Linda M Park‐Fuller
Biographic Data
| ID | 5625095 |
|---|---|
| NAME | Linda M Park‐Fuller |
| GIVEN NAMES | Linda M |
| FAMILY NAME | Park‐Fuller |
| SIGNATURE | FULLER L M P |
| AFFILIATIONS | Missouri State University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 44 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
In sickness and In health
Disaster Narrative Emergent/cies
The essay investigates narratives of disaster experiences as performed in over five hundred oral histories, diaries, interviews, letters, and other sources drawn from US-related disasters over one hundred years time. Based on analysis of the stories, the study establishes disaster narratives as a specific type of cultural performance with characteristic aesthetic strategies and performative intents; articulates their reflexive and emergent qualit…
Recuperating, Revisioning and Renaming
How to Tell a True Cancer Story
Audiencing the Audience
Despite, or because of, theories that problematize concepts of performance audience, few recent studies of audience exist. This paper ponders the relative lack of audience studies, considers obstacles to them, and demonstrates the complexities of audiencing through an exploration of selected Playback Theatre performances. Playback Theatre's characteristics evidence an ancient and yet innovative type of social activism by featuring audience member…
Performing absence
This study centers on autobiographical staged personal narrative, applying insights from studies in conversational personal narrative, the staging of collected stories, and. therapeutic testimony. The author pays specific attention to Holocaust narrative, Linda Alcoffs “The Problem of Speaking for Others, “ and contemporary essays about performed autobiographical narrative
Narration and narratization of a cancer story
Performance as praxis
Minding the stops
Because performance particularizes and reifies all the component elements of the literary experience, it can be a valuable test of descriptions of the reading process. A comparison of performance practice and theory with one of the most famous descriptions of reading in contemporary literary theory, Stanley Fish's affective stylistics, demonstrates the accuracy of its claims. The study concludes that Fish's later rejection of affective stylistics…
Production record
Performing absence
This study centers on autobiographical staged personal narrative, applying insights from studies in conversational personal narrative, the staging of collected stories, and. therapeutic testimony. The author pays specific attention to Holocaust narrative, Linda Alcoffs “The Problem of Speaking for Others, “ and contemporary essays about performed autobiographical narrative
Audiencing the Audience
Despite, or because of, theories that problematize concepts of performance audience, few recent studies of audience exist. This paper ponders the relative lack of audience studies, considers obstacles to them, and demonstrates the complexities of audiencing through an exploration of selected Playback Theatre performances. Playback Theatre's characteristics evidence an ancient and yet innovative type of social activism by featuring audience member…
Narration and narratization of a cancer story
Disaster Narrative Emergent/cies
The essay investigates narratives of disaster experiences as performed in over five hundred oral histories, diaries, interviews, letters, and other sources drawn from US-related disasters over one hundred years time. Based on analysis of the stories, the study establishes disaster narratives as a specific type of cultural performance with characteristic aesthetic strategies and performative intents; articulates their reflexive and emergent qualit…
How to Tell a True Cancer Story
Performance as praxis
Production record
Production record
Minding the stops
Because performance particularizes and reifies all the component elements of the literary experience, it can be a valuable test of descriptions of the reading process. A comparison of performance practice and theory with one of the most famous descriptions of reading in contemporary literary theory, Stanley Fish's affective stylistics, demonstrates the accuracy of its claims. The study concludes that Fish's later rejection of affective stylistics…
Performance as praxis
Narration and narratization of a cancer story
Performing absence
This study centers on autobiographical staged personal narrative, applying insights from studies in conversational personal narrative, the staging of collected stories, and. therapeutic testimony. The author pays specific attention to Holocaust narrative, Linda Alcoffs “The Problem of Speaking for Others, “ and contemporary essays about performed autobiographical narrative
Audiencing the Audience
Despite, or because of, theories that problematize concepts of performance audience, few recent studies of audience exist. This paper ponders the relative lack of audience studies, considers obstacles to them, and demonstrates the complexities of audiencing through an exploration of selected Playback Theatre performances. Playback Theatre's characteristics evidence an ancient and yet innovative type of social activism by featuring audience member…
How to Tell a True Cancer Story
Recuperating, Revisioning and Renaming
Disaster Narrative Emergent/cies
The essay investigates narratives of disaster experiences as performed in over five hundred oral histories, diaries, interviews, letters, and other sources drawn from US-related disasters over one hundred years time. Based on analysis of the stories, the study establishes disaster narratives as a specific type of cultural performance with characteristic aesthetic strategies and performative intents; articulates their reflexive and emergent qualit…
In sickness and In health
Art (8 works) · History (6 works) · History (6 works) · Sociology (6 works) · Literature (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Media studies (4 works) · Narrative (4 works) · Art history (3 works)