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Susan Matisoff

Biographic Data

ID558540
NAMESusan Matisoff
GIVEN NAMESSusan
FAMILY NAMEMatisoff
SIGNATUREMATISOFF S
AFFILIATIONSUniversity of East Asia
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS4
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Holy Horrors: The Sermon-Ballads of Medieval and Early Modern Japan

    Susan Matisoff•CHAPTER•Flowing Traces•2014

  • Like Clouds or Mists: Studies and Translations of No Plays of the Genpei War

    Paul S Atkins, David T Bialock et al.•BOOK•Like Clouds or Mists•2014

    This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays

  • The Log Cabin Emperor: Marginality and the Legend of Oguri Hangan

    Susan Matisoff•ARTICLE•Cahiers d Extrême-Asie•2002

    Cet article est consacré au « sermon récité » (jp. sekkyō-bushi) Oguri hangan. II commence par un bref examen des différentes versions du texte existant aujourd'hui : les quinze rouleaux illustrés en possession de la maison impériale dont l'origine vient sans doute de l'atelier d'Iwasa Matabei Katsumochi, les textes destinés à la psalmodie et à la récitation avec leurs marqueurs (jp. shōhon), en passant par les différentes versions récitées, aujo…

  • Reflections of Terute: Searching for a hidden shaman-entertainer

    Susan Matisoff•ARTICLE•Women & Performance a journal of…•2001•References: 1

    (2001). Reflections of Terute: Searching for a hidden shaman‐entertainer. Women & Performance: a journal of feminist theory: Vol. 12, No. 1, pp. 113-134

  • Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku

    Susan Matisoff, Arthur H Thornhill et al.•ARTICLE•The Journal of the Association of…•1994

    Noh drama has long fascinated Westerners by its poetic excellence and its dramatic power. To the student of medieval Japanese culture, however, noh writings, especially dramaturgical treatises, are also of immense value as monuments of culture. To uncover the larger patterns of cultural discourse in these theoretical works, Arthur Thornhill presents the first major study in English of the dramaturgical treatises of Komparu Zenchiku (1405-1468?), …

  • Theater as Music: "The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    Susan Matisoff, C Andrew Gerstle et al.•ARTICLE•Journal of Japanese Studies•1992

  • Hokusai: One Hundred Poets

    Susan Matisoff, Peter Morse•ARTICLE•Monumenta Nipponica•1990

  • The Tale of the Soga Brothers

    Susan Matisoff, Thomas J Cogan•ARTICLE•Monumenta Nipponica•1988

  • Lord Tamekane's Notes on Poetry. Tamekanekyo Wakasho

    Robert N Huey, Susan Matisoff•ARTICLE•Monumenta Nipponica•1985

    J APANESE poetry in the late thirteenth and early fourteenth centuries was dominated by a bitter dispute between two lines of Fujiwara Teika's )i; SS descendants, the Nijo a and the Kyogoku YW/Reizei 7 branches of the family. To complicate matters further, the dispute was as much political as poetic for each of the two lines had its imperial backers, who were themselves locked in a struggle for the throne. However nebulous the political differenc…

  • The Karma of Words: Buddhism and the Literary Arts in Medieval Japan

    Susan Matisoff, William Lafleur et al.•ARTICLE•Monumenta Nipponica•1984

  • Japan before Perry: A Short History

    Susan Matisoff, Conrad Totman•ARTICLE•The Journal of the Association of…•1981

    By 1853 Japan had been transformed from a sparsely populated land of nonliterate tribal peoples into an elaborately structured commercial society sustaining massive cities and a varied array of sophisticated cultural production. In this authoritative survey, Conrad Totman examines the origins of Japanese civilization and explores in detail the classical, medieval, and early-modern epochs, weaving interpretations of the major themes in Japan's cul…

  • Okagami, The Great Mirror: Fujiwara Michinaga (966-1027) and His Times

    Susan Matisoff, Helen Craig Mccullough•ARTICLE•Monumenta Nipponica•1981

  • The Aesthetics of Transformation: Zeami's Dramatic Theories

    Yamazaki Masakazu, Susan Matisoff•ARTICLE•Journal of Japanese Studies•1981•Cited by: 1

  • Studies in Kabuki: Its Acting, Music, and Historical Context

    Susan Matisoff, James R Brandon et al.•ARTICLE•Journal of American Folklore•1980

  • The Legend of Semimaru: Blind Musician of Japan

    James T Araki, Susan Matisoff•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Images of Exile and Pilgrimage. Zeami's Kintosho

    Susan Matisoff•ARTICLE•Monumenta Nipponica•1979•Cited by: 1

  • The Legend of Semimaru: Blind Musician of Japan

    Walter Giesen, Susan Matisoff•ARTICLE•Journal of Japanese Studies•1979

  • The Legend of Semimaru, Blind Musician of Japan

    David E Mills, Susan Matisoff•ARTICLE•Monumenta Nipponica•1978•Cited by: 2

  • Kintosho. Zeami's Song of Exile

    Susan Matisoff, Kanze Motokiyo Zeami•ARTICLE•Monumenta Nipponica•1977

  • The Legend of Semimaru, Blind Musician of Japan

    David E Mills, Susan Matisoff•ARTICLE•Monumenta Nipponica•1978•Cited by: 2

  • The Aesthetics of Transformation: Zeami's Dramatic Theories

    Yamazaki Masakazu, Susan Matisoff•ARTICLE•Journal of Japanese Studies•1981•Cited by: 1

