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Jordan A Fenton

Biographic Data

ID5455720
NAMEJordan A Fenton
GIVEN NAMESJordan A
FAMILY NAMEFenton
SIGNATUREFENTON J A
AFFILIATIONSBlackberry (United States)
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS4
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Arts across Africa before 1600

    Jordan A Fenton, Matthew Francis Rarey et al.•ARTICLE•African Arts•2026

    In Cape Town, one of the origins of art sits in a gallery hidden within a winding exhibition on humanity geared at children at the Iziko South African Museum. Not much larger than a modern marker pen, a chunk of ochre found in the Blombos Cave bears gridded lines that testify to an unknown person's decisive mark-making some 73,000 years ago (Fig. 1). The so-called Lydenburg heads (ImiKrolo yeetNtloko yaseLydenburg), impressively scaled works scul…

  • Nsibidi Knowledge

    Jordan A Fenton•ARTICLE•African Arts•2025•References: 9

  • Touched and Changed

    Jordan A Fenton•ARTICLE•African Arts•2023•References: 4

    As I stood with a tumbler filled with gin in my right hand, heightened nerves and trepidation overcame me. I was standing in front of the final burial and resting place of my Nigerian adoptive father. It was summer of 2022—the first time I was able to travel to Calabar and see my adoptive family since his passing in 2020. COVID was of course to blame, as it prevented me from traveling. Prior to this, I fondly recall phone calls (and messaging via…

  • Masquerade and Money in Urban Nigeria

    Jordan A Fenton, Jordan Fenton•BOOK•Masquerade and Money in Urban…•2022

  • Expressive Currencies

    Jordan A Fenton•ARTICLE•African Arts•2019•Cited by: 3•References: 19

    all photographs by the author unless otherwise notedThe Ukwa performance started when members entered the dance arena carrying their long swords. Most members wore red, black, and yellow sashes neatly fitted over their white long shirts (Fig. 1). Wrappers were elegantly tied around their waists. The warriors paraded in synchronized and choreographed motions, until suddenly breaking formation to engage in aggressive and combative fencing bouts. Th…

  • Sustainable Futures

    Jordan A Fenton•ARTICLE•African Arts•2017•Cited by: 1•References: 28

    all photos by the author, except where otherwise notedForcefully pointing to neighboring modern homes, constructed of cement and cinderblock, protected by sturdy, imposing compound entry walls, artist and chief Ekpenyong Bassey Nsa said to me: “This is what I work for.” His animated answer came after a series of questions regarding whether he was a part-time artist, what inspired and motivated him to create, and if he had other jobs. As we discus…

  • Nyoro Masquerade as a Hunt for Modernity

    Jordan A Fenton•CHAPTER•Behind the Masks of Modernism•2016

  • Expressive Currencies

    Jordan A Fenton•ARTICLE•African Arts•2019•Cited by: 3•References: 19

    all photographs by the author unless otherwise notedThe Ukwa performance started when members entered the dance arena carrying their long swords. Most members wore red, black, and yellow sashes neatly fitted over their white long shirts (Fig. 1). Wrappers were elegantly tied around their waists. The warriors paraded in synchronized and choreographed motions, until suddenly breaking formation to engage in aggressive and combative fencing bouts. Th…

  • Sustainable Futures

    Jordan A Fenton•ARTICLE•African Arts•2017•Cited by: 1•References: 28

    all photos by the author, except where otherwise notedForcefully pointing to neighboring modern homes, constructed of cement and cinderblock, protected by sturdy, imposing compound entry walls, artist and chief Ekpenyong Bassey Nsa said to me: “This is what I work for.” His animated answer came after a series of questions regarding whether he was a part-time artist, what inspired and motivated him to create, and if he had other jobs. As we discus…

  • Nyoro Masquerade as a Hunt for Modernity

    Jordan A Fenton•CHAPTER•Behind the Masks of Modernism•2016

  • Sustainable Futures

    Jordan A Fenton•ARTICLE•African Arts•2017•Cited by: 1•References: 28

    all photos by the author, except where otherwise notedForcefully pointing to neighboring modern homes, constructed of cement and cinderblock, protected by sturdy, imposing compound entry walls, artist and chief Ekpenyong Bassey Nsa said to me: “This is what I work for.” His animated answer came after a series of questions regarding whether he was a part-time artist, what inspired and motivated him to create, and if he had other jobs. As we discus…

  • Expressive Currencies

    Jordan A Fenton•ARTICLE•African Arts•2019•Cited by: 3•References: 19

    all photographs by the author unless otherwise notedThe Ukwa performance started when members entered the dance arena carrying their long swords. Most members wore red, black, and yellow sashes neatly fitted over their white long shirts (Fig. 1). Wrappers were elegantly tied around their waists. The warriors paraded in synchronized and choreographed motions, until suddenly breaking formation to engage in aggressive and combative fencing bouts. Th…

  • Masquerade and Money in Urban Nigeria

    Jordan A Fenton, Jordan Fenton•BOOK•Masquerade and Money in Urban…•2022

  • Touched and Changed

    Jordan A Fenton•ARTICLE•African Arts•2023•References: 4

    As I stood with a tumbler filled with gin in my right hand, heightened nerves and trepidation overcame me. I was standing in front of the final burial and resting place of my Nigerian adoptive father. It was summer of 2022—the first time I was able to travel to Calabar and see my adoptive family since his passing in 2020. COVID was of course to blame, as it prevented me from traveling. Prior to this, I fondly recall phone calls (and messaging via…

  • Nsibidi Knowledge

    Jordan A Fenton•ARTICLE•African Arts•2025•References: 9

  • Arts across Africa before 1600

    Jordan A Fenton, Matthew Francis Rarey et al.•ARTICLE•African Arts•2026

    In Cape Town, one of the origins of art sits in a gallery hidden within a winding exhibition on humanity geared at children at the Iziko South African Museum. Not much larger than a modern marker pen, a chunk of ochre found in the Blombos Cave bears gridded lines that testify to an unknown person's decisive mark-making some 73,000 years ago (Fig. 1). The so-called Lydenburg heads (ImiKrolo yeetNtloko yaseLydenburg), impressively scaled works scul…

Art (4 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Archaeology and Rock Art Studies (2 works) · Art history (2 works) · Cultural Industries and Urban Development (2 works) · Economics (2 works)

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