Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Stefania Marghitu

Biographic Data

ID4909161
NAMEStefania Marghitu
GIVEN NAMESStefania
FAMILY NAMEMarghitu
SIGNATUREMARGHITU S
AFFILIATIONSUniversity of Alabama
ORCID0000-0002-4989-0935
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS11
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2026
H-INDEX2
  • On “Evidence” and Authenticity Claims in Paranormal TV History

    Matt Boyd Smith, Stefania Marghitu et al.•ARTICLE•Bulletin for the Study of Religion•2026

    K. Merinda Simmons talks with media studies scholars Matt Boyd Smith and Stefania Marghitu about “Evidence” and Authenticity Claims in Paranormal TV History

  • The Public Servant and the Auteur

    Stefania Marghitu, Gry C Rustad•ARTICLE•Intermédialités Histoire et…•2025

    This article compares the production/showrunner practices and representation of two of the most successful teen television series of the 2010s, Skam (NRK, 2015–2017) and Euphoria (HBO, 2019–) . It compares the collaborative public service production practice under Julie Andem’s Skam with the perpetuation of the singular male auteur through Sam Levinson’s authorial control in HBO’s “prestige” teen series Euphoria . We argue that Andem’s and Levins…

  • Introduction

    Sarah Louise Smyth, Stefania Marghitu•ARTICLE•New Review of Film and Television…•2024

    This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television shows adapted from an original woman-authored source text that have a prominent woman in a production role, such as showrunner, writer, director, or executive producer. This invites attention in the period of ‘quality’ television, where the figure of the…

  • Roundtable on women’s authorship and adaptation in contemporary television

    Open Access•Stefania Marghitu, Sarah Louise Smyth•ARTICLE•New Review of Film and Television…•2024

    This roundtable took place in summer 2023 and sought to capture current thinking on women’s authorship and adaptation in contemporary television. The roundtable brought together emerging and more established scholars from the US and the UK, including Elizabeth Alsop, Jacqueline Johnson, Stefania Marghitu, Isabel C. Pinedo, and Theresa Trimmel, and was moderated by Sarah Louise Smyth. While all scholars note a significant “surgence” in women’s tel…

  • Teen TV

    Ellen Seiter, Stefania Marghitu•BOOK•Teen TV•2021•Cited by: 6

    Teen TV explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media. Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-ch…

  • Independent women

    Stefania Marghitu•ARTICLE•Feminist Media Studies•2019

    For a generation of US socially and politically conscious millennial television creators-showrunners-stars such as Abbi Jacobson and Illana Glazer, and Issa Rae, on- and off-screen inclusivity with

  • Feminist Online Responses Against the U.S. Alt-right

    Stefania Marghitu, Kelsey Moore Johnson•ARTICLE•Communication Culture and Critique•2018

    Journal Article Feminist Online Responses Against the U.S. Alt-right: Using The Handmaid's Tale as a Symbol and Catalyst of Resistance Get access Stefania Marghitu, Stefania Marghitu Corresponding author: Stefania Marghitu; e-mail: [email protected]. Kelsey Moore Johnson; e-mail: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Kelsey Moore Johnson Kelsey Moore Johnson Search for other work…

  • It’s just art”

    Stefania Marghitu•ARTICLE•Feminist Media Studies•2018•Cited by: 5•References: 1

    Separating the art from artist is a standard practice embedded in the cultural fields—from painting to literature to film and television—and it is often required when overlooking the amoral or crim

  • Music, Sound and Filmmakers

    Stefania Marghitu•ARTICLE•Popular Music & Society•2013

    James Wierzbicki's edited collection Music, Sound and Filmmakers: Sonic Style in Cinema contains thirteen insightful chapters on several of art, foreign, indie, and Hollywood cinema's most renowned

  • Teen TV

    Ellen Seiter, Stefania Marghitu•BOOK•Teen TV•2021•Cited by: 6

    Teen TV explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media. Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-ch…

