Michel Soymié
Biographic Data
| ID | 5444698 |
|---|---|
| NAME | Michel Soymié |
| GIVEN NAMES | Michel |
| FAMILY NAME | Soymié |
| SIGNATURE | SOYMIÉ M |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Les donateurs dans les peintures de Dunhuang
The paintings discussed in this article are offerings dedicated to the deceased rather than prayers for their salvation. The paintings generally consist of two parts: the upper part, which depicts a well- known Buddhist deity, very often Guanyin, who seems to function as a patron of prayer; and the lower part, which consists of various numbers of standing figures. These figures depict the deceased in person as well as the people who commissioned …
Observations sur les caractères interdits en Chine
Nicole Vandier-Nicolas (1908-1987)
Eleve de Marcel Granet et de Paul Pelliot, elle sera avant la guerre attachee au musee Cernuschi puis au Louvre. Apres la guerre elle sera profeseur de chinois a l'Universite de Montreal et est appelee en 1955 a l'Ecole des Langues Orientales (aujourd'hui l'INaLCO) | elle enseignera egalement a l'Institut d'art et d'archeologie de l'Universite Paris IV. Mme Vandier-Nicolas nous laisse une oeuvre importante, notamment dans les trois domaines essen…
Notes d'iconographie bouddhique — des Vidyārāja et Vajradhara de Touen-houang
Paintings from Tun-huang represent Kuan-yin, especially the Kuan-yin with thousand arms and thousand eyes, surrounded by a multitude of lesser gods. The lower corners are often occupied by two terrifying deities of the vidyārāja type. Several such paintings kept at the Musée Guimet and the British Museum bear inscriptions giving these two deities rather obscure names of vajra-bearers. Some of these names, probably of a later date, come from a lis…
Notes d'iconographie chinoise
Notes d'iconographie chinoise
Notes d'iconographie chinoise
Notes d'iconographie chinoise
Notes d'iconographie bouddhique — des Vidyārāja et Vajradhara de Touen-houang
Paintings from Tun-huang represent Kuan-yin, especially the Kuan-yin with thousand arms and thousand eyes, surrounded by a multitude of lesser gods. The lower corners are often occupied by two terrifying deities of the vidyārāja type. Several such paintings kept at the Musée Guimet and the British Museum bear inscriptions giving these two deities rather obscure names of vajra-bearers. Some of these names, probably of a later date, come from a lis…
Nicole Vandier-Nicolas (1908-1987)
Eleve de Marcel Granet et de Paul Pelliot, elle sera avant la guerre attachee au musee Cernuschi puis au Louvre. Apres la guerre elle sera profeseur de chinois a l'Universite de Montreal et est appelee en 1955 a l'Ecole des Langues Orientales (aujourd'hui l'INaLCO) | elle enseignera egalement a l'Institut d'art et d'archeologie de l'Universite Paris IV. Mme Vandier-Nicolas nous laisse une oeuvre importante, notamment dans les trois domaines essen…
Observations sur les caractères interdits en Chine
Les donateurs dans les peintures de Dunhuang
The paintings discussed in this article are offerings dedicated to the deceased rather than prayers for their salvation. The paintings generally consist of two parts: the upper part, which depicts a well- known Buddhist deity, very often Guanyin, who seems to function as a patron of prayer; and the lower part, which consists of various numbers of standing figures. These figures depict the deceased in person as well as the people who commissioned …
Art (5 works) · Chinese history and philosophy (5 works) · Art history (3 works) · Archaeology (2 works) · History (2 works) · Humanities (2 works) · Painting (2 works) · Philosophy (2 works) · Buddhism (1 works) · China (1 works)