How Not to See (Or, How Not to Not See) the Photographs of Tseng Kwong Chi
Bibliographic Data
| ID | 9286807 |
|---|---|
| Authors | Warren Liu (Warren Liu is an Assistant Professor of English at Scripps College. He is currently at work on a project about aesthetic form, technology, and race in Asian American literature and culture., corresponding author) |
| Year | 2014 |
| Volume | 40 |
| Issue | 2 |
| Pages | 25-45 |
| Publication date | 2014-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Amerasia Journal (JOURNAL) |
| Journal identifiers | ISSN: 0044-7471 • E-ISSN: 2642-0228 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.17953/amer.40.2.90v225666718561l |
| OpenAlex | W2210725248 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
This essay reconsiders the work of acclaimed photographer Tseng Kwong Chi and what his Man in the Mao Suit series has to say about the cultural politics of race and gender. The author focuses on the formal elements of the photographs and the context behind them to reveal the assumptions about identity represented by Tseng Kwong Chi's use of the Mao suit
Aesthetics · Archaeology · Art · Context (archaeology · Identity (music · Political science · Politics · Race (biology · Sociology · Anthropological Studies and Insights · Asian American and Pacific Histories · Gender Studies · History · Japanese History and Culture · Law
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,11 |
| Citation span | 2017 - 2017 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |