Roundtable on women’s authorship and adaptation in contemporary television
Bibliographic Data
| ID | 21783317 |
|---|---|
| Authors | Stefania Marghitu (0000-0002-4989-0935, University of Alabama), Sarah Louise Smyth (0000-0003-2979-5030, University of Essex, corresponding author) |
| Year | 2024 |
| Volume | 22 |
| Issue | 1 |
| Pages | 416-433 |
| Publication date | 2024-01-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Review of Film and Television Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-0309 • E-ISSN: 1740-7923 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17400309.2023.2263691 |
| OpenAlex | W4392305174 |
| Language | EN |
| Citations received | 2 |
This roundtable took place in summer 2023 and sought to capture current thinking on women’s authorship and adaptation in contemporary television. The roundtable brought together emerging and more established scholars from the US and the UK, including Elizabeth Alsop, Jacqueline Johnson, Stefania Marghitu, Isabel C. Pinedo, and Theresa Trimmel, and was moderated by Sarah Louise Smyth. While all scholars note a significant “surgence” in women’s television authorship, as many women showrunners, writers, producers, and directors are becoming highly visible in the streaming era, there are still a number of barriers at work: whiteness continues to be extremely pervasive; notions of taste and quality continue to undervalue women’s work; and the SAG-AFTRA and WGA strikes (ongoing during this roundtable’s discussion) disproportionately impact cisgender women and BIPOC, trans and non-binary people. This roundtable hopes to generate more discussions in these areas and open up further avenues for research
Aesthetics · Art · Media studies · Sociology · Visual arts · Gender Studies · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Citations per year | 2 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |