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Becoming-Girl” in the New Russian Cinema

Youth and Valeria Gai Germanika's Films and Television

Bibliographic Data

ID11660504
AuthorsJulia Vassilieva (0000-0001-6893-2523, corresponding author)
Year2014
Volume29
Issue1
Pages59-79
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCamera Obscura Feminism Culture and Media Studies (JOURNAL)
Journal identifiersISSN: 0270-5346 • E-ISSN: 1529-1510
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/02705346-2408516
OpenAlexW2316501044
LanguageEN

This article explores the work of young Russian female director Valeria Gai Germanika. Germanika has gained a public profile over the last ten years through documentary shorts such as Sisters ( Syostry , 2005), Girls ( Devochki , 2005), and Boys ( Malchiki , 2007); feature film Everybody Dies but Me ( Vse umrut, a ya ostanus , 2008); and sixty-part TV series School ( Shkola , Channel One Russia, 2010). These works deal with the issues that contemporary Russian youth face in such a confrontational manner that they have been the subject of a special debate in the Russian parliament (Duma). Consequently, Germanika has become visible as an auteur who operates simultaneously between several historical, conceptual, and industrial formations: as a female director in a still male-dominated post-Soviet cinema industry, as an independent director in a production landscape defined by large studios, and, most important, as a young director articulating a position of youth in a cultural milieu traditionally dominated by an older generation's point of view. Her work and profile as a director thus offer a specifically gendered and generational dimension to the geopolitical movements that inflect popular culture in postcommunist Eastern Europe. Germanika's work casts light on the contemporary terrain of Russian filmmaking and its relationship to the site occupied by Russian youth, who find themselves caught between the communist past and the yet-to-come postcommunist future. This article offers a critical reading of Everybody Dies but Me and School , specifically exploring how discourses of femininity and adolescence intersect in relation to Germanika and her work

Art · Art history · Femininity · Filmmaking · Geopolitics · Girl · Media studies · Movie theater · National cinema · Parliament · Political science · Politics · Sociology · Studio · Visual arts · Eastern European Communism and Reforms · European Cultural and National Identity · European history and politics · Gender Studies · History · Law

Citation velocityhistorical
Highly citedNo

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