Yanbin Kang
Biographic Data
| ID | 5400317 |
|---|---|
| NAME | Yanbin Kang |
| GIVEN NAMES | Yanbin |
| FAMILY NAME | Kang |
| SIGNATURE | KANG Y |
| AFFILIATIONS | Tongji University |
| ORCID | 0000-0002-1503-0187 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Facing aging
Face Shadow is a contemporary dance performance presented by the Zhiren Experimental Theater that utilizes masks and body rhythms as its primary expressive tools to explore the theme of aging. After its stunning debut in Guangzhou on 17 March 2023, the production has been successful in subsequent stagings in Chongqing and Shanghai, with the latest iteration titled Face Shadow 3.0 premiering in Zhengzhou on 16 March 2024
Un)learning Qin, Dark/Soft Wisdom, and Female (M)use
(Wo)men’s Agency and a Critique of Modernity
Dickinson’s (Non)-Seeking, Pearl Narrative, and Emerson/Thoreau
Dickinson’s Self-Cultivation, Optional Summer and Chinese Aesthetic
Freeman, Margaret H. Emily Dickinson’s Poetic Art
Failed Oracles and Masked Women
Seeing in the Dark (Grave)
Dickinson’s Non-Holding, “Sumptuous Destitution” and Emerson
Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported byJNU Collaborative Innovation Center for the Communication of Chinese Culture in Hong Kong, Macao, Taiwan and Overseas [Grant Number JNXT2021016]
City-dwellers flowing with Zhuangzi
This article reviews Zhuangzi’s N Generations, a modern dance performance, directed and choreographed by Qi Liu at the Guangdong Art Theatre in Guangzhou, China, on 17 December 2019
Dickinson’s Allusions to Thoreau’s East
The resonance of Emily Dickinson’s writings with Eastern aesthetics and philosophies has invited scholars to explore her links with Asian influences. Two possible routes have been opened. One is Bu
Emily Dickinson and Represented Buddhism in Nineteenth-Century America
Dickinson’s poetics engage in a lifelong conversation with Buddhism, indirectly through her reading of American writers’ references to Buddhism. In her early years from 1860 to 1865, she tentatively practices the way towards Nirvana, represented as contemplative calm and subjugation of consciousness, or Nothing, albeit with some doubt; the metaphors about Nirvana shape her, redefining Heaven as a detached mind and constructing idiosyncratic image…
Dickinson’s No-body, No-mind, and Non-action
Although no evidence indicates that she had a significant knowledge of Daoism and Chan Buddhism, Emily Dickinson’s ideas, motifs, and mindset seem strikingly analogous to Chinese philosophies.1 Cha
Towards a Chinese Perspective on Dickinson
In the context of globalization of Dickinson studies, this essay tries to chart the contours of an emerging field. Considering the philosophical premise of Daoist non‐action as a critical framework for Dickinson's corpus, and likewise a valuable complement to extant Western approaches, I will reread some of Dickinson's paradigmatic poems. I will argue that Dickinson's meditative passivity, her writing practices, and her seemingly problematic or “…
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Towards a Chinese Perspective on Dickinson
In the context of globalization of Dickinson studies, this essay tries to chart the contours of an emerging field. Considering the philosophical premise of Daoist non‐action as a critical framework for Dickinson's corpus, and likewise a valuable complement to extant Western approaches, I will reread some of Dickinson's paradigmatic poems. I will argue that Dickinson's meditative passivity, her writing practices, and her seemingly problematic or “…
Dickinson’s No-body, No-mind, and Non-action
Although no evidence indicates that she had a significant knowledge of Daoism and Chan Buddhism, Emily Dickinson’s ideas, motifs, and mindset seem strikingly analogous to Chinese philosophies.1 Cha
Dickinson’s Allusions to Thoreau’s East
The resonance of Emily Dickinson’s writings with Eastern aesthetics and philosophies has invited scholars to explore her links with Asian influences. Two possible routes have been opened. One is Bu
Emily Dickinson and Represented Buddhism in Nineteenth-Century America
Dickinson’s poetics engage in a lifelong conversation with Buddhism, indirectly through her reading of American writers’ references to Buddhism. In her early years from 1860 to 1865, she tentatively practices the way towards Nirvana, represented as contemplative calm and subjugation of consciousness, or Nothing, albeit with some doubt; the metaphors about Nirvana shape her, redefining Heaven as a detached mind and constructing idiosyncratic image…
City-dwellers flowing with Zhuangzi
This article reviews Zhuangzi’s N Generations, a modern dance performance, directed and choreographed by Qi Liu at the Guangdong Art Theatre in Guangzhou, China, on 17 December 2019
Dickinson’s Non-Holding, “Sumptuous Destitution” and Emerson
Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported byJNU Collaborative Innovation Center for the Communication of Chinese Culture in Hong Kong, Macao, Taiwan and Overseas [Grant Number JNXT2021016]
Dickinson’s (Non)-Seeking, Pearl Narrative, and Emerson/Thoreau
Dickinson’s Self-Cultivation, Optional Summer and Chinese Aesthetic
Freeman, Margaret H. Emily Dickinson’s Poetic Art
Failed Oracles and Masked Women
Seeing in the Dark (Grave)
Facing aging
Face Shadow is a contemporary dance performance presented by the Zhiren Experimental Theater that utilizes masks and body rhythms as its primary expressive tools to explore the theme of aging. After its stunning debut in Guangzhou on 17 March 2023, the production has been successful in subsequent stagings in Chongqing and Shanghai, with the latest iteration titled Face Shadow 3.0 premiering in Zhengzhou on 16 March 2024
Un)learning Qin, Dark/Soft Wisdom, and Female (M)use
(Wo)men’s Agency and a Critique of Modernity
Art (10 works) · Literature (6 works) · Philosophy (6 works) · Philosophy (6 works) · Psychology (6 works) · History (5 works) · Epistemology (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works)