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Culturales y Sociales de América Latina Centro de Estudios Políticos

Biographic Data

ID5187300
NAMECulturales y Sociales de América Latina Centro de Estudios Políticos
GIVEN NAMESCulturales y Sociales de América Latina Centro de Estudios
FAMILY NAMEPolíticos
SIGNATUREPOLÍTICOS C Y S A L C E
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS2
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Buñuel en México

    Open Access•Culturales y Sociales de América Latina Centro de Estudios Políticos, Juan…•ARTICLE•Aisthesis Revista Chilena de…•2017•Cited by: 2

    The aim of this text is to explore and discuss the way in which both the commercial films and the auteur cinema made by Luis Buñuel in Mexico, introduce us to the production of new cinematic representations of poverty. In order to do this, the films El gran calavera (1949), Los olvidados (1950), El Bruto (1952) and Nazarín (1959) will be analyzed. It is argued that these films suggest different ways in which poverty is inscribed that put the hege…

  • Buñuel en México

    Open Access•Culturales y Sociales de América Latina Centro de Estudios Políticos, Juan…•ARTICLE•Aisthesis Revista Chilena de…•2017•Cited by: 2

    The aim of this text is to explore and discuss the way in which both the commercial films and the auteur cinema made by Luis Buñuel in Mexico, introduce us to the production of new cinematic representations of poverty. In order to do this, the films El gran calavera (1949), Los olvidados (1950), El Bruto (1952) and Nazarín (1959) will be analyzed. It is argued that these films suggest different ways in which poverty is inscribed that put the hege…

  • Buñuel en México

    Open Access•Culturales y Sociales de América Latina Centro de Estudios Políticos, Juan…•ARTICLE•Aisthesis Revista Chilena de…•2017•Cited by: 2

    The aim of this text is to explore and discuss the way in which both the commercial films and the auteur cinema made by Luis Buñuel in Mexico, introduce us to the production of new cinematic representations of poverty. In order to do this, the films El gran calavera (1949), Los olvidados (1950), El Bruto (1952) and Nazarín (1959) will be analyzed. It is argued that these films suggest different ways in which poverty is inscribed that put the hege…

Art (1 work) · Art history (1 work) · Cinema History and Criticism (1 work) · Geometry (1 work) · Hegemony (1 work) · Humanities (1 work) · Inscribed figure (1 work) · Mathematics (1 work) · Movie theater (1 work) · Photographic and Visual Arts (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae