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Min-Hsiu Liao

Biographic Data

ID5081333
NAMEMin-Hsiu Liao
GIVEN NAMESMin-Hsiu
FAMILY NAMELiao
SIGNATURELIAO M
AFFILIATIONSHeriot-Watt University
ORCID0000-0002-5348-6281
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS9
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Museum renovation as retranslation

    Eilidh Johnstone, Min-Hsiu Liao•ARTICLE•Perspectives•2026•References: 3

    This article investigates the renovation of a museum exhibition through a Translation Studies lens, arguing that if a museum translates historical events into exhibitionary material, then a renovation functions as a retranslation of that history, responding to changing societal norms and expectations in the ways that historical events are presented. The article focuses on changes in the exhibition’s layout, applying space syntax as an analytical …

  • Pausing in the city

    Open Access•Min-Hsiu Liao, Katerina Strani et al.•ARTICLE•Journal of Multilingual and…•2025•References: 27

  • How does it feel? Space and text as affective affordances in the multimodal museum

    Open Access•Eilidh Johnstone, Min-Hsiu Liao et al.•ARTICLE•Multimodality & Society•2024

    Museums are multimodal environments where semiotic resources including objects, space, sound, light, movement, language and the body converge. Our case study of a Taiwanese ceramics exhibition draws on the concept of ‘affective affordances’, meaning the socially and contextually informed ways that semiotic resources invite felt and embodied responses. We use this concept to investigate the ways in which texts and space co-construct affective mean…

  • Translation as a practice of resemiotization

    Open Access•Min-Hsiu Liao•ARTICLE•Translation Studies•2023

    This article aims to investigate how written and spoken texts can be translated, or resemiotized, in different semiotic modes in a multimodal museum space. The inclusion and exclusion of certain semiotic resources in the museum space is further discussed through the process of de/recontextualization. The data were collected from a bilingual exhibition in the Opium War Museum in Dongguan, China. The two research questions are: (1) How have the sem…

  • Christianity on display

    Open Access•Min-Hsiu Liao•ARTICLE•Church, Communication and Culture•2021

    This article regards museums of world religions as intersemiotic sites where the knowledge of individual religions as well as religion as a broad concept is socially constructed. It examines the role of verbal interpretations in co-constructing knowledge of religion with other visual and spatial semiotics. The case study is based on a comparison of the text panels and the display cases on Christianity in two museums: St Mungo Museum of Religious …

  • Translating heritage

    Open Access•Min-Hsiu Liao, Phil Bartie•ARTICLE•Journal of Heritage Tourism•2021•Cited by: 4

    Heritage tourism is a vital part of the global economy. To attract more international tourists, many heritage sites provide multilingual interpretation. Previous research suggests that cultural adaptations in translations are essential to international visitors having a positive experience. This article challenges this view based on two theoretical premises: visitors are active participants in engaging with heritage interpretation, and their expe…

  • National Identity, International Visitors

    Open Access•Chia-Li Chen, Chia‐Li Chen et al.•ARTICLE•Museum and Society•2017•Cited by: 1

    Although many museums nowadays provide multilingual services, translations in museums have not received enough attention from researchers. The issue of how ideology is embedded in museum texts is translated is particularly underresearched. Since museums are often important sites for tourists to learn about a nation, translation plays a pivotal role in mediating how international visitors construct the host nation’s identity. The translation of na…

  • One photo, two stories

    Min-Hsiu Liao•ARTICLE•East Asian Journal of Popular…•2015•Cited by: 2

    The aim of this study is to explore how translations function as an integral part of museum exhibitions. Specifically, this study argues that translators of museum texts and visitors who make use of them in museum exhibitions can actively engage in forming different interpretations of the exhibitions themselves. In both museum and translation studies, the producers and receivers of translations tend to be viewed as additions to the monolingual co…

  • Reading between the lines

    Open Access•Gill Hogg, Min-Hsiu Liao et al.•ARTICLE•Tourism Management•2014•Cited by: 2•References: 20

  • Influence of translations on non-translations

    Min-Hsiu Liao•ARTICLE•Perspectives•2010

    According to the polysystem theory (as described by Even-Zohar in 1990), translation tends to play a dominant role when the genre is new and young in the target system. This article discusses the genre of popular science as a new genre in Taiwan, and examines the potential influence of translations on non-translations. The Chinese edition of Scientific American published in Taiwan, which contains both translations from the English version and non…

  • Translating heritage

    Open Access•Min-Hsiu Liao, Phil Bartie•ARTICLE•Journal of Heritage Tourism•2021•Cited by: 4

    Heritage tourism is a vital part of the global economy. To attract more international tourists, many heritage sites provide multilingual interpretation. Previous research suggests that cultural adaptations in translations are essential to international visitors having a positive experience. This article challenges this view based on two theoretical premises: visitors are active participants in engaging with heritage interpretation, and their expe…

  • One photo, two stories

    Min-Hsiu Liao•ARTICLE•East Asian Journal of Popular…•2015•Cited by: 2

    The aim of this study is to explore how translations function as an integral part of museum exhibitions. Specifically, this study argues that translators of museum texts and visitors who make use of them in museum exhibitions can actively engage in forming different interpretations of the exhibitions themselves. In both museum and translation studies, the producers and receivers of translations tend to be viewed as additions to the monolingual co…

