Criatividade e tecnologia no mundo da representação
Bibliographic Data
| ID | 4529403 |
|---|---|
| Authors | Boris Kossoy (0000-0002-5013-6921, Universidade de São Paulo, corresponding author) |
| Year | 2002 |
| Volume | 0 |
| Issue | 24 |
| Pages | 46 |
| Publication date | 2002-08-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comunicação & Educação (JOURNAL) |
| Journal identifiers | ISSN: 0104-6829 • E-ISSN: 2316-9125 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-9125.v0i24p46-48 |
| OpenAlex | W2134813160 |
| Language | PT |
The author discusses photography and photographic language as signs of representation of reality which, as such, are creative expressions of the their producer’s points of view. The claim is that the photographic document cannot be understood independently from its productive process. The photographer/creator’s creative potential was increased by the new digital technologies and he/she now has the power to eliminate and introduce elements and, thus, the hygienization of the image reaches new potential
Aesthetics · Art · Computer graphics (images · Creativity · Photography · Political science · Politics · Process (computing · Representation (politics · Visual arts · Computer Science · Cultural, Media, and Literary Studies · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |