Inhye Kang
Biographic Data
| ID | 5152450 |
|---|---|
| NAME | Inhye Kang |
| GIVEN NAMES | Inhye |
| FAMILY NAME | Kang |
| SIGNATURE | KANG I |
| AFFILIATIONS | Heidelberg University |
| ORCID | 0009-0008-8468-1777 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The imagining of ‘others’ in colonial Korea in the works of Yi In-sŏng
Many of Yi In-sŏng’s works, including On an Autumn Day and Room in Summer , depict tropical plants and exotic vegetation. Although the specific types of foliage he portrayed remain unclear, Yi’s use of foreign foliage clearly conveys the allure of exotic scenery. Beginning in the 1930s, coinciding with Japan’s expansion into the South Sea region, images of palm trees and exotic plants found their way into colonial Korean homes. This article inves…
Multiethnic Pioneers”
Manchuria (also known as Manchukuo) was a puppet state established by Japanese empire after the Mukden Incident on September 18, 1931. From its genesis, Manchuria sought to create a positive image of itself both for domestic Japanese and international audiences. This paper focuses on Manshū gurafu (Manchuria Graph), a magazine published by the South Manchuria Rail Company. The magazine is important as a specialist photographic publication and has…
Visual Technologies of Imperial Anthropology
Visual technologies were significant tools in the field of anthropology throughout the late nineteenth century, when they were frequently used for studying and exploring other ethnicities. This article argues that visual technologies played an active role for Japanese anthropologists not only in investigating other Asian nations but also in conceptualizing the Japanese empire as a multiethnic nation. Tsuboi Shōgorō—a founding father of modern Jap…
Multiethnic Pioneers”
Manchuria (also known as Manchukuo) was a puppet state established by Japanese empire after the Mukden Incident on September 18, 1931. From its genesis, Manchuria sought to create a positive image of itself both for domestic Japanese and international audiences. This paper focuses on Manshū gurafu (Manchuria Graph), a magazine published by the South Manchuria Rail Company. The magazine is important as a specialist photographic publication and has…
Visual Technologies of Imperial Anthropology
Visual technologies were significant tools in the field of anthropology throughout the late nineteenth century, when they were frequently used for studying and exploring other ethnicities. This article argues that visual technologies played an active role for Japanese anthropologists not only in investigating other Asian nations but also in conceptualizing the Japanese empire as a multiethnic nation. Tsuboi Shōgorō—a founding father of modern Jap…
Visual Technologies of Imperial Anthropology
Visual technologies were significant tools in the field of anthropology throughout the late nineteenth century, when they were frequently used for studying and exploring other ethnicities. This article argues that visual technologies played an active role for Japanese anthropologists not only in investigating other Asian nations but also in conceptualizing the Japanese empire as a multiethnic nation. Tsuboi Shōgorō—a founding father of modern Jap…
Multiethnic Pioneers”
Manchuria (also known as Manchukuo) was a puppet state established by Japanese empire after the Mukden Incident on September 18, 1931. From its genesis, Manchuria sought to create a positive image of itself both for domestic Japanese and international audiences. This paper focuses on Manshū gurafu (Manchuria Graph), a magazine published by the South Manchuria Rail Company. The magazine is important as a specialist photographic publication and has…
The imagining of ‘others’ in colonial Korea in the works of Yi In-sŏng
Many of Yi In-sŏng’s works, including On an Autumn Day and Room in Summer , depict tropical plants and exotic vegetation. Although the specific types of foliage he portrayed remain unclear, Yi’s use of foreign foliage clearly conveys the allure of exotic scenery. Beginning in the 1930s, coinciding with Japan’s expansion into the South Sea region, images of palm trees and exotic plants found their way into colonial Korean homes. This article inves…
Japanese History and Culture (3 works) · Archaeology (2 works) · Art (2 works) · Asian Culture and Media Studies (2 works) · Empire (2 works) · History (2 works) · History (2 works) · Visual arts (2 works) · Agrarian society (1 work) · Ancient history (1 work)