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Eugenio La Rocca

Biographic Data

ID5635030
NAMEEugenio La Rocca
GIVEN NAMESEugenio
FAMILY NAMELa Rocca
SIGNATURELA ROCCA E
AFFILIATIONSa Sovraintendenza ai Béni Culturali , piazza Campitelli 7, Rome, 00186 Phone: Fax: E-mail
ORCID0000-0002-5339-1389
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Signum divo Augusto patri ad theatrum Marcelli

    Eugenio La Rocca•ARTICLE•Studi classici e orientali•2022

  • Staging Nero

    Open Access•Eugenio La Rocca•CHAPTER•Cambridge Companion to the Age of…•2017

  • Agrippa’s Pantheon and Its Origin

    Open Access•Eugenio La Rocca•CHAPTER•Pantheon•2015

  • Art and Representation

    Eugenio La Rocca•BOOK•The Oxford handbook of Roman…•2010

    In recent years, the question of what constitutes art has often been asked. The question arose quite naturally from the dismissal of the traditional concept of art as imitation of the real – a notion that, though variously inflected, has held sway up until the dawn of the twentieth century. In the ancient world, images were intended as a representation of the real, as ‘mimesis’, and they were perceived accordingly. By now it is common knowledge t…

  • The newly discovered city fresco from Trajan's baths, Rome

    Eugenio La Rocca•ARTICLE•Imago Mundi•2001

    Archaeological excavations in 1997 led to the discovery of a fresco in a buried gallery under Trajan's Baths in Rome. The painting is a remarkable bird's‐eye view ofa city. Whether or not it represents any real city, the composition is of considerable interest to historians of cartography as a spectacular example of early urban representation. As Sovraintendente ai Beni Culturali of the Municipality of Rome, Eugenio La Rocca is responsible for co…

  • Crateri in argilla figulina del Geometrico Recente a Vulci

    Eugenio La Rocca•ARTICLE•Mélanges de l École française de…•1978•Cited by: 1

    Eugenio La Rocca, Crateri in argilla figulina del Geometrico Recente a Vulci. Aspetti della produzione ceramica d'imitazione euboica nel Villanoviano avanzato, p. 465-514. La recente pubblicazione di ceramiche in argilla figulina di produzione e d'imitazione euboica in Etruria Méridionale, in particolar modo di un gruppo di crateri di cui uno, forse, dell'atelier del Pittore Cesnola, permette di avanzare l'ipotesi di una presenza di botteghe di a…

  • Crateri in argilla figulina del Geometrico Recente a Vulci

    Eugenio La Rocca•ARTICLE•Mélanges de l École française de…•1978•Cited by: 1

    Eugenio La Rocca, Crateri in argilla figulina del Geometrico Recente a Vulci. Aspetti della produzione ceramica d'imitazione euboica nel Villanoviano avanzato, p. 465-514. La recente pubblicazione di ceramiche in argilla figulina di produzione e d'imitazione euboica in Etruria Méridionale, in particolar modo di un gruppo di crateri di cui uno, forse, dell'atelier del Pittore Cesnola, permette di avanzare l'ipotesi di una presenza di botteghe di a…

  • Crateri in argilla figulina del Geometrico Recente a Vulci

    Eugenio La Rocca•ARTICLE•Mélanges de l École française de…•1978•Cited by: 1

    Eugenio La Rocca, Crateri in argilla figulina del Geometrico Recente a Vulci. Aspetti della produzione ceramica d'imitazione euboica nel Villanoviano avanzato, p. 465-514. La recente pubblicazione di ceramiche in argilla figulina di produzione e d'imitazione euboica in Etruria Méridionale, in particolar modo di un gruppo di crateri di cui uno, forse, dell'atelier del Pittore Cesnola, permette di avanzare l'ipotesi di una presenza di botteghe di a…

  • The newly discovered city fresco from Trajan's baths, Rome

    Eugenio La Rocca•ARTICLE•Imago Mundi•2001

    Archaeological excavations in 1997 led to the discovery of a fresco in a buried gallery under Trajan's Baths in Rome. The painting is a remarkable bird's‐eye view ofa city. Whether or not it represents any real city, the composition is of considerable interest to historians of cartography as a spectacular example of early urban representation. As Sovraintendente ai Beni Culturali of the Municipality of Rome, Eugenio La Rocca is responsible for co…

  • Art and Representation

    Eugenio La Rocca•BOOK•The Oxford handbook of Roman…•2010

    In recent years, the question of what constitutes art has often been asked. The question arose quite naturally from the dismissal of the traditional concept of art as imitation of the real – a notion that, though variously inflected, has held sway up until the dawn of the twentieth century. In the ancient world, images were intended as a representation of the real, as ‘mimesis’, and they were perceived accordingly. By now it is common knowledge t…

  • Agrippa’s Pantheon and Its Origin

    Open Access•Eugenio La Rocca•CHAPTER•Pantheon•2015

  • Staging Nero

    Open Access•Eugenio La Rocca•CHAPTER•Cambridge Companion to the Age of…•2017

  • Signum divo Augusto patri ad theatrum Marcelli

    Eugenio La Rocca•ARTICLE•Studi classici e orientali•2022

Art (6 works) · Ancient Mediterranean Archaeology and History (4 works) · Classical Antiquity Studies (4 works) · Ancient history (2 works) · Art history (2 works) · Cartography (2 works) · Geography (2 works) · Historical and Religious Studies of Rome (2 works) · Historical, Religious, and Philosophical Studies (2 works) · History (2 works)

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