Warren Liu
Biographic Data
| ID | 5625555 |
|---|---|
| NAME | Warren Liu |
| GIVEN NAMES | Warren |
| FAMILY NAME | Liu |
| SIGNATURE | LIU W |
| AFFILIATIONS | Warren Liu is an Assistant Professor of English at Scripps College. He is currently at work on a project about aesthetic form, technology, and race in Asian American literature and culture. |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
The Year's Work in Nerds, Wonks, and Neocons
Inhuman Citizenship
How Not to See (Or, How Not to Not See) the Photographs of Tseng Kwong Chi
This essay reconsiders the work of acclaimed photographer Tseng Kwong Chi and what his Man in the Mao Suit series has to say about the cultural politics of race and gender. The author focuses on the formal elements of the photographs and the context behind them to reveal the assumptions about identity represented by Tseng Kwong Chi's use of the Mao suit
Posthuman Difference
This essay puts into conversation two rarely conjunctive discourses: posthumanism, which focuses on how technological mediation forces a reconsideration of the very categories of “subject,” “object,” and “literature”; and Asian American literary criticism, which seeks to continually interrogate how Asian American subjects are produced, reproduced, and represented. Putting these two discourses into conversation yields several important results: fo…
How Not to See (Or, How Not to Not See) the Photographs of Tseng Kwong Chi
This essay reconsiders the work of acclaimed photographer Tseng Kwong Chi and what his Man in the Mao Suit series has to say about the cultural politics of race and gender. The author focuses on the formal elements of the photographs and the context behind them to reveal the assumptions about identity represented by Tseng Kwong Chi's use of the Mao suit
Posthuman Difference
This essay puts into conversation two rarely conjunctive discourses: posthumanism, which focuses on how technological mediation forces a reconsideration of the very categories of “subject,” “object,” and “literature”; and Asian American literary criticism, which seeks to continually interrogate how Asian American subjects are produced, reproduced, and represented. Putting these two discourses into conversation yields several important results: fo…
How Not to See (Or, How Not to Not See) the Photographs of Tseng Kwong Chi
This essay reconsiders the work of acclaimed photographer Tseng Kwong Chi and what his Man in the Mao Suit series has to say about the cultural politics of race and gender. The author focuses on the formal elements of the photographs and the context behind them to reveal the assumptions about identity represented by Tseng Kwong Chi's use of the Mao suit
Inhuman Citizenship
The Year's Work in Nerds, Wonks, and Neocons
Sociology (4 works) · Asian American and Pacific Histories (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · History (3 works) · History (3 works) · Aesthetics (2 works) · Art (2 works) · Law (2 works) · Law (2 works)