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Jeanette Roberts Shumaker

Biographic Data

ID5132142
NAMEJeanette Roberts Shumaker
GIVEN NAMESJeanette Roberts
FAMILY NAMEShumaker
SIGNATURESHUMAKER J R
AFFILIATIONSSan Diego State University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Class wars between women in Maeve Brennan’s ‘The Anachronism’

    Jeanette Roberts Shumaker•ARTICLE•Short Fiction in Theory and…•2016

    Maeve Brennan’s mid-twentieth century stories set in a wealthy village in New York are often read as critiques of prejudice against Irish-American maids. However, in ‘The Anachronism’ (1954), Maeve Brennan suggests that class, even more than nationality, is central to women’s identity in the United States during the 1950s. In this story, Brennan revises stereotypes of class and nationality regarding Irish and English immigrants. Betty, a maid fro…

  • Sado-Masochism in Clare Boylan’s Home Rule and Holy Pictures

    Open Access•Jeanette Roberts Shumaker•ARTICLE•Estudios Irlandeses•2011

    A well-known Dublin journalist who died in 2006, Clare Boylan published several novels and short story collections, including a completion of Charlotte Bronte’s unfinished novel Emma Brown in 2003. ((I offer thanks to professor Juan Carlos Ramirez Pimienta of San Diego State University, Imperial Valley for translating the abstract of my article into Spanish.)) Boylan’s first novel, Holy Pictures

  • Accepting the Grotesque Body

    Open Access•Jeanette Roberts Shumaker•ARTICLE•Estudios Irlandeses•2006

    'Fair and foul are near of kin, And fair needs foul,' I cried. W. B. Yeats, "Crazy Jane Talks with the Bishop" For the female protagonists of Boylan's Black Baby (1988), and Eilis Ni Dhuibhne's The Dancers Dancing (1999), maturation entails accepting the grotesqueness of their bodies. The female body erupts through excess weight and unruly sexual desires in

  • Elizabeth Bowen

    Jeanette Roberts Shumaker, Maud Ellmann•ARTICLE•Tulsa Studies in Women s Literature•2004•Cited by: 3

  • Borders, binaries, and heritage in a contemporary Irish short story

    Jeanette Roberts Shumaker•ARTICLE•Women s Studies•2000•References: 4

  • Elizabeth Bowen

    Jeanette Roberts Shumaker, Maud Ellmann•ARTICLE•Tulsa Studies in Women s Literature•2004•Cited by: 3

  • Borders, binaries, and heritage in a contemporary Irish short story

    Jeanette Roberts Shumaker•ARTICLE•Women s Studies•2000•References: 4

  • Elizabeth Bowen

    Jeanette Roberts Shumaker, Maud Ellmann•ARTICLE•Tulsa Studies in Women s Literature•2004•Cited by: 3

  • Accepting the Grotesque Body

    Open Access•Jeanette Roberts Shumaker•ARTICLE•Estudios Irlandeses•2006

    'Fair and foul are near of kin, And fair needs foul,' I cried. W. B. Yeats, "Crazy Jane Talks with the Bishop" For the female protagonists of Boylan's Black Baby (1988), and Eilis Ni Dhuibhne's The Dancers Dancing (1999), maturation entails accepting the grotesqueness of their bodies. The female body erupts through excess weight and unruly sexual desires in

  • Sado-Masochism in Clare Boylan’s Home Rule and Holy Pictures

    Open Access•Jeanette Roberts Shumaker•ARTICLE•Estudios Irlandeses•2011

    A well-known Dublin journalist who died in 2006, Clare Boylan published several novels and short story collections, including a completion of Charlotte Bronte’s unfinished novel Emma Brown in 2003. ((I offer thanks to professor Juan Carlos Ramirez Pimienta of San Diego State University, Imperial Valley for translating the abstract of my article into Spanish.)) Boylan’s first novel, Holy Pictures

  • Class wars between women in Maeve Brennan’s ‘The Anachronism’

    Jeanette Roberts Shumaker•ARTICLE•Short Fiction in Theory and…•2016

    Maeve Brennan’s mid-twentieth century stories set in a wealthy village in New York are often read as critiques of prejudice against Irish-American maids. However, in ‘The Anachronism’ (1954), Maeve Brennan suggests that class, even more than nationality, is central to women’s identity in the United States during the 1950s. In this story, Brennan revises stereotypes of class and nationality regarding Irish and English immigrants. Betty, a maid fro…

Irish and British Studies (5 works) · Art (4 works) · Irish (4 works) · Philosophy (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Aesthetics (1 works)

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