Julia Vassilieva
Biographic Data
| ID | 4895557 |
|---|---|
| NAME | Julia Vassilieva |
| GIVEN NAMES | Julia |
| FAMILY NAME | Vassilieva |
| SIGNATURE | VASSILIEVA J |
| AFFILIATIONS | Monash University |
| ORCID | 0000-0001-6893-2523 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Introduction to the Ross Gibson memorial issue
Eisenstein’s ‘Magic of Art’
Sciendo provides publishing services and solutions to academic and professional organizations and individual authors. We publish journals, books, conference proceedings and a variety of other publications
Beyond Poetics
Mistérios de Lisboa (Mysteries of Lisbon, 2010), Raúl Ruiz’s magisterial adaptation of the nineteenth-century Portuguese novel of the same title by Camilo Castelo Branco, can well be considered Ruiz’s magnum opus. Available as a six-hour TV miniseries and a four-anda-half-hour feature film, Mysteries of Lisbon is epic in scope. Not only does it weave a rich tapestry of Portuguese life at the turn of the nineteenth century, it also delivers a sust…
Becoming-Girl” in the New Russian Cinema
This article explores the work of young Russian female director Valeria Gai Germanika. Germanika has gained a public profile over the last ten years through documentary shorts such as Sisters ( Syostry , 2005), Girls ( Devochki , 2005), and Boys ( Malchiki , 2007); feature film Everybody Dies but Me ( Vse umrut, a ya ostanus , 2008); and sixty-part TV series School ( Shkola , Channel One Russia, 2010). These works deal with the issues that contem…
Mass culture and the production of the capitalist subject in post-communist Russia
Russian economic and political reforms of the last two decades have been closely scrutinized in the West for their successes and failures, but much less attention has been paid to the psycho-cultural dimension of these reforms. It seemed taken for granted by most Westerners that inside every docile Soviet body was a free-enterprise spirit just waiting for the state apparatus to founder in order to escape and express itself. This paper takes a dif…
Russian psychology at the turn of the 21st century and post-Soviet reforms in the humanities disciplines
The author traces the changes in Russian psychology in the past 25 years and links these changes to the earlier Russian legacy of Lev Vygotsky (1896-1934) and Aleksei N. Leontiev (1903-1979). The move into the 21st century coincided for Russian psychology as well as for the Russian society at large with the reforms of perestroika, leading to greater openness in the academic sphere. In particular, Russian psychology was able to connect in a more f…
After taste
The collection of essays offered in this issue of Continuum is an outcome of the conference ‘B for Bad Cinema: Aesthetics, Politics and Cultural Value’, convened by Alexia Kannas, Claire Perkins, J
Sergei Eisenstein's ¡Qué viva México! through time
This article explores several versions of Sergei Eisenstein's unfinished film ¡Qué viva México! (1932) assembled by different filmmakers in the 1930s, 1970s and 1990s. While each one of the versions claimed to ‘get as close to Eisenstein's vision as possible’ soon after its release it was judged to represent yet another example of inaccurate reading and reconstruction of the unattainable, but allegedly perfect, vision of Eisenstein. By the same t…
Russian psychology at the turn of the 21st century and post-Soviet reforms in the humanities disciplines
The author traces the changes in Russian psychology in the past 25 years and links these changes to the earlier Russian legacy of Lev Vygotsky (1896-1934) and Aleksei N. Leontiev (1903-1979). The move into the 21st century coincided for Russian psychology as well as for the Russian society at large with the reforms of perestroika, leading to greater openness in the academic sphere. In particular, Russian psychology was able to connect in a more f…
After taste
The collection of essays offered in this issue of Continuum is an outcome of the conference ‘B for Bad Cinema: Aesthetics, Politics and Cultural Value’, convened by Alexia Kannas, Claire Perkins, J
Russian psychology at the turn of the 21st century and post-Soviet reforms in the humanities disciplines
The author traces the changes in Russian psychology in the past 25 years and links these changes to the earlier Russian legacy of Lev Vygotsky (1896-1934) and Aleksei N. Leontiev (1903-1979). The move into the 21st century coincided for Russian psychology as well as for the Russian society at large with the reforms of perestroika, leading to greater openness in the academic sphere. In particular, Russian psychology was able to connect in a more f…
After taste
The collection of essays offered in this issue of Continuum is an outcome of the conference ‘B for Bad Cinema: Aesthetics, Politics and Cultural Value’, convened by Alexia Kannas, Claire Perkins, J
Sergei Eisenstein's ¡Qué viva México! through time
This article explores several versions of Sergei Eisenstein's unfinished film ¡Qué viva México! (1932) assembled by different filmmakers in the 1930s, 1970s and 1990s. While each one of the versions claimed to ‘get as close to Eisenstein's vision as possible’ soon after its release it was judged to represent yet another example of inaccurate reading and reconstruction of the unattainable, but allegedly perfect, vision of Eisenstein. By the same t…
Mass culture and the production of the capitalist subject in post-communist Russia
Russian economic and political reforms of the last two decades have been closely scrutinized in the West for their successes and failures, but much less attention has been paid to the psycho-cultural dimension of these reforms. It seemed taken for granted by most Westerners that inside every docile Soviet body was a free-enterprise spirit just waiting for the state apparatus to founder in order to escape and express itself. This paper takes a dif…
Becoming-Girl” in the New Russian Cinema
This article explores the work of young Russian female director Valeria Gai Germanika. Germanika has gained a public profile over the last ten years through documentary shorts such as Sisters ( Syostry , 2005), Girls ( Devochki , 2005), and Boys ( Malchiki , 2007); feature film Everybody Dies but Me ( Vse umrut, a ya ostanus , 2008); and sixty-part TV series School ( Shkola , Channel One Russia, 2010). These works deal with the issues that contem…
Beyond Poetics
Mistérios de Lisboa (Mysteries of Lisbon, 2010), Raúl Ruiz’s magisterial adaptation of the nineteenth-century Portuguese novel of the same title by Camilo Castelo Branco, can well be considered Ruiz’s magnum opus. Available as a six-hour TV miniseries and a four-anda-half-hour feature film, Mysteries of Lisbon is epic in scope. Not only does it weave a rich tapestry of Portuguese life at the turn of the nineteenth century, it also delivers a sust…
Eisenstein’s ‘Magic of Art’
Sciendo provides publishing services and solutions to academic and professional organizations and individual authors. We publish journals, books, conference proceedings and a variety of other publications
Introduction to the Ross Gibson memorial issue
Sociology (5 works) · Art (4 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Philosophy (3 works) · Philosophy (3 works) · Politics (3 works) · Psychology (3 works) · Aesthetics (2 works)