  • Reading between the lines

    Open Access•Gill Hogg, Min-Hsiu Liao et al.•ARTICLE•Tourism Management•2014•Cited by: 2•References: 20

  • National Identity, International Visitors

    Open Access•Chia-Li Chen, Chia‐Li Chen et al.•ARTICLE•Museum and Society•2017•Cited by: 1

    Although many museums nowadays provide multilingual services, translations in museums have not received enough attention from researchers. The issue of how ideology is embedded in museum texts is translated is particularly underresearched. Since museums are often important sites for tourists to learn about a nation, translation plays a pivotal role in mediating how international visitors construct the host nation’s identity. The translation of na…

  • Influence of translations on non-translations

    Min-Hsiu Liao•ARTICLE•Perspectives•2010

    According to the polysystem theory (as described by Even-Zohar in 1990), translation tends to play a dominant role when the genre is new and young in the target system. This article discusses the genre of popular science as a new genre in Taiwan, and examines the potential influence of translations on non-translations. The Chinese edition of Scientific American published in Taiwan, which contains both translations from the English version and non…

  • Reading between the lines

    Open Access•Gill Hogg, Min-Hsiu Liao et al.•ARTICLE•Tourism Management•2014•Cited by: 2•References: 20

  • One photo, two stories

    Min-Hsiu Liao•ARTICLE•East Asian Journal of Popular…•2015•Cited by: 2

    The aim of this study is to explore how translations function as an integral part of museum exhibitions. Specifically, this study argues that translators of museum texts and visitors who make use of them in museum exhibitions can actively engage in forming different interpretations of the exhibitions themselves. In both museum and translation studies, the producers and receivers of translations tend to be viewed as additions to the monolingual co…

  • National Identity, International Visitors

    Open Access•Chia-Li Chen, Chia‐Li Chen et al.•ARTICLE•Museum and Society•2017•Cited by: 1

    Although many museums nowadays provide multilingual services, translations in museums have not received enough attention from researchers. The issue of how ideology is embedded in museum texts is translated is particularly underresearched. Since museums are often important sites for tourists to learn about a nation, translation plays a pivotal role in mediating how international visitors construct the host nation’s identity. The translation of na…

  • Christianity on display

    Open Access•Min-Hsiu Liao•ARTICLE•Church, Communication and Culture•2021

    This article regards museums of world religions as intersemiotic sites where the knowledge of individual religions as well as religion as a broad concept is socially constructed. It examines the role of verbal interpretations in co-constructing knowledge of religion with other visual and spatial semiotics. The case study is based on a comparison of the text panels and the display cases on Christianity in two museums: St Mungo Museum of Religious …

  • Translating heritage

    Open Access•Min-Hsiu Liao, Phil Bartie•ARTICLE•Journal of Heritage Tourism•2021•Cited by: 4

    Heritage tourism is a vital part of the global economy. To attract more international tourists, many heritage sites provide multilingual interpretation. Previous research suggests that cultural adaptations in translations are essential to international visitors having a positive experience. This article challenges this view based on two theoretical premises: visitors are active participants in engaging with heritage interpretation, and their expe…

  • Translation as a practice of resemiotization

    Open Access•Min-Hsiu Liao•ARTICLE•Translation Studies•2023

    This article aims to investigate how written and spoken texts can be translated, or resemiotized, in different semiotic modes in a multimodal museum space. The inclusion and exclusion of certain semiotic resources in the museum space is further discussed through the process of de/recontextualization. The data were collected from a bilingual exhibition in the Opium War Museum in Dongguan, China. The two research questions are: (1) How have the sem…

  • How does it feel? Space and text as affective affordances in the multimodal museum

    Open Access•Eilidh Johnstone, Min-Hsiu Liao et al.•ARTICLE•Multimodality & Society•2024

    Museums are multimodal environments where semiotic resources including objects, space, sound, light, movement, language and the body converge. Our case study of a Taiwanese ceramics exhibition draws on the concept of ‘affective affordances’, meaning the socially and contextually informed ways that semiotic resources invite felt and embodied responses. We use this concept to investigate the ways in which texts and space co-construct affective mean…

  • Pausing in the city

    Open Access•Min-Hsiu Liao, Katerina Strani et al.•ARTICLE•Journal of Multilingual and…•2025•References: 27

  • Museum renovation as retranslation

    Eilidh Johnstone, Min-Hsiu Liao•ARTICLE•Perspectives•2026•References: 3

    This article investigates the renovation of a museum exhibition through a Translation Studies lens, arguing that if a museum translates historical events into exhibitionary material, then a renovation functions as a retranslation of that history, responding to changing societal norms and expectations in the ways that historical events are presented. The article focuses on changes in the exhibition’s layout, applying space syntax as an analytical …

Sociology (7 works) · Art (6 works) · Linguistics (6 works) · Computer Science (5 works) · Philosophy (5 works) · Translation Studies and Practices (5 works) · Exhibition (4 works) · History (4 works) · Semiotics (4 works) · Subtitles and Audiovisual Media (4 works)

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