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Boris Kossoy

Biographic Data

ID533624
NAMEBoris Kossoy
GIVEN NAMESBoris
FAMILY NAMEKossoy
SIGNATUREKOSSOY B
AFFILIATIONSUniversidade de São Paulo
ORCID0000-0002-5013-6921
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS3
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2019
H-INDEX1
  • O mistério dos daguerreótipos do Largo do Paço

    Open Access•Boris Kossoy•ARTICLE•Revista USP•2019•Cited by: 1

  • The Pioneering Photographic Work of Hercule Florence

    Boris Kossoy•BOOK•Pioneering Photographic Work of…•2017

    This book delivers an in-depth analysis of Hercule Florence, who is virtually unknown despite being among the world’s photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book answers numerous questions surrounding Florence’s work, including the materials, methods, and techniques he employed and why it took more than a century for his discovery to come to light. Kossoy’s groundbreakin…

  • Europe in the Eighteenth Century

    Boris Kossoy•CHAPTER•Pioneering Photographic Work of…•2017

  • Pioneering Photographic Work of Hercule Florence

    Boris Kossoy•BOOK•Pioneering Photographic Work of…•2017

  • O relógio de Hiroshima: Reflexões Sobre Os Diálogose Silêncios Das Imagens

    Open Access•Boris Kossoy•ARTICLE•Revista Brasileira de História•2005•Cited by: 2

  • Criatividade e tecnologia no mundo da representação

    Open Access•Boris Kossoy•ARTICLE•Comunicação & Educação•2002

    The author discusses photography and photographic language as signs of representation of reality which, as such, are creative expressions of the their producer’s points of view. The claim is that the photographic document cannot be understood independently from its productive process. The photographer/creator’s creative potential was increased by the new digital technologies and he/she now has the power to eliminate and introduce elements and, th…

  • Host city: Rio de Janeiro

    Boris Kossoy•ARTICLE•History of Photography•1984

    When the American Fleet dropped anchor at Rio de Janeiro in 1908, it was a once-in-a-lifetime event for the city's inhabitants. Thousands of sailors who had left the United States for the long around-the-Horn cruise, via the Pacific, in December of 1907, took shore leave for rest and recreation. They were not disappointed by the animated Carioca. Cafes, bars, and amusement centers in the then capital city of Brazil were practically taken over by …

  • Photographic Miscarriage

    Boris Kossoy•ARTICLE•History of Photography•1978

    Henrique Fleiuss (born 1823 in Cologne, died 1882 in Rio de Janeiro) studied literature in Cologne and natural sciences as well as music in Munich. He went to Brazil in 1858 at the suggestion of von Martius, the famous botanist. There, in 1859, he founded the ‘Instituto Artistico’ in partnership with his brother Carlos Fleiuss and the artist Carlos Linde

  • Os 30 Valérios

    Boris Kossoy•ARTICLE•History of Photography•1978

    Valério Vieira (1862–1941) was born in Angra dos Reis in Rio de Janeiro. As a young man he went to the capital where he enrolled in the Escola de Belas Artes (School of Fine Arts) without his parents' approval. It appears that he began his photographic activities in the 1880s in several cities of the Vale do Paraíba and in Ouro Preto, an old town in the State of Minas Gerais. Around 1888, he married Carmen Augusta Villas-Boas Teixeira, and in 189…

  • O relógio de Hiroshima: Reflexões Sobre Os Diálogose Silêncios Das Imagens

    Open Access•Boris Kossoy•ARTICLE•Revista Brasileira de História•2005•Cited by: 2

  • O mistério dos daguerreótipos do Largo do Paço

    Open Access•Boris Kossoy•ARTICLE•Revista USP•2019•Cited by: 1

  • Photographic Miscarriage

    Boris Kossoy•ARTICLE•History of Photography•1978

    Henrique Fleiuss (born 1823 in Cologne, died 1882 in Rio de Janeiro) studied literature in Cologne and natural sciences as well as music in Munich. He went to Brazil in 1858 at the suggestion of von Martius, the famous botanist. There, in 1859, he founded the ‘Instituto Artistico’ in partnership with his brother Carlos Fleiuss and the artist Carlos Linde

  • Os 30 Valérios

    Boris Kossoy•ARTICLE•History of Photography•1978

    Valério Vieira (1862–1941) was born in Angra dos Reis in Rio de Janeiro. As a young man he went to the capital where he enrolled in the Escola de Belas Artes (School of Fine Arts) without his parents' approval. It appears that he began his photographic activities in the 1880s in several cities of the Vale do Paraíba and in Ouro Preto, an old town in the State of Minas Gerais. Around 1888, he married Carmen Augusta Villas-Boas Teixeira, and in 189…

  • Host city: Rio de Janeiro

    Boris Kossoy•ARTICLE•History of Photography•1984

    When the American Fleet dropped anchor at Rio de Janeiro in 1908, it was a once-in-a-lifetime event for the city's inhabitants. Thousands of sailors who had left the United States for the long around-the-Horn cruise, via the Pacific, in December of 1907, took shore leave for rest and recreation. They were not disappointed by the animated Carioca. Cafes, bars, and amusement centers in the then capital city of Brazil were practically taken over by …

  • Criatividade e tecnologia no mundo da representação

    Open Access•Boris Kossoy•ARTICLE•Comunicação & Educação•2002

    The author discusses photography and photographic language as signs of representation of reality which, as such, are creative expressions of the their producer’s points of view. The claim is that the photographic document cannot be understood independently from its productive process. The photographer/creator’s creative potential was increased by the new digital technologies and he/she now has the power to eliminate and introduce elements and, th…

  • O relógio de Hiroshima: Reflexões Sobre Os Diálogose Silêncios Das Imagens

    Open Access•Boris Kossoy•ARTICLE•Revista Brasileira de História•2005•Cited by: 2

  • The Pioneering Photographic Work of Hercule Florence

    Boris Kossoy•BOOK•Pioneering Photographic Work of…•2017

    This book delivers an in-depth analysis of Hercule Florence, who is virtually unknown despite being among the world’s photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book answers numerous questions surrounding Florence’s work, including the materials, methods, and techniques he employed and why it took more than a century for his discovery to come to light. Kossoy’s groundbreakin…

  • Europe in the Eighteenth Century

    Boris Kossoy•CHAPTER•Pioneering Photographic Work of…•2017

  • Pioneering Photographic Work of Hercule Florence

    Boris Kossoy•BOOK•Pioneering Photographic Work of…•2017

  • O mistério dos daguerreótipos do Largo do Paço

    Open Access•Boris Kossoy•ARTICLE•Revista USP•2019•Cited by: 1

Art (8 works) · Visual arts (5 works) · Geography (3 works) · Political science (3 works) · Art history (2 works) · Cultural, Media, and Literary Studies (2 works) · Engineering (2 works) · History (2 works) · Humanities (2 works) · Sociology (2 works)

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