Kylo‐patrick R Hart
Biographic Data
| ID | 4908085 |
|---|---|
| NAME | Kylo‐patrick R Hart |
| GIVEN NAMES | Kylo‐patrick R |
| FAMILY NAME | Hart |
| SIGNATURE | HART K P R |
| AFFILIATIONS | Plymouth State University |
| ORCID | 0000-0001-6099-4324 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 53 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
Heartstopper (2022–present, UK
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Reflections on a year of kink
Until relatively recently, the topic of kink has not typically been encountered in either polite company or mainstream popular culture. In response to this reality, this editorial highlights ways by which one scholar/photographer intentionally endeavoured to highlight, demystify and destigmatize kinky activities, relationships and representations over the course of a twelve-month period
Point Break, Kathryn Bigelow (dir.) (1991), USA
Preview this article: Point Break, Kathryn Bigelow (dir.) (1991), USA: Largo Entertainment, Page 1 of 1 /docserver/preview/fulltext/qsmpc/7/3/qsmpc.7.3.225_Hart-1.gif
Looking at Complicated Desires
In 2011 Marco Berger, as director and writer, presented the film Absent , offering a provocative narrative scenario relating gay male age-different relationships. A key sequence offers an intense engagement: At the end of a complicated afternoon, and maintaining that he has nowhere else to go, an adolescent boy accompanies his swimming instructor to the man’s apartment. As they enter the front door, a female neighbour approaches, asks a question …
Looking at Complicated Desires
The (Law)Man in the Cattleman Hat
This article explores noteworthy parallels between the distinctive brand of masculinity exhibited by the television character Deputy U.S. Marshal Raylan Givens (played by Timothy Olyphant), Justified's (law)man in the cattleman hat, and the 1950s man in the gray flannel suit. It articulates the numerous ways by which this 21st-century lawman's conduct in various domains of his personal and professional lives represents a throwback to the hegemoni…
Cinematic Trash or Cultural Treasure
Although Gregg Araki's 1995 film The Doom Generation is one of a nascent body of cinematic works that has, to date, explored the phenomenon of contemporary male bisexuality in a straightforward and provocative manner, the majority of its critics (as well as many of its viewers) have tended to readily dismiss the work as a piece of cinematic trash. But is this really the case? The present study utilizes the methods of reception analysis to challen…
Pop Trickster Fool
Media Unlimited
We're Here, We're Queer—and We're Better Than You
Throughout most of U.S. television history, gay men have been represented, both explicitly and implicitly, as individuals who are always already inferior to heterosexuals. Queer Eye for the Straight Guy, the makeover reality series that features five gay men improving the lives of “schlubby” straight men, reverses that representational trend. This groundbreaking television series consistently offers viewers the most positive representation of gay…
Representing Men with HIV/Aids in American Movies
This content-analytic study explores representations of male characters with HIV/AIDS in nearly four dozen feature-length narrative movies produced and released in the United States during the first two decades of the AIDS pandemic. It offers insight into the cumulative messages communicated in these works about men in relation to HIV/AIDS and the influence of such messages on the social construction of HIV/AIDS during the 1980s and 1990s. Proble…
Combating Stigma in the Printed News
This study investigates how presenting the same factual content with varying narrators, as required by harder-versus softer-news formats, influences the way readers perceive the gay male subject of an actual news story. Because previous social-psychological findings have suggested that people typically respond to others first as members of distinct groups and then later as individuals if and only if they have sufficient motivation for doing so, t…
Representing Gay Men on American Television
This essay examines the representation of gay men on American television programs from the late 1960s to the present. It explores the impact of the process of media representation on the lived realities of gay males past and present, revealing not only how much progress has been made in recent decades regarding the representation of gay men on American television, but also how much progress has yet to be made. Such representations are examined br…
Retrograde Representation
This essay examines the representation of AIDS in the popular Fox television series Beverly Hills, 90210 during the 1996–97 television season. At a time when AIDS has become a leading cause of death among 25- to 44-year-old Americans of various sexual orientations, mass media offerings still typically represent the person with AIDS as a lone gay white male dying in a cold hospital room. By jumping on the prime-time bandwagon and making a gay whit…
Representing Gay Men on American Television
This essay examines the representation of gay men on American television programs from the late 1960s to the present. It explores the impact of the process of media representation on the lived realities of gay males past and present, revealing not only how much progress has been made in recent decades regarding the representation of gay men on American television, but also how much progress has yet to be made. Such representations are examined br…
We're Here, We're Queer—and We're Better Than You
Throughout most of U.S. television history, gay men have been represented, both explicitly and implicitly, as individuals who are always already inferior to heterosexuals. Queer Eye for the Straight Guy, the makeover reality series that features five gay men improving the lives of “schlubby” straight men, reverses that representational trend. This groundbreaking television series consistently offers viewers the most positive representation of gay…
