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Víctor Dixon

Biographic Data

ID5438993
NAMEVíctor Dixon
GIVEN NAMESVíctor
FAMILY NAMEDixon
SIGNATUREDIXON V
AFFILIATIONSTrinity College Dublin
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS1
WORKS AS AUTHOR26
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1961
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Memories of Plays and a Playwright

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2017

    The author tells the story of his involvement with the playwright. It began with four productions of plays by Buero, between 1966 and 1973, at the University of Manchester, correspondence about them, and a first encounter in Chester in 1968. But as the dramatist's works became a major topic of the academic's teaching and research, their relationship developed, via further meetings in Madrid and frequent exchanges of letters and cards (several ext…

  • El castigo sin venganza

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2015

    The outstanding merit of Lope's tragedy ‘al estilo español’ lies in his depiction of its trio of protagonists, but almost all its critics have overlooked his innovative and complex uses of its gracioso, Batín, who is present for 42% of the action, and whose successive appearances are analysed here. Though he starts, as usual, as the down-to-earth companion and counterpart of the play's young hero, he is forced by his master's repeated refusals to…

  • Introduction Ann L. Mackenzie, Scholar and Editor

    Don W Cruickshank, Víctor Dixon et al.•ARTICLE•Bulletin of Spanish Studies•2015•Cited by: 1

  • The Impact of the Civil War on the Life and Work of Antonio Buero Vallejo

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2014

    This essay begins with an account of the third decade of Buero Vallejo's life, from the outbreak of the Civil War to his release from imprisonment thereafter in 1946, in the course of which he abandoned his original vocation as a graphic artist to become Spain's leading playwright throughout the second half of the century. It proceeds to demonstrate the enormous influence of those ten years on almost all his thirty works for the stage, and conclu…

  • New (and Ancient) Lights on the Life of Juan Pérez de Montalbán

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2013

    This article, based partly on data contained in its author's unpublished doctoral thesis, and conceived as a tribute to Don Cruickshank's masterly biography Don Pedro Calderón, offers a brief account of the life of that dramatist's coeval, collaborator and friend, Juan Pérez de Montalbán. After an initial section on his family, in particular his father, the important bookseller and publisher Alonso Pérez, it gives details of Montalbán's many year…

  • El mayor desengaño’ y ‘Quien no cae no se levanta’ (dos comedias hagiográficas)

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2007

  • Music in the Later Dramatic Works of Antonio Buero Vallejo

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2005

    In a companion piece to the present study I have documented Buero Vallejo's love of music throughout his life, and have argued that it had an increasing influence on his writing for the stage in th

  • The Challenges of Uncertainty

    Víctor Dixon•ARTICLE•Hispanic Research Journal•2001

    "The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186

  • The Challenges of Uncertainty

    Víctor Dixon•ARTICLE•Hispanic Research Journal•2001

    The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186

  • El teatro de Buero Vallejo

    Richard B Klein, Víctor Dixon et al.•ARTICLE•Hispania•1998

  • El teatro de Buero Vallejo

    Phyllis Zatlin, Víctor Dixon et al.•ARTICLE•Hispanic Review•1998

  • Lope De Vega and America

    Open Access•Víctor Dixon•ARTICLE•Renaissance Studies•1992

  • Lope de Vega and America

    Open Access•Víctor Dixon•ARTICLE•Renaissance Studies•1992

  • Lope de Vega, Fuente Ovejuna

    Margaret Rich Greer, Víctor Dixon et al.•ARTICLE•Hispanic Review•1992

  • Lope de Vega Carpio, Las hazanas del segundo David

    Víctor Dixon, Juan Bautista Avalle-Arce et al.•ARTICLE•Hispanic Review•1986

  • Lope de Vega, El perro del hortelano

    Alan S Trueblood, Víctor Dixon et al.•ARTICLE•Hispanic Review•1983

  • El perro del hortelano

    John B Rotta, Víctor Dixon•ARTICLE•Hispania•1982

  • Juan Velez de Guevara. Los celos hacen estrellas

    Víctor Dixon, J Ε Varey et al.•ARTICLE•Hispanic Review•1974

  • El Castigo Sin Venganza

    Víctor Dixon, Alexander A Parker•ARTICLE•Modern Language Notes•1970

  • El sufrimiento premiado. Comedia famosa atribuida en esta edicion, por primera vez, a Lope de Vega Carpio

    Arnold G Reichenberger, Víctor Dixon•ARTICLE•Hispanic Review•1970

  • El Sufrimiento Premiado

    Richard F Glenn, Carpio Lope de Vega et al.•ARTICLE•Modern Language Notes•1969

  • Again the Date of Lope's Juan de Dios y Anton Martin

    Víctor Dixon•ARTICLE•Hispanic Review•1969

  • The Symbolism of Peribáñez

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•1966

  • The Symbolism of Peribáñez

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•1966

    One cannot talk or write today about Peribanez y el Comendador de Ocana without acknowledging an inestimable debt to the perceptive study by Professor E. M. Wilson, a study which, far more than any other, has deepened our understanding of the play. The present writer therefore accepts as proven almost everything he has argued, and in particular his conclusion that the main moral purpose of the play is the exemplification of discrecion. Indeed, al…

