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Antje Ascheid

Biographic Data

ID5082843
NAMEAntje Ascheid
GIVEN NAMESAntje
FAMILY NAMEAscheid
SIGNATUREASCHEID A
ORCID0000-0003-3444-1720
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2004
H-INDEX0
  • Hitler's Heroines. Stardom and Womanhood in Nazi Cinema

    Christian Rogowski, Antje Ascheid•ARTICLE•German Studies Review•2004

    Preface Introduction 1. Nazi Culture? National Socialism, Stardom, and Female Representation 2. Kristina Soderbaum: The Myth of Naturalness, Sacrifice, and the Reich's Water Corpse 3. Lilian Harvey: International Stardom, German Comedy, and the Dream Couple 4. Diva, Mother, Martyr: The Many Faces of Zarah Leander 5. Conclusion Notes Bibliography Index

  • Cultural History through a National Socialist Lens: Essays on the Cinema of the Third Reich

    Antje Ascheid, Robert C Reimer•ARTICLE•The German Quarterly•2002

    Introduction - modernity writ German - state of the art as art of the Nazi state reflections of the Weimar cinema in the Nazi propaganda films SA-Mann Brand, Hitlerjunge Quex and Hans Westmar Luis Trenker - a rebel in the Third Reich? the director and the diva - th efilm musicals of Detlef Sierck and Zarah Leander fear of flying - education to manhood in Nazi film comedies far away, so close - Carl Froelich's Heimat a cinematic constructioon of N…

  • "Nazi Stardom and the "Modern Girl: The Case of Lilian Harvey

    Antje Ascheid•ARTICLE•New German Critique•1998

    1. Cited in Hans Borgelt, Das siif3este Maidel der Welt (Munich: Heyne, 1976) 164. 2. Documented in Joseph Wulf, Theater und Film im Dritten Reich. Eine Dokumentation (Frankfurt/Main: Ullstein, 1983) 346. 3. A 1933 reader poll conducted by the journal Licht-Bild-Biihne confirmed Harvey as Germany's number one female star, ahead of both Marlene Dietrich and Greta Garbo. See Licht-Bild-Biihne 1 (1. Jan. 1933). Cited in Lilian Harvey, ed. Christiane…

No prominent works on this page.

  • "Nazi Stardom and the "Modern Girl: The Case of Lilian Harvey

    Antje Ascheid•ARTICLE•New German Critique•1998

    1. Cited in Hans Borgelt, Das siif3este Maidel der Welt (Munich: Heyne, 1976) 164. 2. Documented in Joseph Wulf, Theater und Film im Dritten Reich. Eine Dokumentation (Frankfurt/Main: Ullstein, 1983) 346. 3. A 1933 reader poll conducted by the journal Licht-Bild-Biihne confirmed Harvey as Germany's number one female star, ahead of both Marlene Dietrich and Greta Garbo. See Licht-Bild-Biihne 1 (1. Jan. 1933). Cited in Lilian Harvey, ed. Christiane…

  • Cultural History through a National Socialist Lens: Essays on the Cinema of the Third Reich

    Antje Ascheid, Robert C Reimer•ARTICLE•The German Quarterly•2002

    Introduction - modernity writ German - state of the art as art of the Nazi state reflections of the Weimar cinema in the Nazi propaganda films SA-Mann Brand, Hitlerjunge Quex and Hans Westmar Luis Trenker - a rebel in the Third Reich? the director and the diva - th efilm musicals of Detlef Sierck and Zarah Leander fear of flying - education to manhood in Nazi film comedies far away, so close - Carl Froelich's Heimat a cinematic constructioon of N…

  • Hitler's Heroines. Stardom and Womanhood in Nazi Cinema

    Christian Rogowski, Antje Ascheid•ARTICLE•German Studies Review•2004

    Preface Introduction 1. Nazi Culture? National Socialism, Stardom, and Female Representation 2. Kristina Soderbaum: The Myth of Naturalness, Sacrifice, and the Reich's Water Corpse 3. Lilian Harvey: International Stardom, German Comedy, and the Dream Couple 4. Diva, Mother, Martyr: The Many Faces of Zarah Leander 5. Conclusion Notes Bibliography Index

Archaeology (3 works) · Art (3 works) · Art history (3 works) · European history and politics (3 works) · German (3 works) · History (3 works) · Italian Fascism and Post-war Society (3 works) · Nazism (3 works) · Cinema and Media Studies (2 works) · Literature (2 works)

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