A N García-Martínez
Biographic Data
| ID | 4911628 |
|---|---|
| NAME | A N García-Martínez |
| GIVEN NAMES | A N |
| FAMILY NAME | García-Martínez |
| SIGNATURE | GARCÍA-MARTÍNEZ A N |
| AFFILIATIONS | Clinica Universidad de Navarra |
| ORCID | 0000-0002-4017-5791 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
E pluribus Unum
The TV anthology series, which enjoyed significant popularity in the past but has been scarce amidst the dominance of episodic series and serials in the 2000s and early 2010s, seemed to experience a kind of renaissance after the international success of Black Mirror (Channel 4, 2011–2014; Netflix, 2016–present), followed by other popular shows like Room 104 (HBO, 2017–2020) and Philip K. Dick’s Electric Dreams (Channel 4/Amazon Prime Video, 2017–…
Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data w…
Representación del cambio climático en YouTube
Este artículo examina si los contenidos de YouTube sobre el cambio climático contribuyen a que se generen nuevas propuestas de comunicación, con voces y enfoques distintos, lo que implicaría una mejor información de los ciudadanos y podría facilitar su implicación y participación en la toma de medidas necesarias para enfrentar el problema (decisiones de consumo, presión a los políticos para que adopten medidas, etc.), o si, por el contrario, se h…
Hannibal and the paradox of disgust
Hannibal (NBC 2013–15) is a bloody and violent television series that also displays an embellished and self-consciously expressive visual style. This article explores the disparity between aesthetic pleasure and repugnance, an issue that scholars working in aesthetic theory have dubbed the ‘paradox of disgust’. It begins by focusing on the specific qualities of disgust among the so-called ‘negative’ emotions in art, and develops this analysis thr…
Emotions in Contemporary TV Series
This edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media stud
La imagen que piensa. Hacia una definición del ensayo audiovisual
El presente artículo pretende analizar las claves esenciales –históricas, retóricas y de género– que caracterizan a un tipo de texto audiovisual que cuenta con una escasa tradición cinematográfica. El ensayo fílmico propone un discurso personal y asistemático que –a través de elementos como un estilo marcado, un montaje visible que privilegia la palabra o la inserción fílmica del autor– va construyendo su reflexión en las imágenes, representando …
Emotions in Contemporary TV Series
This edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media stud
La imagen que piensa. Hacia una definición del ensayo audiovisual
El presente artículo pretende analizar las claves esenciales –históricas, retóricas y de género– que caracterizan a un tipo de texto audiovisual que cuenta con una escasa tradición cinematográfica. El ensayo fílmico propone un discurso personal y asistemático que –a través de elementos como un estilo marcado, un montaje visible que privilegia la palabra o la inserción fílmica del autor– va construyendo su reflexión en las imágenes, representando …
Emotions in Contemporary TV Series
This edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media stud
Hannibal and the paradox of disgust
Hannibal (NBC 2013–15) is a bloody and violent television series that also displays an embellished and self-consciously expressive visual style. This article explores the disparity between aesthetic pleasure and repugnance, an issue that scholars working in aesthetic theory have dubbed the ‘paradox of disgust’. It begins by focusing on the specific qualities of disgust among the so-called ‘negative’ emotions in art, and develops this analysis thr…
Representación del cambio climático en YouTube
Este artículo examina si los contenidos de YouTube sobre el cambio climático contribuyen a que se generen nuevas propuestas de comunicación, con voces y enfoques distintos, lo que implicaría una mejor información de los ciudadanos y podría facilitar su implicación y participación en la toma de medidas necesarias para enfrentar el problema (decisiones de consumo, presión a los políticos para que adopten medidas, etc.), o si, por el contrario, se h…
E pluribus Unum
The TV anthology series, which enjoyed significant popularity in the past but has been scarce amidst the dominance of episodic series and serials in the 2000s and early 2010s, seemed to experience a kind of renaissance after the international success of Black Mirror (Channel 4, 2011–2014; Netflix, 2016–present), followed by other popular shows like Room 104 (HBO, 2017–2020) and Philip K. Dick’s Electric Dreams (Channel 4/Amazon Prime Video, 2017–…
Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)
This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data w…
Art (4 works) · Computer Science (3 works) · Humanities (3 works) · Media Studies and Communication (3 works) · Literature (2 works) · Media studies (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Aerospace Engineering (1 works)