Class wars between women in Maeve Brennan’s ‘The Anachronism’
Bibliographic Data
| ID | 13005259 |
|---|---|
| Authors | Jeanette Roberts Shumaker (San Diego State University, corresponding author) |
| Year | 2016 |
| Volume | 6 |
| Issue | 2 |
| Pages | 179-189 |
| Publication date | 2016-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Short Fiction in Theory and Practice (JOURNAL) |
| Journal identifiers | ISSN: 2043-0701 • E-ISSN: 2043-071X |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/fict.6.2.179_1 |
| OpenAlex | W2610339754 |
| Language | EN |
Maeve Brennan’s mid-twentieth century stories set in a wealthy village in New York are often read as critiques of prejudice against Irish-American maids. However, in ‘The Anachronism’ (1954), Maeve Brennan suggests that class, even more than nationality, is central to women’s identity in the United States during the 1950s. In this story, Brennan revises stereotypes of class and nationality regarding Irish and English immigrants. Betty, a maid from England, and Mrs. Conroy, an Irish-American widow, forge bonds based on class despite their expected enmity based on nationality
Aesthetics · Anachronism · Archaeology · Art · Class (philosophy · Genealogy · Identity (music · Immigration · Irish · Linguistics · Nationality · Political science · Politics · Prejudice (legal term · History · Irish and British Studies · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |