Miléna Santoro
Biographic Data
| ID | 4984061 |
|---|---|
| NAME | Miléna Santoro |
| GIVEN NAMES | Miléna |
| FAMILY NAME | Santoro |
| SIGNATURE | SANTORO M |
| AFFILIATIONS | Georgetown University |
| ORCID | 0000-0003-2904-9572 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Gasbarrone, Lisa M., the Sense of the Sacred in the Early Novels of Quebec
This article was published open access under a CC BY-NC-ND licence: https://creativecommons.org/licenses/by-nc-nd/4.0
Touching Beauty
Entretien avec la cinéaste kanienkéhà
Dans cet entretien, la cinéaste kanienkéhà:ka (mohawk) et québécoise Sonia Bonspille Boileau retrace, avec humilité et intensité, les origines et les jalons de son parcours dans le cinéma, jusqu’à la sortie de son dernier film, Rustic Oracle (2019). Marqués par la pluralité linguistique et culturelle, ses films sont le reflet de questionnements profonds, à la fois politiques et sociaux, mais également plus personnels et intimes, liés à son identi…
Does it Matter Who Directs the Story? Comparing Québec’s Immigrant Cinema and the Cinema of Immigration Through Case Studies of Karaman and Deraspe, Villeneuve and Bensaddek
If it is true that “[c]inema has from its inception been transnational, circulating more or less freely across borders and utilizing international personnel” (Ezra and Rowden 2006, 2), it is equally indisputable that cinematic traditions have historically reflected and reinforced national, regional, or ethnolinguistic identities. The cinema of Québec is a case in point, such that Bill Marshall’s choice of title for his 2001 landmark study, Quebec…
Antigone réal. par Sophie Deraspe
Reviewed by: Antigone réal. par Sophie Deraspe Miléna Santoro Deraspe, Sophie, réal. Antigone. Int. Nahéma Ricci, Maison, 4: 3, 2019. With twenty years of experience, Quebec filmmaker Sophie Deraspe is not a newcomer, but with this seventh feature which she directed, wrote, and shot, she has reached a broader audience than her previous work, including Rechercher Victor Pellerin (2006), Les signes vitaux (2009), and Les loups (2015). Inspired by S…
The Rise of First Nations’ Fiction Films
Since the 1960s, when First Nations crews began training at the National Film Board, indigenous filmmaking — mostly in the form of documentaries — has generally taken place on the margins of mainstream production in Québec. While the commitment to addressing native issues and portraying native lives of NFB documentarists like Alanis Obomsawin has been of immeasurable social and aesthetic value, recent productions have shown a veritable thirst amo…
An Interview with François Macerola, President and CEO of la Société de développement des entreprises culturelles (Sodec)
Special Issue of the American Review of Canadian Studies on Québec Cinema
Quebec cinema has arrived. In a way reminiscent of the emergence of Quebec literature in the 1960s, it has crossed a threshold. Quebec's literary history during this period can be illustrated by a
An interview with Carolle Brabant Executive Director of Telefilm Canada
Transatlantic Passages
Guest Editor's Introduction
Le lointain
Le lointain : écrire au loin, écrire le lointain sous la direction de Magessa O'Reilly, Neil Bishop et A. R. Chadwick (Saint-Nicolas, Québec, Publications MNH, 2002, 216 p.). Un article de la revue Francophonies d'Amérique (Numéro 17, printemps 2004, p. 1-203) diffusée par la plateforme Érudit
Le lointain
ublication résultant du dixième colloque de l'Association des professeurs des littératures acadienne et québécoise de l'Atlantique, Le lointain : écrire au loin, écrire le lointain se compose de quatorze essais, précédés d'une présentation de Magessa O'Reilly ainsi que d'un extrait intitulé « Kaléidoscope brisé » par l'auteur Sergio Kokis, l'invité d'honneur de l'événement.À vrai dire, l'image du kaléidoscope qui donne le ton à l'extrait de Kokis…
Presentation
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Presentation
Le lointain
Le lointain : écrire au loin, écrire le lointain sous la direction de Magessa O'Reilly, Neil Bishop et A. R. Chadwick (Saint-Nicolas, Québec, Publications MNH, 2002, 216 p.). Un article de la revue Francophonies d'Amérique (Numéro 17, printemps 2004, p. 1-203) diffusée par la plateforme Érudit
Le lointain
ublication résultant du dixième colloque de l'Association des professeurs des littératures acadienne et québécoise de l'Atlantique, Le lointain : écrire au loin, écrire le lointain se compose de quatorze essais, précédés d'une présentation de Magessa O'Reilly ainsi que d'un extrait intitulé « Kaléidoscope brisé » par l'auteur Sergio Kokis, l'invité d'honneur de l'événement.À vrai dire, l'image du kaléidoscope qui donne le ton à l'extrait de Kokis…
Transatlantic Passages
Guest Editor's Introduction
The Rise of First Nations’ Fiction Films
Since the 1960s, when First Nations crews began training at the National Film Board, indigenous filmmaking — mostly in the form of documentaries — has generally taken place on the margins of mainstream production in Québec. While the commitment to addressing native issues and portraying native lives of NFB documentarists like Alanis Obomsawin has been of immeasurable social and aesthetic value, recent productions have shown a veritable thirst amo…
An Interview with François Macerola, President and CEO of la Société de développement des entreprises culturelles (Sodec)
Special Issue of the American Review of Canadian Studies on Québec Cinema
Quebec cinema has arrived. In a way reminiscent of the emergence of Quebec literature in the 1960s, it has crossed a threshold. Quebec's literary history during this period can be illustrated by a
An interview with Carolle Brabant Executive Director of Telefilm Canada
Antigone réal. par Sophie Deraspe
Reviewed by: Antigone réal. par Sophie Deraspe Miléna Santoro Deraspe, Sophie, réal. Antigone. Int. Nahéma Ricci, Maison, 4: 3, 2019. With twenty years of experience, Quebec filmmaker Sophie Deraspe is not a newcomer, but with this seventh feature which she directed, wrote, and shot, she has reached a broader audience than her previous work, including Rechercher Victor Pellerin (2006), Les signes vitaux (2009), and Les loups (2015). Inspired by S…
Touching Beauty
Entretien avec la cinéaste kanienkéhà
Dans cet entretien, la cinéaste kanienkéhà:ka (mohawk) et québécoise Sonia Bonspille Boileau retrace, avec humilité et intensité, les origines et les jalons de son parcours dans le cinéma, jusqu’à la sortie de son dernier film, Rustic Oracle (2019). Marqués par la pluralité linguistique et culturelle, ses films sont le reflet de questionnements profonds, à la fois politiques et sociaux, mais également plus personnels et intimes, liés à son identi…
Does it Matter Who Directs the Story? Comparing Québec’s Immigrant Cinema and the Cinema of Immigration Through Case Studies of Karaman and Deraspe, Villeneuve and Bensaddek
If it is true that “[c]inema has from its inception been transnational, circulating more or less freely across borders and utilizing international personnel” (Ezra and Rowden 2006, 2), it is equally indisputable that cinematic traditions have historically reflected and reinforced national, regional, or ethnolinguistic identities. The cinema of Québec is a case in point, such that Bill Marshall’s choice of title for his 2001 landmark study, Quebec…
Gasbarrone, Lisa M., the Sense of the Sacred in the Early Novels of Quebec
This article was published open access under a CC BY-NC-ND licence: https://creativecommons.org/licenses/by-nc-nd/4.0
Art (10 works) · Canadian Identity and History (6 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · History (4 works) · Movie theater (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Humanities (3 works)