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Lord Tamekane's Notes on Poetry. Tamekanekyo Wakasho

Bibliographic Data

ID10293282
AuthorsRobert N Huey, Susan Matisoff
Year1985
Volume40
Issue2
Pages127-127
Publication date1985-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMonumenta Nipponica (JOURNAL)
Journal identifiersISSN: 0027-0741 • E-ISSN: 1880-1390
PublisherJSTOR (PUBLISHER)
DOI10.2307/2384716
OpenAlexW2313267388
LanguageEN
Citations received3

J APANESE poetry in the late thirteenth and early fourteenth centuries was dominated by a bitter dispute between two lines of Fujiwara Teika's )i; SS descendants, the Nijo a and the Kyogoku YW/Reizei 7 branches of the family. To complicate matters further, the dispute was as much political as poetic for each of the two lines had its imperial backers, who were themselves locked in a struggle for the throne. However nebulous the political differences may appear to us today, the artistic ones are quite clear. The Nijo group took a more conservative approach toward poetry, while the Kyogoku/Reizei poets, headed by Kyogoku Tamekane *, 1254-1332, were more innovative, willing to bend the traditional rules in order to revitalize poetry. Yet however important such innovations would prove to the development of renga AS in the Muromachi period, the Kyogoku poets were somewhat less well received by their peers. Politically very active, Tamekane made many important enemies, and this probably accounts for the dearth of his surviving theoretical writings. Although there is hope that the recently opened Shigure-tei holdings of the Reizei family' may yield new materials relevant to Tamekane, at present we have few sources from which to construct his poetics. Important in this regard, of course, are his poems, which number about 530.2 Also of some use are a

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Unique citing works3
Citations per year0,27
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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