Gong Ensemble Music of the Dusun Tinagas of Sabah Through the Gaze of Movement
Bibliographic Data
| ID | 3169542 |
|---|---|
| Authors | Jacqueline Pugh-Kitingan, Jacqueline Pugh‐Kitingan (0000-0003-3616-3947, corresponding author) |
| Year | 2012 |
| Volume | 44 |
| Pages | 149-165 |
| Publication date | 2012-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.5921/yeartradmusi.44.0149 |
| OpenAlex | W2482985831 |
| Language | EN |
| Citations received | 4 |
| References cited | 4 |
In discussing gong ensemble music through the gaze of movement, gaze can be conceptualized at two interrelated levels: firstly, at the general contextual level of the audience (who are the spectators?), and secondly, at the deeper semantic level of auditory-kinaesthetic relationships that manifest social meanings
Aesthetics · Art · Cognitive psychology · Gaze · Linguistics · Psychoanalysis · Sociology · Asian Studies and History · Philippine History and Culture · Philosophy · Psychology
| Citations per year | 0.33 |
|---|---|
| Citation span | 2014 - 2025 (12) |
| Highly cited | No |