  • Juan Perez de Montalban's Para todos

    Víctor Dixon•ARTICLE•Hispanic Review•1964

Next
  • Introduction Ann L. Mackenzie, Scholar and Editor

    Don W Cruickshank, Víctor Dixon et al.•ARTICLE•Bulletin of Spanish Studies•2015•Cited by: 1

  • Juan Perez de Montalban's Segundo Tomo de las Comedias

    Víctor Dixon•ARTICLE•Hispanic Review•1961

  • Juan Perez de Montalban's Para todos

    Víctor Dixon•ARTICLE•Hispanic Review•1964

  • The Symbolism of Peribáñez

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•1966

  • The Symbolism of Peribáñez

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•1966

    One cannot talk or write today about Peribanez y el Comendador de Ocana without acknowledging an inestimable debt to the perceptive study by Professor E. M. Wilson, a study which, far more than any other, has deepened our understanding of the play. The present writer therefore accepts as proven almost everything he has argued, and in particular his conclusion that the main moral purpose of the play is the exemplification of discrecion. Indeed, al…

  • El Sufrimiento Premiado

    Richard F Glenn, Carpio Lope de Vega et al.•ARTICLE•Modern Language Notes•1969

  • Again the Date of Lope's Juan de Dios y Anton Martin

    Víctor Dixon•ARTICLE•Hispanic Review•1969

  • El Castigo Sin Venganza

    Víctor Dixon, Alexander A Parker•ARTICLE•Modern Language Notes•1970

  • El sufrimiento premiado. Comedia famosa atribuida en esta edicion, por primera vez, a Lope de Vega Carpio

    Arnold G Reichenberger, Víctor Dixon•ARTICLE•Hispanic Review•1970

  • Juan Velez de Guevara. Los celos hacen estrellas

    Víctor Dixon, J Ε Varey et al.•ARTICLE•Hispanic Review•1974

  • El perro del hortelano

    John B Rotta, Víctor Dixon•ARTICLE•Hispania•1982

  • Lope de Vega, El perro del hortelano

    Alan S Trueblood, Víctor Dixon et al.•ARTICLE•Hispanic Review•1983

  • Lope de Vega Carpio, Las hazanas del segundo David

    Víctor Dixon, Juan Bautista Avalle-Arce et al.•ARTICLE•Hispanic Review•1986

  • Lope De Vega and America

    Open Access•Víctor Dixon•ARTICLE•Renaissance Studies•1992

  • Lope de Vega and America

    Open Access•Víctor Dixon•ARTICLE•Renaissance Studies•1992

  • Lope de Vega, Fuente Ovejuna

    Margaret Rich Greer, Víctor Dixon et al.•ARTICLE•Hispanic Review•1992

  • El teatro de Buero Vallejo

    Richard B Klein, Víctor Dixon et al.•ARTICLE•Hispania•1998

  • El teatro de Buero Vallejo

    Phyllis Zatlin, Víctor Dixon et al.•ARTICLE•Hispanic Review•1998

  • The Challenges of Uncertainty

    Víctor Dixon•ARTICLE•Hispanic Research Journal•2001

    "The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186

  • The Challenges of Uncertainty

    Víctor Dixon•ARTICLE•Hispanic Research Journal•2001

    The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186

  • Music in the Later Dramatic Works of Antonio Buero Vallejo

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2005

    In a companion piece to the present study I have documented Buero Vallejo's love of music throughout his life, and have argued that it had an increasing influence on his writing for the stage in th

  • El mayor desengaño’ y ‘Quien no cae no se levanta’ (dos comedias hagiográficas)

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2007

  • New (and Ancient) Lights on the Life of Juan Pérez de Montalbán

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2013

    This article, based partly on data contained in its author's unpublished doctoral thesis, and conceived as a tribute to Don Cruickshank's masterly biography Don Pedro Calderón, offers a brief account of the life of that dramatist's coeval, collaborator and friend, Juan Pérez de Montalbán. After an initial section on his family, in particular his father, the important bookseller and publisher Alonso Pérez, it gives details of Montalbán's many year…

  • The Impact of the Civil War on the Life and Work of Antonio Buero Vallejo

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2014

    This essay begins with an account of the third decade of Buero Vallejo's life, from the outbreak of the Civil War to his release from imprisonment thereafter in 1946, in the course of which he abandoned his original vocation as a graphic artist to become Spain's leading playwright throughout the second half of the century. It proceeds to demonstrate the enormous influence of those ten years on almost all his thirty works for the stage, and conclu…

  • El castigo sin venganza

    Víctor Dixon•ARTICLE•Bulletin of Spanish Studies•2015

    The outstanding merit of Lope's tragedy ‘al estilo español’ lies in his depiction of its trio of protagonists, but almost all its critics have overlooked his innovative and complex uses of its gracioso, Batín, who is present for 42% of the action, and whose successive appearances are analysed here. Though he starts, as usual, as the down-to-earth companion and counterpart of the play's young hero, he is forced by his master's repeated refusals to…

  • Introduction Ann L. Mackenzie, Scholar and Editor

    Don W Cruickshank, Víctor Dixon et al.•ARTICLE•Bulletin of Spanish Studies•2015•Cited by: 1

Art (23 works) · Early Modern Spanish Literature (14 works) · Humanities (12 works) · Spanish Literature and Culture Studies (9 works) · History (8 works) · History (7 works) · Vega (6 works) · Literature (5 works) · Physics (5 works) · Art history (4 works)

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