Aylin Basaran
Biographic Data
| ID | 5525012 |
|---|---|
| NAME | Aylin Basaran |
| GIVEN NAMES | Aylin |
| FAMILY NAME | Basaran |
| SIGNATURE | BASARAN A |
| AFFILIATIONS | University of Vienna, Vienna, Austria |
| ORCID | 0000-0002-3919-4610 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Historicizing Bongo Movies
Bongo Movies are celebrated as a phenomenon that could only emerge, thanks to the coincidence of the technical video revolution on the one hand and the economic and political liberation following the era of structural adjustment in Tanzania on the other hand. This article provides an alternative reading of the emergence of Bongo Movies as also rooted in the legacy of earlier post-independent Tanzanian film cultures, including the realms of filmma…
Filmic Therapeutic Encounters and Resistance
Mental disorder and therapeutic encounters are central aspects of three films that were groundbreaking in addressing collective trauma in the aftermath of slavery, colonialism, or genocide: Peele’s GET OUT (USA), Ruhorahoza’s GREY MATTER (Rwanda) and Mhando and Mulvihill’s MAANGAMIZI—THE ANCIENT ONE (Tanzania/USA). Recurring to theories of collective memory and trauma, the article assumes that asymmetric historical violence causes a crisis of rea…
No prominent works on this page.
Filmic Therapeutic Encounters and Resistance
Mental disorder and therapeutic encounters are central aspects of three films that were groundbreaking in addressing collective trauma in the aftermath of slavery, colonialism, or genocide: Peele’s GET OUT (USA), Ruhorahoza’s GREY MATTER (Rwanda) and Mhando and Mulvihill’s MAANGAMIZI—THE ANCIENT ONE (Tanzania/USA). Recurring to theories of collective memory and trauma, the article assumes that asymmetric historical violence causes a crisis of rea…
Historicizing Bongo Movies
Bongo Movies are celebrated as a phenomenon that could only emerge, thanks to the coincidence of the technical video revolution on the one hand and the economic and political liberation following the era of structural adjustment in Tanzania on the other hand. This article provides an alternative reading of the emergence of Bongo Movies as also rooted in the legacy of earlier post-independent Tanzanian film cultures, including the realms of filmma…
Sociology (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Art (1 works) · Art history (1 works) · Caribbean history, culture, and politics (1 works) · Cinema and Media Studies (1 works) · Film in Education and Therapy (1 works) · Forgetting (1 works) · Gender Studies (1 works)