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The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)

Bibliographic Data

ID4475282
AuthorsJo-Anne Berelowitz (San Diego State University), Jo‐anne Berelowitz (San Diego State University, corresponding author)
Year2005
Volume23
Issue3
Pages323-350
Publication date2005-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnvironment and Planning D Society and Space (JOURNAL)
Journal identifiersISSN: 0263-7758 • E-ISSN: 1472-3433
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1068/d0503
OpenAlexW1981205922
LanguageEN
Citations received4
References cited27

In this paper I examine the ways that artists in the San Diego-Tijuana borderlands have represented the spaces of home from the late 1960s to the present. The historical trajectory is from the agonistic nationalism of the Chicano Movement, which sought to reestablish the homeland of Aztlán, to the Border Art Workshop's more inclusive multiculturalist engagement with 'the borderlands', to the flexible combinatorial binationalism that marks the current postborder condition. Works of art characteristic of each phase are discussed

Homeland · Nationalism · Political science · Politics · Sociology · Anthropology · Gender Studies · Latin American and Latino Studies · Law · Participatory Visual Research Methods · Public Spaces through Art

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Unique citing works4
Citations per year0,22
Citation span2008 - 2018 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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