The Story of the Irascible Yakṣa and the King Who Nearly Beheaded Himself in Dhanapāla's Tilakamañjarī
Bibliographic Data
| ID | 9275124 |
|---|---|
| Authors | CSABA DEZSŐ (0000-0002-3595-0941, corresponding author) |
| Year | 2012 |
| Volume | 22 |
| Issue | 1 |
| Pages | 73-91 |
| Publication date | 2012-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Asiatic Society of Great Britain & Ireland (JOURNAL) |
| Journal identifiers | ISSN: 0035-869X • E-ISSN: 2051-2066 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1356186311000848 |
| OpenAlex | W2169204624 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
The Tilakamañjarī , Dhanapāla's poem in prose ( gadyakāvya ) is one of the masterpieces of classical Sanskrit literature and deserves to be better known. What he says in one of the introductory verses about his contemporary audience is also true about the readers of our time: “People, smelling danger, turn away from prose which contains a forest of unbroken lines (i.e. compounds filling whole lines) and lots of descriptions , as they keep away from the many-coloured tiger which lives in the dense Daṇḍaka forest ”. Although Dhanapāla shows more restraint in his descriptions and in the use of alliteration and long compounds than his illustrious predecessor Bāṇa, the extremely intricate plot of the Tilakamañjarī might discourage those who otherwise appreciate Sanskrit poetry. I am certain, however, that once a taste for gadyakāvya is acquired all these deterring factors turn into sources of delight
AKA · Alliteration · Art · Literature · Plot (graphics) · Poetry · Rhyme · Sanskrit · Sanskrit literature · Stanza · Taste · Chinese history and philosophy · Computer Science · History · Indian and Buddhist Studies · Indian History and Philosophy · Mathematics · Psychology
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |