Jacqueline Pugh‐Kitingan
Biographic Data
| ID | 5123187 |
|---|---|
| NAME | Jacqueline Pugh‐Kitingan |
| GIVEN NAMES | Jacqueline |
| FAMILY NAME | Pugh‐Kitingan |
| SIGNATURE | KITINGAN J P |
| AFFILIATIONS | Universiti of Malaysia Sabah |
| ORCID | 0000-0003-3616-3947 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Bringing the Children’s Songs of the Rungus of Sabah into Malaysian Music Classrooms
The Rungus are one of the indigenous Dusunic ethnic groups of Sabah, most of whom reside in the administrative Districts of Kudat and Pitas. In Rungus culture, many different genres of intangible cultural heritage have been passed down orally over generations. These heritages are valuable resources for teaching cultural awareness and appreciation among children of different ethnicities in Malaysia. They have yet to be introduced in the national m…
Revisiting the Dusunic Boat Lutes of Sabah
The Kadazan Dusun sundatang from Tambunan, the Rungus sundatang, and the Lotud gagayan are three kinds of boat lutes from Sabah. Each is carved from a single log of jackfruit wood, but vary structurally. Resembling somewhat Philippine boat lutes, they differ from the sape-types of Sarawak and Kalimantan. They are played solo in non-ritual contexts. The gagayan, however, was played in pairs (batangkung) and the Tambunan sundatang was sometimes acc…
An Overview of Cultural Research in Sabah
Sources, Sounds and Meanings of Turali (Noseflute) Music in Dusunic Cultures of Sabah
The turali noseflute (also known as turahi among some of the Kadazan Dusun of Tambunan) is traditionally played solo as a form of personal entertainment and expression among most of the indigenous Dusunic societies of Sabah, the east Malaysian state of Northern Borneo. This instrument has the same basic structure and performance technique in all Dusunic communities where it is played, but can vary in length. In most cases, as among the Lotud Dusu…
Field Note
The Kimaragang, an indigenous Dusunic ethnic group from the Districts of Kota Marudu and Pitas in Sabah, Malaysia (formerly North Borneo), traditionally practice the shifting cultivation of hill rice with maize. This study focuses on Kimaragang hill rice cultivation and discusses some of their traditional agriculturally-focused beliefs and communal healing and cleansing rituals. Over time, with the conversion to Christianity and the movement towa…
Balancing the Human and Spiritual Worlds
Ritual, according to Victor Turner, embodies symbolic action and has a processual flow (1967:149-50). Some ethnomusicologists have utilized Turner's ideas about symbolic action to examine the symbolism of music and dance in ritual. Marina Roseman, in her study of Senoi Temiar healing ceremonies, for example, observed that music and dance in Temiar ceremonies embody "meaningfully patterned sounds and movements" and "symbol-laden sounds and body mo…
Gong Ensemble Music of the Dusun Tinagas of Sabah Through the Gaze of Movement
In discussing gong ensemble music through the gaze of movement, gaze can be conceptualized at two interrelated levels: firstly, at the general contextual level of the audience (who are the spectators?), and secondly, at the deeper semantic level of auditory-kinaesthetic relationships that manifest social meanings
Language communication and instrumental music in Papua New Guinea; Comments on Tse Huli and Samberigi Cases
The purpose of this paper is briefly to discuss the occurrence of language communication in the instrumental music of two of the groups in the Southern Highlands of Papua New Guinea, namely the Huli and the so-called Samberigi, and to evaluate the implications of this for further research in the Highlands and surrounding areas
Huli Language and Instrumental Performance
dissected by ridges and old volcanic ranges. This allows for the easy migration of people, which produces a homogeneity of culture throughout the entire tribal area.3 The Huli cultivate extensive vegetable gardens, sweet-potato being their dietary staple. Family and kinship ties form the basis for land ownership, and there is no village or commune system. The Huli have no chieftain system of hereditary social hierarchy. A person's talents and ach…
Field Note
The Kimaragang, an indigenous Dusunic ethnic group from the Districts of Kota Marudu and Pitas in Sabah, Malaysia (formerly North Borneo), traditionally practice the shifting cultivation of hill rice with maize. This study focuses on Kimaragang hill rice cultivation and discusses some of their traditional agriculturally-focused beliefs and communal healing and cleansing rituals. Over time, with the conversion to Christianity and the movement towa…
Balancing the Human and Spiritual Worlds
Ritual, according to Victor Turner, embodies symbolic action and has a processual flow (1967:149-50). Some ethnomusicologists have utilized Turner's ideas about symbolic action to examine the symbolism of music and dance in ritual. Marina Roseman, in her study of Senoi Temiar healing ceremonies, for example, observed that music and dance in Temiar ceremonies embody "meaningfully patterned sounds and movements" and "symbol-laden sounds and body mo…