  • Images of Exile and Pilgrimage. Zeami's Kintosho

    Susan Matisoff•ARTICLE•Monumenta Nipponica•1979•Cited by: 1

  • Kintosho. Zeami's Song of Exile

    Susan Matisoff, Kanze Motokiyo Zeami•ARTICLE•Monumenta Nipponica•1977

  • The Legend of Semimaru, Blind Musician of Japan

    David E Mills, Susan Matisoff•ARTICLE•Monumenta Nipponica•1978•Cited by: 2

  • The Legend of Semimaru: Blind Musician of Japan

    James T Araki, Susan Matisoff•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Images of Exile and Pilgrimage. Zeami's Kintosho

    Susan Matisoff•ARTICLE•Monumenta Nipponica•1979•Cited by: 1

  • The Legend of Semimaru: Blind Musician of Japan

    Walter Giesen, Susan Matisoff•ARTICLE•Journal of Japanese Studies•1979

  • Studies in Kabuki: Its Acting, Music, and Historical Context

    Susan Matisoff, James R Brandon et al.•ARTICLE•Journal of American Folklore•1980

  • Japan before Perry: A Short History

    Susan Matisoff, Conrad Totman•ARTICLE•The Journal of the Association of…•1981

    By 1853 Japan had been transformed from a sparsely populated land of nonliterate tribal peoples into an elaborately structured commercial society sustaining massive cities and a varied array of sophisticated cultural production. In this authoritative survey, Conrad Totman examines the origins of Japanese civilization and explores in detail the classical, medieval, and early-modern epochs, weaving interpretations of the major themes in Japan's cul…

  • Okagami, The Great Mirror: Fujiwara Michinaga (966-1027) and His Times

    Susan Matisoff, Helen Craig Mccullough•ARTICLE•Monumenta Nipponica•1981

  • The Aesthetics of Transformation: Zeami's Dramatic Theories

    Yamazaki Masakazu, Susan Matisoff•ARTICLE•Journal of Japanese Studies•1981•Cited by: 1

  • The Karma of Words: Buddhism and the Literary Arts in Medieval Japan

    Susan Matisoff, William Lafleur et al.•ARTICLE•Monumenta Nipponica•1984

  • Lord Tamekane's Notes on Poetry. Tamekanekyo Wakasho

    Robert N Huey, Susan Matisoff•ARTICLE•Monumenta Nipponica•1985

    J APANESE poetry in the late thirteenth and early fourteenth centuries was dominated by a bitter dispute between two lines of Fujiwara Teika's )i; SS descendants, the Nijo a and the Kyogoku YW/Reizei 7 branches of the family. To complicate matters further, the dispute was as much political as poetic for each of the two lines had its imperial backers, who were themselves locked in a struggle for the throne. However nebulous the political differenc…

  • The Tale of the Soga Brothers

    Susan Matisoff, Thomas J Cogan•ARTICLE•Monumenta Nipponica•1988

  • Hokusai: One Hundred Poets

    Susan Matisoff, Peter Morse•ARTICLE•Monumenta Nipponica•1990

  • Theater as Music: "The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    Susan Matisoff, C Andrew Gerstle et al.•ARTICLE•Journal of Japanese Studies•1992

  • Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku

    Susan Matisoff, Arthur H Thornhill et al.•ARTICLE•The Journal of the Association of…•1994

    Noh drama has long fascinated Westerners by its poetic excellence and its dramatic power. To the student of medieval Japanese culture, however, noh writings, especially dramaturgical treatises, are also of immense value as monuments of culture. To uncover the larger patterns of cultural discourse in these theoretical works, Arthur Thornhill presents the first major study in English of the dramaturgical treatises of Komparu Zenchiku (1405-1468?), …

  • Reflections of Terute: Searching for a hidden shaman-entertainer

    Susan Matisoff•ARTICLE•Women & Performance a journal of…•2001•References: 1

    (2001). Reflections of Terute: Searching for a hidden shaman‐entertainer. Women & Performance: a journal of feminist theory: Vol. 12, No. 1, pp. 113-134

  • The Log Cabin Emperor: Marginality and the Legend of Oguri Hangan

    Susan Matisoff•ARTICLE•Cahiers d Extrême-Asie•2002

    Cet article est consacré au « sermon récité » (jp. sekkyō-bushi) Oguri hangan. II commence par un bref examen des différentes versions du texte existant aujourd'hui : les quinze rouleaux illustrés en possession de la maison impériale dont l'origine vient sans doute de l'atelier d'Iwasa Matabei Katsumochi, les textes destinés à la psalmodie et à la récitation avec leurs marqueurs (jp. shōhon), en passant par les différentes versions récitées, aujo…

  • Holy Horrors: The Sermon-Ballads of Medieval and Early Modern Japan

    Susan Matisoff•CHAPTER•Flowing Traces•2014

  • Like Clouds or Mists: Studies and Translations of No Plays of the Genpei War

    Paul S Atkins, David T Bialock et al.•BOOK•Like Clouds or Mists•2014

    This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays

Art (16 works) · History (13 works) · History (10 works) · Japanese History and Culture (8 works) · Literature (6 works) · Art history (4 works) · Legend (4 works) · Aesthetics (3 works) · Ancient history (3 works) · Global Maritime and Colonial Histories (3 works)

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