Nzhdeh Yeranyan
Biographic Data
| ID | 5185697 |
|---|---|
| NAME | Nzhdeh Yeranyan |
| GIVEN NAMES | Nzhdeh |
| FAMILY NAME | Yeranyan |
| SIGNATURE | YERANYAN N |
| AFFILIATIONS | Armenian Genocide Museum-Institute Foundation |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Memory of the kings of Bia/Urartu
Through autoptic examination, macrophotography and comparative palaeography, this study identifies changes in sign forms, engraving techniques and associated iconography in a corpus of Urartian inscribed bronze bowls. Evolving scribal practices, and the transformation of monumental cuneiform into portable media, highlight the role of inscribed metal vessels in expressing Urartian kingship.
Meghretsots St. Astvatsatsin church in Shushi
The Meghretsos St. Astvatsatsin church is located in the upper district of the city of Shushi. Immigrants from Meghri constructed it in the eponymous quarter in 1838. During the Soviet period, the church was demolished and converted into an open-air summer cinema. According to local informants, since it was impossible to demolish the church’s solid, thick walls, most of the walls were destroyed by explosion. The foundation walls, which were highe…
Local Elites on the Edge of the State
This contribution aims to re-evaluate a specific archaeological context linked to the Urartian state, namely the site of Geghovit in Armenia, which is a rock-cut tomb with a funerary assemblage containing several objects of considerable interest due to their historical and cultural implications. The article presents a new analysis of the materials discovered during the construction of a bridge, with particular emphasis on a notable sword. This sw…
From Sippar to Sznak
This study examines the bronze lion from Sznak within the context of Assyrian-Urartian artistic interactions. Through an analysis of its morphology, stylistic elements, and function, the research explores its likely role as a candelabrum support and its ceremonial significance in Urartian elite spaces. A comparison with Assyrian and Urartian lion imagery highlights notable iconographic parallels, particularly with the limestone lion head from Sip…
Museum Losses Amidst the 44-Day Artsakh War
The article discusses the challenges surrounding the safeguarding of Artsakh's rich cultural heritage, with a particular focus on the preservation and protection of museums amidst and following the 44-day Artsakh war. It offers special scrutiny towards museums and collections that fell under Azerbaijani control as a consequence of the conflict. The museum sector emerged as one of the most severely impacted areas in Artsakh's cultural landscape du…
No prominent works on this page.
Museum Losses Amidst the 44-Day Artsakh War
The article discusses the challenges surrounding the safeguarding of Artsakh's rich cultural heritage, with a particular focus on the preservation and protection of museums amidst and following the 44-day Artsakh war. It offers special scrutiny towards museums and collections that fell under Azerbaijani control as a consequence of the conflict. The museum sector emerged as one of the most severely impacted areas in Artsakh's cultural landscape du…
Meghretsots St. Astvatsatsin church in Shushi
The Meghretsos St. Astvatsatsin church is located in the upper district of the city of Shushi. Immigrants from Meghri constructed it in the eponymous quarter in 1838. During the Soviet period, the church was demolished and converted into an open-air summer cinema. According to local informants, since it was impossible to demolish the church’s solid, thick walls, most of the walls were destroyed by explosion. The foundation walls, which were highe…
Local Elites on the Edge of the State
This contribution aims to re-evaluate a specific archaeological context linked to the Urartian state, namely the site of Geghovit in Armenia, which is a rock-cut tomb with a funerary assemblage containing several objects of considerable interest due to their historical and cultural implications. The article presents a new analysis of the materials discovered during the construction of a bridge, with particular emphasis on a notable sword. This sw…
From Sippar to Sznak
This study examines the bronze lion from Sznak within the context of Assyrian-Urartian artistic interactions. Through an analysis of its morphology, stylistic elements, and function, the research explores its likely role as a candelabrum support and its ceremonial significance in Urartian elite spaces. A comparison with Assyrian and Urartian lion imagery highlights notable iconographic parallels, particularly with the limestone lion head from Sip…
Memory of the kings of Bia/Urartu
Through autoptic examination, macrophotography and comparative palaeography, this study identifies changes in sign forms, engraving techniques and associated iconography in a corpus of Urartian inscribed bronze bowls. Evolving scribal practices, and the transformation of monumental cuneiform into portable media, highlight the role of inscribed metal vessels in expressing Urartian kingship.
Eurasian Exchange Networks (4 works) · Ancient Near East History (3 works) · Bronze (2 works) · Ancient Mediterranean Archaeology and History (1 work) · Archaeological Research and Protection (1 work) · Archaeology (1 work) · Art (1 work) · Byzantine Studies and History (1 work) · Central asia (1 work) · Computer Science (1 work)