Gong Ensemble Music of the Dusun Tinagas of Sabah Through the Gaze of Movement
In discussing gong ensemble music through the gaze of movement, gaze can be conceptualized at two interrelated levels: firstly, at the general contextual level of the audience (who are the spectators?), and secondly, at the deeper semantic level of auditory-kinaesthetic relationships that manifest social meanings
Huli Language and Instrumental Performance
dissected by ridges and old volcanic ranges. This allows for the easy migration of people, which produces a homogeneity of culture throughout the entire tribal area.3 The Huli cultivate extensive vegetable gardens, sweet-potato being their dietary staple. Family and kinship ties form the basis for land ownership, and there is no village or commune system. The Huli have no chieftain system of hereditary social hierarchy. A person's talents and ach…
Huli Language and Instrumental Performance
dissected by ridges and old volcanic ranges. This allows for the easy migration of people, which produces a homogeneity of culture throughout the entire tribal area.3 The Huli cultivate extensive vegetable gardens, sweet-potato being their dietary staple. Family and kinship ties form the basis for land ownership, and there is no village or commune system. The Huli have no chieftain system of hereditary social hierarchy. A person's talents and ach…
Language communication and instrumental music in Papua New Guinea; Comments on Tse Huli and Samberigi Cases
The purpose of this paper is briefly to discuss the occurrence of language communication in the instrumental music of two of the groups in the Southern Highlands of Papua New Guinea, namely the Huli and the so-called Samberigi, and to evaluate the implications of this for further research in the Highlands and surrounding areas
Gong Ensemble Music of the Dusun Tinagas of Sabah Through the Gaze of Movement
In discussing gong ensemble music through the gaze of movement, gaze can be conceptualized at two interrelated levels: firstly, at the general contextual level of the audience (who are the spectators?), and secondly, at the deeper semantic level of auditory-kinaesthetic relationships that manifest social meanings
Balancing the Human and Spiritual Worlds
Ritual, according to Victor Turner, embodies symbolic action and has a processual flow (1967:149-50). Some ethnomusicologists have utilized Turner's ideas about symbolic action to examine the symbolism of music and dance in ritual. Marina Roseman, in her study of Senoi Temiar healing ceremonies, for example, observed that music and dance in Temiar ceremonies embody "meaningfully patterned sounds and movements" and "symbol-laden sounds and body mo…
Field Note
The Kimaragang, an indigenous Dusunic ethnic group from the Districts of Kota Marudu and Pitas in Sabah, Malaysia (formerly North Borneo), traditionally practice the shifting cultivation of hill rice with maize. This study focuses on Kimaragang hill rice cultivation and discusses some of their traditional agriculturally-focused beliefs and communal healing and cleansing rituals. Over time, with the conversion to Christianity and the movement towa…
An Overview of Cultural Research in Sabah
Sources, Sounds and Meanings of Turali (Noseflute) Music in Dusunic Cultures of Sabah
The turali noseflute (also known as turahi among some of the Kadazan Dusun of Tambunan) is traditionally played solo as a form of personal entertainment and expression among most of the indigenous Dusunic societies of Sabah, the east Malaysian state of Northern Borneo. This instrument has the same basic structure and performance technique in all Dusunic communities where it is played, but can vary in length. In most cases, as among the Lotud Dusu…
Revisiting the Dusunic Boat Lutes of Sabah
The Kadazan Dusun sundatang from Tambunan, the Rungus sundatang, and the Lotud gagayan are three kinds of boat lutes from Sabah. Each is carved from a single log of jackfruit wood, but vary structurally. Resembling somewhat Philippine boat lutes, they differ from the sape-types of Sarawak and Kalimantan. They are played solo in non-ritual contexts. The gagayan, however, was played in pairs (batangkung) and the Tambunan sundatang was sometimes acc…
Bringing the Children’s Songs of the Rungus of Sabah into Malaysian Music Classrooms
The Rungus are one of the indigenous Dusunic ethnic groups of Sabah, most of whom reside in the administrative Districts of Kudat and Pitas. In Rungus culture, many different genres of intangible cultural heritage have been passed down orally over generations. These heritages are valuable resources for teaching cultural awareness and appreciation among children of different ethnicities in Malaysia. They have yet to be introduced in the national m…
Asian Studies and History (7 works) · Art (6 works) · Geography (6 works) · History (6 works) · Sociology (5 works) · Diverse Musicological Studies (4 works) · Linguistics (4 works) · Musical (4 works) · Philosophy (4 works) · Visual arts (4 works)