  • It’s just art”

    Stefania Marghitu•ARTICLE•Feminist Media Studies•2018•Cited by: 5•References: 1

    Separating the art from artist is a standard practice embedded in the cultural fields—from painting to literature to film and television—and it is often required when overlooking the amoral or crim

  • Music, Sound and Filmmakers

    Stefania Marghitu•ARTICLE•Popular Music & Society•2013

    James Wierzbicki's edited collection Music, Sound and Filmmakers: Sonic Style in Cinema contains thirteen insightful chapters on several of art, foreign, indie, and Hollywood cinema's most renowned

  • Feminist Online Responses Against the U.S. Alt-right

    Stefania Marghitu, Kelsey Moore Johnson•ARTICLE•Communication Culture and Critique•2018

    Journal Article Feminist Online Responses Against the U.S. Alt-right: Using The Handmaid's Tale as a Symbol and Catalyst of Resistance Get access Stefania Marghitu, Stefania Marghitu Corresponding author: Stefania Marghitu; e-mail: [email protected]. Kelsey Moore Johnson; e-mail: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Kelsey Moore Johnson Kelsey Moore Johnson Search for other work…

  • It’s just art”

    Stefania Marghitu•ARTICLE•Feminist Media Studies•2018•Cited by: 5•References: 1

    Separating the art from artist is a standard practice embedded in the cultural fields—from painting to literature to film and television—and it is often required when overlooking the amoral or crim

  • Independent women

    Stefania Marghitu•ARTICLE•Feminist Media Studies•2019

    For a generation of US socially and politically conscious millennial television creators-showrunners-stars such as Abbi Jacobson and Illana Glazer, and Issa Rae, on- and off-screen inclusivity with

  • Teen TV

    Ellen Seiter, Stefania Marghitu•BOOK•Teen TV•2021•Cited by: 6

    Teen TV explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media. Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-ch…

  • Introduction

    Sarah Louise Smyth, Stefania Marghitu•ARTICLE•New Review of Film and Television…•2024

    This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television shows adapted from an original woman-authored source text that have a prominent woman in a production role, such as showrunner, writer, director, or executive producer. This invites attention in the period of ‘quality’ television, where the figure of the…

  • Roundtable on women’s authorship and adaptation in contemporary television

    Open Access•Stefania Marghitu, Sarah Louise Smyth•ARTICLE•New Review of Film and Television…•2024

    This roundtable took place in summer 2023 and sought to capture current thinking on women’s authorship and adaptation in contemporary television. The roundtable brought together emerging and more established scholars from the US and the UK, including Elizabeth Alsop, Jacqueline Johnson, Stefania Marghitu, Isabel C. Pinedo, and Theresa Trimmel, and was moderated by Sarah Louise Smyth. While all scholars note a significant “surgence” in women’s tel…

  • The Public Servant and the Auteur

    Stefania Marghitu, Gry C Rustad•ARTICLE•Intermédialités Histoire et…•2025

    This article compares the production/showrunner practices and representation of two of the most successful teen television series of the 2010s, Skam (NRK, 2015–2017) and Euphoria (HBO, 2019–) . It compares the collaborative public service production practice under Julie Andem’s Skam with the perpetuation of the singular male auteur through Sam Levinson’s authorial control in HBO’s “prestige” teen series Euphoria . We argue that Andem’s and Levins…

  • On “Evidence” and Authenticity Claims in Paranormal TV History

    Matt Boyd Smith, Stefania Marghitu et al.•ARTICLE•Bulletin for the Study of Religion•2026

    K. Merinda Simmons talks with media studies scholars Matt Boyd Smith and Stefania Marghitu about “Evidence” and Authenticity Claims in Paranormal TV History

Art (5 works) · Gender, Feminism, and Media (4 works) · Sociology (4 works) · Cinema and Media Studies (3 works) · Media studies (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Gender Studies (2 works) · History (2 works) · Media Studies and Communication (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae