Buñuel en México
Notas Acerca De La Representación De La Pobreza en Las Cintas El Gran Calavera, Los Olvidaos, El Bruto Y Nazarín
Bibliographic Data
| ID | 8242536 |
|---|---|
| Authors | Culturales y Sociales de América Latina Centro de Estudios Políticos, Juan Pablo Silva Escobar (0000-0001-5088-4332) |
| Year | 2017 |
| Volume | 61 |
| Pages | 63-78 |
| Publication date | 2017-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Aisthesis Revista Chilena de Investigaciones Estéticas (JOURNAL) |
| Journal identifiers | ISSN: 0568-3939 • E-ISSN: 0718-7181 |
| DOI | 10.7764/aisth.61.4 |
| OpenAlex | W2734757008 |
| Language | ES |
| Citations received | 2 |
The aim of this text is to explore and discuss the way in which both the commercial films and the auteur cinema made by Luis Buñuel in Mexico, introduce us to the production of new cinematic representations of poverty. In order to do this, the films El gran calavera (1949), Los olvidados (1950), El Bruto (1952) and Nazarín (1959) will be analyzed. It is argued that these films suggest different ways in which poverty is inscribed that put the hegemonic representation imposed by the golden age of Mexican cinema under tension. Moreover, the ideal of desire is recognized as a common mechanism in the actions of its protagonists
Art · Art history · Geometry · Hegemony · Humanities · Inscribed figure · Movie theater · Political science · Poverty · Sociology · Cinema History and Criticism · Mathematics · Photographic and Visual Arts · Youth Culture and Social Dynamics
| Citations per year | 0.33 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |