CSABA DEZSŐ
Biographic Data
| ID | 5613141 |
|---|---|
| NAME | CSABA DEZSŐ |
| GIVEN NAMES | CSABA |
| FAMILY NAME | DEZSŐ |
| SIGNATURE | DEZSŐ C |
| AFFILIATIONS | Eötvös Loránd University |
| ORCID | 0000-0002-3595-0941 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The namaskārapaddhati of the Sūktimuktāvalī. Studies on the Sūktimuktāvalī I
Cet article présente une édition et une traduction annotée du namaskārapaddhati, soit la section comprenant des vers d’obéissance de la Sūktimuktāvalī, une anthologie de poésie sanskrite dont la compilation eut lieu dans le Deccan en 1257 de notre ère. L’introduction à cette édition replace la Sūktimuktāvalī dans son contexte historique, discute de l’identité du ou des compilateurs de l’anthologie et de sa structure
Vṛddhekṣvākuvratam . The commentators’ interpretations of the passages describing the renunciation of kings in the Raghuvaṃśa
At the end of their life, after transferring the kingdom to their grown-up sons, several kings of the Sūryavaṃśa chose to retire from the world and devoted their last years to asceticism and meditation. The verses of the Raghuvaṃśa describing these kings show considerable variation mainly along the lines of which āśrama (stage of life) the king enters at the end of his life. In many cases the commentators discuss these variants and argue pro and …
Innovations and Turning Points
We do not fully understand the learned poet’s intention in not composing a twentieth canto’
The apparently abrupt and incongruous ending of Kālidāsa’s Raghuvaṃśa has been troubling scholars medieval and modern since the time of Vallabhadeva, the tenth-century Kashmirian commentator on the epic. A careful reading of the Raghuvaṃśa, however, shows that the series of royal biographies forms a consciously and coherently structured whole. Paying attention to Kālidāsa’s continuous allusions to concepts of arthaśāstra and dhasrmaśāstra, and to…
Inspired Poetry
A fragment of a play written on the Buddhist legend of prince Sudhana and the kinnarī has been microfilmed by the Nepal-German Manuscript Preservation Project. It was probably written at the end of the eleventh century in Bengal by a Buddhist scholar called Śāntākaragupta. The present article contains a critical edition and an English translation of the fragment, as well as an analysis of the intertextuality of the play and especially the literar…
The Story of the Irascible Yakṣa and the King Who Nearly Beheaded Himself in Dhanapāla's Tilakamañjarī
The Tilakamañjarī , Dhanapāla's poem in prose ( gadyakāvya ) is one of the masterpieces of classical Sanskrit literature and deserves to be better known. What he says in one of the introductory verses about his contemporary audience is also true about the readers of our time: “People, smelling danger, turn away from prose which contains a forest of unbroken lines (i.e. compounds filling whole lines) and lots of descriptions , as they keep away fr…
Sundarasena
This paper contains a critical edition of an unpublished Sanskrit play preserved in an incomplete Nepalese manuscript dated to 1382. In the introduction an attempt is made to determine when and where the play might have been written, and on what possible sources the plot is based
We do not fully understand the learned poet’s intention in not composing a twentieth canto’
The apparently abrupt and incongruous ending of Kālidāsa’s Raghuvaṃśa has been troubling scholars medieval and modern since the time of Vallabhadeva, the tenth-century Kashmirian commentator on the epic. A careful reading of the Raghuvaṃśa, however, shows that the series of royal biographies forms a consciously and coherently structured whole. Paying attention to Kālidāsa’s continuous allusions to concepts of arthaśāstra and dhasrmaśāstra, and to…
Sundarasena
This paper contains a critical edition of an unpublished Sanskrit play preserved in an incomplete Nepalese manuscript dated to 1382. In the introduction an attempt is made to determine when and where the play might have been written, and on what possible sources the plot is based
The Story of the Irascible Yakṣa and the King Who Nearly Beheaded Himself in Dhanapāla's Tilakamañjarī
The Tilakamañjarī , Dhanapāla's poem in prose ( gadyakāvya ) is one of the masterpieces of classical Sanskrit literature and deserves to be better known. What he says in one of the introductory verses about his contemporary audience is also true about the readers of our time: “People, smelling danger, turn away from prose which contains a forest of unbroken lines (i.e. compounds filling whole lines) and lots of descriptions , as they keep away fr…
We do not fully understand the learned poet’s intention in not composing a twentieth canto’
The apparently abrupt and incongruous ending of Kālidāsa’s Raghuvaṃśa has been troubling scholars medieval and modern since the time of Vallabhadeva, the tenth-century Kashmirian commentator on the epic. A careful reading of the Raghuvaṃśa, however, shows that the series of royal biographies forms a consciously and coherently structured whole. Paying attention to Kālidāsa’s continuous allusions to concepts of arthaśāstra and dhasrmaśāstra, and to…
Inspired Poetry
A fragment of a play written on the Buddhist legend of prince Sudhana and the kinnarī has been microfilmed by the Nepal-German Manuscript Preservation Project. It was probably written at the end of the eleventh century in Bengal by a Buddhist scholar called Śāntākaragupta. The present article contains a critical edition and an English translation of the fragment, as well as an analysis of the intertextuality of the play and especially the literar…
Innovations and Turning Points
Vṛddhekṣvākuvratam . The commentators’ interpretations of the passages describing the renunciation of kings in the Raghuvaṃśa
At the end of their life, after transferring the kingdom to their grown-up sons, several kings of the Sūryavaṃśa chose to retire from the world and devoted their last years to asceticism and meditation. The verses of the Raghuvaṃśa describing these kings show considerable variation mainly along the lines of which āśrama (stage of life) the king enters at the end of his life. In many cases the commentators discuss these variants and argue pro and …
The namaskārapaddhati of the Sūktimuktāvalī. Studies on the Sūktimuktāvalī I
Cet article présente une édition et une traduction annotée du namaskārapaddhati, soit la section comprenant des vers d’obéissance de la Sūktimuktāvalī, une anthologie de poésie sanskrite dont la compilation eut lieu dans le Deccan en 1257 de notre ère. L’introduction à cette édition replace la Sūktimuktāvalī dans son contexte historique, discute de l’identité du ou des compilateurs de l’anthologie et de sa structure
Art (5 works) · History (5 works) · Indian and Buddhist Studies (5 works) · Literature (4 works) · Computer Science (3 works) · History (3 works) · Indian History and Philosophy (3 works) · Philosophy (3 works) · South Asian Studies and Conflicts (3 works) · Asian Geopolitics and Ethnography (2 works)