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Brendon K Vayo

Biographic Data

ID5625656
NAMEBrendon K Vayo
GIVEN NAMESBrendon K
FAMILY NAMEVayo
SIGNATUREVAYO B K
AFFILIATIONSHouston Community College System
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Made the absence shout’

    Brendon K Vayo•ARTICLE•Journal of Literary Semantics•2022•Cited by: 1•References: 3

    In 1856, Margaret Garner murdered one child, and attempted to murder three others, rather than return them to slavery. Despite the impact traumas like Garner’s had on abolition, history largely forgets or ignores these gruesome details. In their place come racialist markers that obscure Garner’s likeness. Thomas Satterwhite Noble’s The Modern Medea , for example, depicts Garner with a head wrap and wild eyes. Visual cues such as these perpetuate …

  • Iconoclasms of Emmett Till and his killers in Lewis Nordan’s Wolf Whistle

    Open Access•Brendon K Vayo, Brendon Vayo•ARTICLE•Semiotica•2018•References: 1

    In this essay, I argue that the apparent historical inaccuracies contained within Lewis Nordan’s Wolf Whistle (Nordan, Lewis. 2003 [1993]. Wolf Whistle . Chapel Hill: Algonquin) represent a systematic repeal of the controversial history surrounding the murder of Emmett Till in 1955. Nordan reconstitutes the principle characters to function as iconoclasms of the historical record. As iconoclasms, these representations undermine our culture’s accep…

  • Made the absence shout’

    Brendon K Vayo•ARTICLE•Journal of Literary Semantics•2022•Cited by: 1•References: 3

    In 1856, Margaret Garner murdered one child, and attempted to murder three others, rather than return them to slavery. Despite the impact traumas like Garner’s had on abolition, history largely forgets or ignores these gruesome details. In their place come racialist markers that obscure Garner’s likeness. Thomas Satterwhite Noble’s The Modern Medea , for example, depicts Garner with a head wrap and wild eyes. Visual cues such as these perpetuate …

  • Iconoclasms of Emmett Till and his killers in Lewis Nordan’s Wolf Whistle

    Open Access•Brendon K Vayo, Brendon Vayo•ARTICLE•Semiotica•2018•References: 1

    In this essay, I argue that the apparent historical inaccuracies contained within Lewis Nordan’s Wolf Whistle (Nordan, Lewis. 2003 [1993]. Wolf Whistle . Chapel Hill: Algonquin) represent a systematic repeal of the controversial history surrounding the murder of Emmett Till in 1955. Nordan reconstitutes the principle characters to function as iconoclasms of the historical record. As iconoclasms, these representations undermine our culture’s accep…

  • Made the absence shout’

    Brendon K Vayo•ARTICLE•Journal of Literary Semantics•2022•Cited by: 1•References: 3

    In 1856, Margaret Garner murdered one child, and attempted to murder three others, rather than return them to slavery. Despite the impact traumas like Garner’s had on abolition, history largely forgets or ignores these gruesome details. In their place come racialist markers that obscure Garner’s likeness. Thomas Satterwhite Noble’s The Modern Medea , for example, depicts Garner with a head wrap and wild eyes. Visual cues such as these perpetuate …

Art (2 works) · Art history (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Chapel (1 work) · Contemporary Literature and Criticism (1 work) · Epistemology (1 work)

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