Jo‐anne Berelowitz
Biographic Data
| ID | 4875259 |
|---|---|
| NAME | Jo‐anne Berelowitz |
| GIVEN NAMES | Jo‐anne |
| FAMILY NAME | Berelowitz |
| SIGNATURE | BERELOWITZ J A |
| AFFILIATIONS | San Diego State University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 2 |
A Contrast in European and Us Approaches to the Jewish Culinary Heritage: Claudia Roden's and Joan Nathan's Jewish Cookbooks
Claudia Roden's The Book of Jewish Food and Joan Nathan's Jewish Cooking in America arise from markedly different sensibilities and cultural backgrounds. Roden is from Egypt and Europe, old diasporic territories marked by tragedies and traumas for their Jewish populations. Nathan lives in the United States, “a good Diaspora” where Jews have enjoyed unprecedented freedoms and possibilities. My paper argues that these different cultural backgrounds…
Marcos Ramirez Erre: Border art ‘from this side’
Place—the location of an artist—is a significant issue in the creation of artistic work. The work of many “border artists” recognized by the mainstream art‐press is made from the perspective of the United States. The work of Marcos Ramirez ERRE is made from the southern—TijuanA&Mdash;side of the U.S.‐Mexico borderline. This article examines his art and the ways that his perspective marks him as different from other artists who have taken the bord…
The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)
In this paper I examine the ways that artists in the San Diego-Tijuana borderlands have represented the spaces of home from the late 1960s to the present. The historical trajectory is from the agonistic nationalism of the Chicano Movement, which sought to reestablish the homeland of Aztlán, to the Border Art Workshop's more inclusive multiculturalist engagement with 'the borderlands', to the flexible combinatorial binationalism that marks the cur…
Conflict over ‘border art’: Whose subject, whose border, whose show
From the Body of the Prince to Mickey Mouse
Journal Article From the Body of the Prince to Mickey Mouse Get access JO-ANNE BERELOWITZ JO-ANNE BERELOWITZ Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 13, Issue 2, 1990, Pages 70–84, https://doi.org/10.1093/oxartj/13.2.70 Published: 01 December 1990
The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)
In this paper I examine the ways that artists in the San Diego-Tijuana borderlands have represented the spaces of home from the late 1960s to the present. The historical trajectory is from the agonistic nationalism of the Chicano Movement, which sought to reestablish the homeland of Aztlán, to the Border Art Workshop's more inclusive multiculturalist engagement with 'the borderlands', to the flexible combinatorial binationalism that marks the cur…
Conflict over ‘border art’: Whose subject, whose border, whose show
From the Body of the Prince to Mickey Mouse
Journal Article From the Body of the Prince to Mickey Mouse Get access JO-ANNE BERELOWITZ JO-ANNE BERELOWITZ Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 13, Issue 2, 1990, Pages 70–84, https://doi.org/10.1093/oxartj/13.2.70 Published: 01 December 1990
From the Body of the Prince to Mickey Mouse
Journal Article From the Body of the Prince to Mickey Mouse Get access JO-ANNE BERELOWITZ JO-ANNE BERELOWITZ Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 13, Issue 2, 1990, Pages 70–84, https://doi.org/10.1093/oxartj/13.2.70 Published: 01 December 1990
Conflict over ‘border art’: Whose subject, whose border, whose show
The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)
In this paper I examine the ways that artists in the San Diego-Tijuana borderlands have represented the spaces of home from the late 1960s to the present. The historical trajectory is from the agonistic nationalism of the Chicano Movement, which sought to reestablish the homeland of Aztlán, to the Border Art Workshop's more inclusive multiculturalist engagement with 'the borderlands', to the flexible combinatorial binationalism that marks the cur…
Marcos Ramirez Erre: Border art ‘from this side’
Place—the location of an artist—is a significant issue in the creation of artistic work. The work of many “border artists” recognized by the mainstream art‐press is made from the perspective of the United States. The work of Marcos Ramirez ERRE is made from the southern—TijuanA&Mdash;side of the U.S.‐Mexico borderline. This article examines his art and the ways that his perspective marks him as different from other artists who have taken the bord…
A Contrast in European and Us Approaches to the Jewish Culinary Heritage: Claudia Roden's and Joan Nathan's Jewish Cookbooks
Claudia Roden's The Book of Jewish Food and Joan Nathan's Jewish Cooking in America arise from markedly different sensibilities and cultural backgrounds. Roden is from Egypt and Europe, old diasporic territories marked by tragedies and traumas for their Jewish populations. Nathan lives in the United States, “a good Diaspora” where Jews have enjoyed unprecedented freedoms and possibilities. My paper argues that these different cultural backgrounds…
Art (4 works) · Art history (3 works) · Political science (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Latin American and Latino Studies (2 works) · Law (2 works) · Law (2 works) · Anthropology (1 works)