Víctor Dixon
Biographic Data
| ID | 5438993 |
|---|---|
| NAME | Víctor Dixon |
| GIVEN NAMES | Víctor |
| FAMILY NAME | Dixon |
| SIGNATURE | DIXON V |
| AFFILIATIONS | Trinity College Dublin |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 26 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1961 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Memories of Plays and a Playwright
The author tells the story of his involvement with the playwright. It began with four productions of plays by Buero, between 1966 and 1973, at the University of Manchester, correspondence about them, and a first encounter in Chester in 1968. But as the dramatist's works became a major topic of the academic's teaching and research, their relationship developed, via further meetings in Madrid and frequent exchanges of letters and cards (several ext…
El castigo sin venganza
The outstanding merit of Lope's tragedy ‘al estilo español’ lies in his depiction of its trio of protagonists, but almost all its critics have overlooked his innovative and complex uses of its gracioso, Batín, who is present for 42% of the action, and whose successive appearances are analysed here. Though he starts, as usual, as the down-to-earth companion and counterpart of the play's young hero, he is forced by his master's repeated refusals to…
Introduction Ann L. Mackenzie, Scholar and Editor
The Impact of the Civil War on the Life and Work of Antonio Buero Vallejo
This essay begins with an account of the third decade of Buero Vallejo's life, from the outbreak of the Civil War to his release from imprisonment thereafter in 1946, in the course of which he abandoned his original vocation as a graphic artist to become Spain's leading playwright throughout the second half of the century. It proceeds to demonstrate the enormous influence of those ten years on almost all his thirty works for the stage, and conclu…
New (and Ancient) Lights on the Life of Juan Pérez de Montalbán
This article, based partly on data contained in its author's unpublished doctoral thesis, and conceived as a tribute to Don Cruickshank's masterly biography Don Pedro Calderón, offers a brief account of the life of that dramatist's coeval, collaborator and friend, Juan Pérez de Montalbán. After an initial section on his family, in particular his father, the important bookseller and publisher Alonso Pérez, it gives details of Montalbán's many year…
El mayor desengaño’ y ‘Quien no cae no se levanta’ (dos comedias hagiográficas)
Music in the Later Dramatic Works of Antonio Buero Vallejo
In a companion piece to the present study I have documented Buero Vallejo's love of music throughout his life, and have argued that it had an increasing influence on his writing for the stage in th
The Challenges of Uncertainty
"The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186
The Challenges of Uncertainty
The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186
El teatro de Buero Vallejo
El teatro de Buero Vallejo
Lope De Vega and America
Lope de Vega and America
Lope de Vega, Fuente Ovejuna
Lope de Vega Carpio, Las hazanas del segundo David
Lope de Vega, El perro del hortelano
El perro del hortelano
Juan Velez de Guevara. Los celos hacen estrellas
El Castigo Sin Venganza
El sufrimiento premiado. Comedia famosa atribuida en esta edicion, por primera vez, a Lope de Vega Carpio
El Sufrimiento Premiado
Again the Date of Lope's Juan de Dios y Anton Martin
The Symbolism of Peribáñez
The Symbolism of Peribáñez
One cannot talk or write today about Peribanez y el Comendador de Ocana without acknowledging an inestimable debt to the perceptive study by Professor E. M. Wilson, a study which, far more than any other, has deepened our understanding of the play. The present writer therefore accepts as proven almost everything he has argued, and in particular his conclusion that the main moral purpose of the play is the exemplification of discrecion. Indeed, al…
Juan Perez de Montalban's Para todos
Juan Perez de Montalban's Segundo Tomo de las Comedias
Juan Perez de Montalban's Para todos
The Symbolism of Peribáñez
The Symbolism of Peribáñez
One cannot talk or write today about Peribanez y el Comendador de Ocana without acknowledging an inestimable debt to the perceptive study by Professor E. M. Wilson, a study which, far more than any other, has deepened our understanding of the play. The present writer therefore accepts as proven almost everything he has argued, and in particular his conclusion that the main moral purpose of the play is the exemplification of discrecion. Indeed, al…
El Sufrimiento Premiado
Again the Date of Lope's Juan de Dios y Anton Martin
El Castigo Sin Venganza
El sufrimiento premiado. Comedia famosa atribuida en esta edicion, por primera vez, a Lope de Vega Carpio
Juan Velez de Guevara. Los celos hacen estrellas
El perro del hortelano
Lope de Vega, El perro del hortelano
Lope de Vega Carpio, Las hazanas del segundo David
Lope De Vega and America
Lope de Vega and America
Lope de Vega, Fuente Ovejuna
El teatro de Buero Vallejo
El teatro de Buero Vallejo
The Challenges of Uncertainty
"The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186
The Challenges of Uncertainty
The Challenges of Uncertainty: An Introduction to Seventeenth-Century Literature." Hispanic Research Journal, 2(2), pp. 185–186
Music in the Later Dramatic Works of Antonio Buero Vallejo
In a companion piece to the present study I have documented Buero Vallejo's love of music throughout his life, and have argued that it had an increasing influence on his writing for the stage in th
El mayor desengaño’ y ‘Quien no cae no se levanta’ (dos comedias hagiográficas)
New (and Ancient) Lights on the Life of Juan Pérez de Montalbán
This article, based partly on data contained in its author's unpublished doctoral thesis, and conceived as a tribute to Don Cruickshank's masterly biography Don Pedro Calderón, offers a brief account of the life of that dramatist's coeval, collaborator and friend, Juan Pérez de Montalbán. After an initial section on his family, in particular his father, the important bookseller and publisher Alonso Pérez, it gives details of Montalbán's many year…
The Impact of the Civil War on the Life and Work of Antonio Buero Vallejo
This essay begins with an account of the third decade of Buero Vallejo's life, from the outbreak of the Civil War to his release from imprisonment thereafter in 1946, in the course of which he abandoned his original vocation as a graphic artist to become Spain's leading playwright throughout the second half of the century. It proceeds to demonstrate the enormous influence of those ten years on almost all his thirty works for the stage, and conclu…
El castigo sin venganza
The outstanding merit of Lope's tragedy ‘al estilo español’ lies in his depiction of its trio of protagonists, but almost all its critics have overlooked his innovative and complex uses of its gracioso, Batín, who is present for 42% of the action, and whose successive appearances are analysed here. Though he starts, as usual, as the down-to-earth companion and counterpart of the play's young hero, he is forced by his master's repeated refusals to…
Introduction Ann L. Mackenzie, Scholar and Editor
Art (23 works) · Early Modern Spanish Literature (14 works) · Humanities (12 works) · Spanish Literature and Culture Studies (9 works) · History (8 works) · History (7 works) · Vega (6 works) · Literature (5 works) · Physics (5 works) · Art history (4 works)