Media Unlimited
Representing Men with HIV/Aids in American Movies
This content-analytic study explores representations of male characters with HIV/AIDS in nearly four dozen feature-length narrative movies produced and released in the United States during the first two decades of the AIDS pandemic. It offers insight into the cumulative messages communicated in these works about men in relation to HIV/AIDS and the influence of such messages on the social construction of HIV/AIDS during the 1980s and 1990s. Proble…
Retrograde Representation
This essay examines the representation of AIDS in the popular Fox television series Beverly Hills, 90210 during the 1996–97 television season. At a time when AIDS has become a leading cause of death among 25- to 44-year-old Americans of various sexual orientations, mass media offerings still typically represent the person with AIDS as a lone gay white male dying in a cold hospital room. By jumping on the prime-time bandwagon and making a gay whit…
Retrograde Representation
This essay examines the representation of AIDS in the popular Fox television series Beverly Hills, 90210 during the 1996–97 television season. At a time when AIDS has become a leading cause of death among 25- to 44-year-old Americans of various sexual orientations, mass media offerings still typically represent the person with AIDS as a lone gay white male dying in a cold hospital room. By jumping on the prime-time bandwagon and making a gay whit…
Representing Gay Men on American Television
This essay examines the representation of gay men on American television programs from the late 1960s to the present. It explores the impact of the process of media representation on the lived realities of gay males past and present, revealing not only how much progress has been made in recent decades regarding the representation of gay men on American television, but also how much progress has yet to be made. Such representations are examined br…
Combating Stigma in the Printed News
This study investigates how presenting the same factual content with varying narrators, as required by harder-versus softer-news formats, influences the way readers perceive the gay male subject of an actual news story. Because previous social-psychological findings have suggested that people typically respond to others first as members of distinct groups and then later as individuals if and only if they have sufficient motivation for doing so, t…
Representing Men with HIV/Aids in American Movies
This content-analytic study explores representations of male characters with HIV/AIDS in nearly four dozen feature-length narrative movies produced and released in the United States during the first two decades of the AIDS pandemic. It offers insight into the cumulative messages communicated in these works about men in relation to HIV/AIDS and the influence of such messages on the social construction of HIV/AIDS during the 1980s and 1990s. Proble…
Media Unlimited
We're Here, We're Queer—and We're Better Than You
Throughout most of U.S. television history, gay men have been represented, both explicitly and implicitly, as individuals who are always already inferior to heterosexuals. Queer Eye for the Straight Guy, the makeover reality series that features five gay men improving the lives of “schlubby” straight men, reverses that representational trend. This groundbreaking television series consistently offers viewers the most positive representation of gay…
Pop Trickster Fool
Cinematic Trash or Cultural Treasure
Although Gregg Araki's 1995 film The Doom Generation is one of a nascent body of cinematic works that has, to date, explored the phenomenon of contemporary male bisexuality in a straightforward and provocative manner, the majority of its critics (as well as many of its viewers) have tended to readily dismiss the work as a piece of cinematic trash. But is this really the case? The present study utilizes the methods of reception analysis to challen…
The (Law)Man in the Cattleman Hat
This article explores noteworthy parallels between the distinctive brand of masculinity exhibited by the television character Deputy U.S. Marshal Raylan Givens (played by Timothy Olyphant), Justified's (law)man in the cattleman hat, and the 1950s man in the gray flannel suit. It articulates the numerous ways by which this 21st-century lawman's conduct in various domains of his personal and professional lives represents a throwback to the hegemoni…
Looking at Complicated Desires
In 2011 Marco Berger, as director and writer, presented the film Absent , offering a provocative narrative scenario relating gay male age-different relationships. A key sequence offers an intense engagement: At the end of a complicated afternoon, and maintaining that he has nowhere else to go, an adolescent boy accompanies his swimming instructor to the man’s apartment. As they enter the front door, a female neighbour approaches, asks a question …
Looking at Complicated Desires
Heartstopper (2022–present, UK
Preview this article: Heartstopper (2022–present, UK: See-Saw Films), Page 1 of 1 /docserver/preview/fulltext/qsmpc/7/3/qsmpc.7.3.215_Hart-1.gif
Reflections on a year of kink
Until relatively recently, the topic of kink has not typically been encountered in either polite company or mainstream popular culture. In response to this reality, this editorial highlights ways by which one scholar/photographer intentionally endeavoured to highlight, demystify and destigmatize kinky activities, relationships and representations over the course of a twelve-month period
Point Break, Kathryn Bigelow (dir.) (1991), USA
Preview this article: Point Break, Kathryn Bigelow (dir.) (1991), USA: Largo Entertainment, Page 1 of 1 /docserver/preview/fulltext/qsmpc/7/3/qsmpc.7.3.225_Hart-1.gif
Sociology (8 works) · Art (7 works) · Computer Science (6 works) · Psychology (6 works) · Cinema and Media Studies (5 works) · Media Studies and Communication (5 works) · Media, Gender, and Advertising (5 works) · Gender Studies (4 works) · Gender Studies (4 works) · History (4 works)