamond by an American playwright and actress, J. Nicole Brooks. Its main objective is to investigate how the play endeavours to confront the complicated situation and history of…
On Freaks, Voyeurs, and the Cultural Uses of the Freak Show in the Residents’ Art and CD-ROM Project
This article investigates the uses and appropriations of freak show strategies and esthetics in the Residents’ interactive project and album Freak Show. Drawing upon critical disability studies and transgressive conceptualizations of the freak show, the article focuses on the dynamics of the performer/ viewer interactions, referring to the problematic aspects of voyeurism and objectification, on the one hand, and audience vulnerability and the et…
The response of Polish performance artists to cultural policies during the pandemic
This article examines performance and theater artists’ reactions to and attitudes toward the decisive measures taken by the government to curb the spread of the coronavirus in Poland. It traces the transformation of these attitudes over the different stages of the pandemic, from the initial complete lockdown (spring 2020) to the temporary relaxation of the restrictions and up to the second lockdown (fall 2020). Our research is based on a series o…
Rocznicowe mobilizacje pamięci. Międzypokoleniowe projekty teatralne a trauma kulturowa
Artykuł podejmuje temat brytyjskich obchodów setnej rocznicy I wojny światowej, a w szczególności znaczenia interaktywnych projektów teatralnych i artystycznych w konstruowaniu i reaktywowaniu traumy kulturowej. Artykuł ma na celu zbadanie strategii włączania młodego pokolenia w obchody i rytuały pamięci, które polegają na pośredniej mobilizacji uczestników do współczucia, empatii oraz gotowości pośredniczenia w przekazie traumy. W ten sposób jub…
No prominent works on this page.
Rocznicowe mobilizacje pamięci. Międzypokoleniowe projekty teatralne a trauma kulturowa
Artykuł podejmuje temat brytyjskich obchodów setnej rocznicy I wojny światowej, a w szczególności znaczenia interaktywnych projektów teatralnych i artystycznych w konstruowaniu i reaktywowaniu traumy kulturowej. Artykuł ma na celu zbadanie strategii włączania młodego pokolenia w obchody i rytuały pamięci, które polegają na pośredniej mobilizacji uczestników do współczucia, empatii oraz gotowości pośredniczenia w przekazie traumy. W ten sposób jub…
The Haunted Crossroads
THE HAUNTED CROSSROADS: LIBERIAN WARS AND TRANS-ATLANTIC TRAFFIC IN BLACK DIAMOND: THE YEARS THE LOCUSTS HAVE EATEN BY J. NICOLE BROOKS The article examines conflicted discourses and representations of the Liberian civil war and Liberian identities in the 2007 play Black Diamond by an American playwright and actress, J. Nicole Brooks. Its main objective is to investigate how the play endeavours to confront the complicated situation and history of…
On Freaks, Voyeurs, and the Cultural Uses of the Freak Show in the Residents’ Art and CD-ROM Project
This article investigates the uses and appropriations of freak show strategies and esthetics in the Residents’ interactive project and album Freak Show. Drawing upon critical disability studies and transgressive conceptualizations of the freak show, the article focuses on the dynamics of the performer/ viewer interactions, referring to the problematic aspects of voyeurism and objectification, on the one hand, and audience vulnerability and the et…
The response of Polish performance artists to cultural policies during the pandemic
This article examines performance and theater artists’ reactions to and attitudes toward the decisive measures taken by the government to curb the spread of the coronavirus in Poland. It traces the transformation of these attitudes over the different stages of the pandemic, from the initial complete lockdown (spring 2020) to the temporary relaxation of the restrictions and up to the second lockdown (fall 2020). Our research is based on a series o…
On the Benefits of Plague
The aim of this essay is to demonstrate the significant function played by theatres during the first months of the COVID-19 pandemic in Poland. It examines three pandemic projects created by fringe theatre companies and individual performers in Poland that address political and social questions, such as women's reproductive rights, excessive government control over private lives, and the social exclusion of disabled and immigrant communities: Art…
Political science (4 works) · Sociology (4 works) · Law (3 works) · Anthropology (2 works) · Art (2 works) · Coronavirus disease 2019 (COVID-19 (2 works) · Gender Studies (2 works) · Government (linguistics (2 works) · History (2 works) · Pandemic (2 works)